Ted Lasso, Rom-Coms, and Emotional Vulnerability

Why is it important that a show about men who play soccer did a rom-com homage?

Dickinson Behind-the-Scenes: An Interview With the Artisans

Meet the artists who brought the Apple TV+ series to life!

If You Like This, Watch That

Looking for a new TV series to watch? We recommend them based on your preference for musicals, ensemble shows, mysteries, and more!

Monday, June 25, 2018

The Bachelorette 14x04 Roundtable: Becca's Big Lumberjack Bash [Contributors: Rebecca, Alisa, and Chelsea]


Who's ready to dive into more of The Bachelorette's shenanigans? Hopefully you! Join our roundtable as they discuss the drama of last week's episode.

This week picked up immediately with a rose ceremony and some drama between our favorite model, Jordan, and David the Chicken — with Colton getting in on some of the mess. What do you make of all of this? The preview showed the two men on a two-on-one. Who do you think will emerge victorious? 


Rebecca: I’m almost positive Chicken will come out on top, which is unfortunate since Jordan is a treasure. He’s the perfect villain because he’s awful and rude and obnoxious, but he isn’t outright mean or a bully. He’s definitely NOT here for the right reasons, but he’s so entertaining and his one-liners are absolute killers, and I want him to stick around and continue being absolutely ridiculous. Chicken was one of my favorites in the beginning, but I can’t take him seriously after he got a busted face from falling out of bed.

Alisa: I think Becca will send both the Chicken and the Model packing on the two-on-one. I do appreciate how amusing the Model is and would hate to seem him go so soon, but I’m also not sure how many more jokes and hijinks he has up his designer sleeves. The Chicken has just gotten out of hand with his tattling and rough sleeping habits. Time for him to move on, and hopefully Colton’s not far behind.

Chelsea: I’m hoping that Jordan comes out on top and I bet the producers are thinking the same. He’s just a complete delight and has kept this season fun for a lot of us. He can aggravate Colton if he stays longer. I do think Alisa is onto something in that Becca will send both of them home. He hasn’t spent any of his screentime with Becca not talking about Jordan, and went from having potential to being just annoying.

The group date had our men in a lumberjack competition, and finally highlighted our cute Venmo software engineer, John, before steering into drama with Jean Blanc. What was your favorite part of the date before the Jean Blanc drama? Was Jean Blanc in the wrong for asking for his gift back? Who do you think deserved the group date rose? 


Rebecca: I loved the lumberjack date. It was the exact amount of entertaining and laid back we needed. I liked watching the men take an axe to the tree stump... wheeeewww *heart eyes emoji*. The whole Jean Blanc situation was so uncomfortable because I couldn’t decide who I felt worse for. It’s clear he got nervous and desperate, spouted some stuff he didn’t mean, and then got embarrassed when she didn’t feel the same and tried way too hard to backtrack. I feel bad for him. But I also felt awful for Becca, because how horrible would that kind of dishonesty be? It was definitely awkward for him to ask for his gift back. I doubt he paid any money for it, so he should have just let it go.

Alisa: John has the most adorable personality, and he’s not bad on the eyes either. I was glad he finally got to shine and I wouldn’t mind seeing more of him. Now that my fave Clay is out of the running (though hopefully not permanently!), maybe John could be the next Bachelor? The whole Jean Blanc situation was super awkward and it’s always poor form to ask for a gift back. What is he even going to do with it now? Good riddance. 

Chelsea: John ended up being a delightful cutie, and I hope he can dark horse his way through the rest of the season. He is sweet, charming, and he's got that nice Venmo money. Becca needs to nail that down. I don’t know if I want him as Bachelor though since he might be a little too boring for that, but he should have gotten that group date rose.

Jean Blanc was already being weird and not picking up the cues that she wasn’t interested but like... don’t say something you don’t mean. It’s clearly a trigger for Becca for you to say one thing then change your mind the next second. So maybe take all of the Arie hints to heart and respect her past and how embarrassed she’s been by flaky dudes.

Garrett and Wills both received one-on-one dates this week and charmed the pants off of Becca. Are these men our frontrunners for hometowns? Who would you like to see get the next one-on-one? 


Rebecca: I love Wills, don’t get me wrong, but I’m not sure I see him going to hometowns. I didn’t get the same vibe from Becca toward him I see toward her with some of the other guys. That being said, Wills is one of my favorites, and I loved how he was able to cheer her up after the whole Jean Blanc fiasco. Garrett is definitely in the cards for hometowns; it’s clear he’s a frontrunner, considering how into him Becca is... and how into giving an apology for those Instagram likes the producers were.

Alisa: I agree with Rebecca on Wills. He was perfection on that date and became one of my new favorites, but I don’t see Becca taking him all the way to hometowns which is too bad. I think she’s making some poor choices this season, which I hate to see. I think the good guys like Wills and John are gonna fall by the wayside while questionable characters like Colton and Garrett are going to be making it to hometowns. That being said, I’d love to see John get a one-on-one date this week.

Chelsea: Garrett’s date looked fun and Becca is clearly super into him. I would be shocked if he didn’t get to hometowns, especially since Becca and the show are defensive about him. Wills is the kind of guy I would like and was the perfect person to cheer Becca up. He was super chill and let her set the pace for the date. I don’t know if he’ll make it to hometowns but I want him to get one, if only so we can see him in that snazzy blue suit and scarf combo again. I hope John or Jason gets a the one-on-one on the next episode. If it’s that flat-earther Lincoln, I don’t know what I’ll do.

Sunday, June 24, 2018

Jenn's Pick: 9 Films/TV Series and The Need for Feel-Good Media in 2018 [Contributor: Jenn]


On any given day, I’ll open my social media feeds in the morning and read through some terrible news — a comment made dehumanizing a particular ethnicity or people group. A mass shooting. A death of a beloved celebrity. News of someone’s crimes against the marginalized.

With all of the things in the world that can weigh us down, it can be easy to sink. We can find ourselves in a media overload, with whirlpools swirling around us. As hard as we kick, we might feel totally helpless and hopeless by the things we see and read. I believe it’s important to be informed and alert — to vote, to do what you can with your voice and your feet and your wallets and your whole selves to protect the people you can and treat everyone as a human. I believe we all need to look around us and ask, “What can I do to help?”

But even after you’ve practically done what you can to help others, you might still feel utterly helpless. You might even feel guilty for going to the movies, for enjoying a cheesy television series, or laughing at a stand-up show because of all of the things happening around you that you can’t control. I think that’s kind of the point — today’s world allows us the chance to be so intimately connected to everything that we often hold on tightly to things outside of our control. It makes us feel powerless and occasionally guilty for enjoying things in life meant to be enjoyed because we deem them “insignificant” in the scope of life.

I, however, ascribe to the belief that until you care for yourself, you can’t be your best self for others. It’s why an airline attendant will tell you to secure your oxygen mask first before helping the child or person next to you. It’s not out of selfishness that we put on our masks first — it’s because until we’re relaxed, secured, and supplied, we cannot be of assistance for the people around us.

So in an era where our political, economic, religious, and social justice climate feels like a weight crushing down on us, it’s even more integral for us to practice self-care. Thank goodness there are content creators out there who’ve recognized the necessity for feel-good media! This listicle will help give you an idea of some feel-good television shows and films you can watch the next time you feel overwhelmed by things in your life.

So pull up your comfiest couch, a soft blanket, and your drinks and snacks of choice. Let’s get started with my recommendations!

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One Day At A Time


(A slight disclaimer: This show is so well-written and well-acted that it will also make you sob into a pile of tissues. Not like, those cute little tears either. The kind of crying that is just snotty and gross. Just an FYI.)

One Day At A Time is such a delightful, family-centric Netflix series. The story goes as follows: Penelope Alvarez is a recently-single Army vet who’s raising her two children with her mother’s help. They’re a Cuban-American family trying to navigate life, in all of its best and worst moments. It features an incredible cast, stellar writing, and beautiful messages. One Day At A Time’s draw is that it discusses relevant and difficult topics (like immigration, PTSD, depression, sexuality, etc.) without being overt or trite. There’s a character who’s a woman, a POC, and a part of the LGBTQ+ community. The show is inclusive and sweet, heartwarming and humbling. Rita Moreno is an absolute wonder, as you’d expect her to be. And Justina Machado is a force to be reckoned with. She can have you laughing one moment and overtly weeping the next.

The best part about the series (and there are so many things to love about it) is that it truly is about love — the love that these family members have for each other. The love they have for the work they do, and the people in their lives who are friends-turned-family. It’s a feel-good series that reminds us to find joy in the relationships that can be hard, to stand strong and be who we are, and to always remember that it’s okay to admit that you’re not okay. We need each other, and One Day At A Time reminds us of the beauty in that.

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Set It Up


I might have watched this Netflix rom-com twice over the course of a week. That’s how cute and endearing it is. I’m always hesitant to try out romantic comedies because the writing is often hit-or-miss, and if the chemistry between lead actors isn’t there, the whole thing can fall apart. But Set It Up isn’t just genuinely funny and endearing — it’s a great reminder for even the most cynical among us that the rom-com genre isn’t quite dead yet. The film centers around two burnt-out assistants named Charlie and Harper who decide to pull a Parent Trap on their bosses. If they manage to do it right and set them up, they just might be able to find time to have lives. Of course, things don’t go as planned.

There are plenty of cute moments throughout the film, but if you’re a sucker for a slow-dancing trope or “schmoopy eyes” like I am, you’ll fall in love with Set It Up (and Glen Powell — who plays the snarky, ambitious Charlie — in particular). Taye Diggs and Lucy Liu are fantastic as the tough-as-nails bosses that Charlie and Harper work for and bring their own brand of staccato humor to their roles. And Zoey Deutch is absolutely perfect Harper who is a slightly-awkward but sweet person who dreams of someday having time to actually be a writer. As you might imagine, the connection between Harper and Charlie is a driving force of the film and the Glen/Zoey dynamic throughout is truly what carries Set It Up, allowing it to shine as a rom-com. Men of future rom-coms, take lessons from Glen Powell about how to perfect that “I’m in love with you” look because he’s got it down.

Grab a bottle of wine and a bowl of popcorn tonight and settle in for Set It Up!

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Any and every Mike Schur comedy (Brooklyn Nine-Nine, The Good Place, and Parks and Recreation specifically)


Mike Schur is the showrunner whose comedies are defined as comedies of optimism. Whether you choose Parks and Recreation, Brooklyn Nine-Nine, or The Good Place, you’ll find bright, diverse shows where the characters genuinely love each other, defend each other, and strive toward becoming better people. While I do love The Office (and will always binge-watch it), that comedy usually skewed itself toward cringe-humor and numerous plot points were rooted in the idea that characters disliked each other.

But in Brooklyn Nine-Nine, there are characters who banter and fight but who stand up for each other. They’re a squad, through and through. There are so many amazing things about the series that I could write — how the topics are poignant and character-rooted the stories are, how funny the series is, how heartwarming it is to see relationships evolve — but I’ll let you guys watch the show and see for yourselves.

Additionally, if you have yet to binge-watch The Good Place, please do so ASAP! This is another bright (quite literally, because of the way the show is lit), hilarious comedy that not only provides excellent meta commentary, pop culture references, and pop-up guest performers from the Schur Universe, but it also is a show about people realizing they’re not great, but wanting to be better — for themselves and for the people around them.

(And if you’ve never actually watched Parks and Recreation, I will kindly wait here while you binge-watch the entire, beautiful little series.)

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The Decoy Bride


Yes, this is another rom-com that you should watch. It’s cheesy and predictable, but that’s usually how I like my feel-good media to be. The film stars Kelly Macdonald (also known as Brave's Merida) as a Katie, a young woman who returns to her hometown on a remote Scottish island after her failed engagement. Realizing that she’s basically the last single person on the island of Hegg, she devotes herself to writing a guidebook about the island itself. Meanwhile, shenanigans ensue when a writer named James (David Tennant) and his fiance Lara (Alice Eve) arrive on the island to escape paparazzi and get secretly married. Obviously shenanigans ensue, leading to James and Katie falling in love.

Are you a fan of every rom-com trope in the book? Then The Decoy Bride is the perfect film for you! It’s sweet and endearing (and actually one of the few PG rom-com films I’ve watched maybe ever that I actually have enjoyed), and the reason I keep coming back to it whenever I need a pick-me-up is because while I eye roll and complain about tropes in rom-coms, I also have come to rely on them. These things still make me smile, and it’s a comfort akin to your favorite cozy blanket.

Plus... David Tennant.

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Young & Hungry


I don’t even know how I started binge-watching this or why, but I did and I absolutely adore how utterly corny it can be. Someone in an article I read essentially described it as a more adult version of a Disney Channel or Nickelodeon series, which might explain why I enjoy it (considering I grew up on those channels as a kid). The Freeform series stars actual Disney alum Emily Osment as Gabi, a personal chef who works for a young tech entrepreneur (who eventually becomes her love interest, naturally).

While the laugh track on the series occasionally feels over-the-top, if you’re looking for some fluffy fun that’s reminiscent of The Nanny in slapstick shenanigans, then you’re in the right place and Young & Hungry is the series for you.

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The Intern


A few months ago, The Intern was on TBS and I decided to watch it, as I’m one of the few people who’s always adored Anne Hathaway (Ella Enchanted should also be on your list of feel-good movies, to be honest). If you’re looking for a non rom-com that is sweet, positive, and features an all-star cast, then The Intern is for you. The plot is this: A man named Ben (Robert De Niro) in his 70s decides that he needs to fill his days with something meaningful, especially now that he’s a widower and so many of his friends are gone. He applies for an internship with an online fashion site, founded by Jules (Anne Hathaway). The rest of the story is how Ben learns to adjust to a technologically-driven workplace, but how he’s able to bestow his wisdom to his young co-workers — including his boss, Jules.

Robert De Niro and Anne Hathaway’s chemistry in the film is perfect. Ben serves as a father-figure to Jules, encouraging her, providing her with advice, and learning from her. One of the best parts about the film is that it doesn’t paint either age demographic in a bad light. Jules is genuinely appreciative of Ben’s experience and old-fashioned ways of doing things; Ben shows nothing but respect to his younger co-workers and approaches his work with humility. He even tells Jules how much he admires her and her work.

The Intern is such a cute, feel-good film that will make you probably wish you had someone like Robert De Niro to work with every day.

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The Bold Type


Looking for a show that’s female-positive, fun, filled with incredible music, and also tackles workplace and romantic relationships? The Bold Type is the show for you! This Freeform series features a young female cast whose characters work for a magazine called Scarlet. Kat (Aisha Dee) is the social media editor, Jane (Katie Stevens) is a budding writer trying to find her big shot, and Sutton (Meghann Fahy) is an assistant with a passion for fashion. The women work for Jacqueline (Melora Hardin) who runs her magazine with the belief that women should be empowered. She’s a tough woman but what I love about The Bold Type is that this is not The Devil Wears Prada — Jacqueline gives pep talks to her staff. These young women look up to her as their boss and she’s aware of that responsibility. So you’ll see episodes where Jacqueline and Jane sit down and talk to one another honestly.

The Bold Type is the feel-good, fun show you need to add to your queue — especially because it’s still airing! Catch up and watch the current season with us.

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Mama Mia!


Honestly, if you haven’t yet watched this movie, I highly recommend you do so. It features an all-star cast including Meryl Streep, Amanda Seyfried, Colin Firth, Pierce Brosnan, and more. The story follows one young woman, Sophie (Seyfried), who is about to get married and wants to invite her father to her wedding. The only problem? Her mother (Streep) never told her who her father was. So Sophie sends out three letters to the three men who could be her father and all three show up. The rest is a musical journey featuring ABBA songs as Sophie learns about family and love from the three men, her mother, and her mother’s best friends.

Mama Mia! is just so much fun. I’m a sucker for musicals, obviously, and so the soundtrack for this film is delightful. If you don’t end your viewing by humming “Dancing Queen,” then you might be a robot. The story itself is a fun little guessing-game, rooted primarily in the love that Donna has for her daughter. The most important relationship by the end of the film isn’t a romantic one — it’s the familial bond between a mother and daughter. And I love that.

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Splitting Up Together


Okay, I know that you might be wondering why a show about divorce makes my “feel-good” media list, but hear me out because I was skeptical too: This ABC sitcom is entirely endearing and realistic in its portrayal of adult relationships, marriage, parenting, and moving on. It’s developed by Emily Kapnek (of Suburgatory and Selfie fame), whose shows were more or less focused on the idea that people are good, but even people who love each other make mistakes. Splitting Up Together is centered on a couple: Martin (Oliver Hudson) and Lena (Jenna Fischer) who have decided that they can no longer make their marriage work, but don’t want to split up their family in that process. So they decide to continue living together, each taking shifts — the “on” parent lives in the house, and the “off” parent lives in the attached garage apartment.

Oliver and Lena’s family and friends are skeptical about this arrangement. And though it initially feels awkward and odd (especially when both adults move back into the dating world), it works. And what results is a heartwarming show about what it means to love and lose, and the complexities of relationships that go south. I love that Splitting Up Together allows the chance to explore separation and divorce while developing both Oliver and Lena’s understanding of themselves and each other in the process.

Catch up on this ABC series. Jenna Fischer is absolutely wonderful, as you’d expect her to be, and Oliver Hudson surprised me with his delightful portrayal of Martin. Their chemistry is an integral part of the series and it works.

Regardless of which shows or films you deem to be feel-good, be sure to spend time this week (and month, and year) taking care of yourself. Sound off in the comments below and let us know what some of your favorite fluffy, feel-good TV shows/films are!

Saturday, June 23, 2018

Younger 5x03 Recap: “The End of the Tour” (Finally!) [Guest Poster: Kay-B]


“The End of the Tour”
Original Airdate: June 19, 2018

Let’s hop right to it, shall we? This week on Younger, we saw Pauline’s major tour go from lies to truth and freedom, Charles finally confront Liza about her big secret, and Kelsey and Zane still being... well, Kelsey and Zane.

"The End of the Tour" focused pretty heavily on Pauline’s new book tour. Marriage Vacation has debuted and Pauline is making appearances all over the city. With her break-up with Charles fresh, she struggles with how much she should reveal to her new “friends” — a.k.a., her book’s fanbase — and consumers. While she is open with Liza and Diana about her impending divorce, she is concerned that if her fans don’t get the romantic ending in real life that the book provides, they won’t continue to support it. While she gets varying degrees of advice from the Millennial/Empirical staff (including Pauline lying about being happy and in love with Charles), Diana and Liza ultimately decide to try as hard as possible to get interviewers and fans to avoid personal questions and press ahead with the content.

Pauline does the best she can, but then has an emotional breakdown when a fan asks her a personal question. Diana asks Charles to show up for his wife and support her — not as a spouse, but as a friend and as a business partner invested in the success of this book. When Charles shows up, it provides a sense of closure and calm, which is exactly what Pauline needs at that moment. Pauline realizes that it is the end of the line for her and Charles, and finally tells her audience that her marriage is over in real life. A peace comes to her too as she gives Charles a piece of her mind, telling him that he is the real reason to blame for her leaving their marriage and he apparently can’t argue with that.

Elsewhere in the episode, Kelsey and Zane are competing for the attention of a new author in the form of President Obama’s former speechwriter, Jake Devereux (Jason Ralph of The Magicians). They both head to Washington, D.C. to woo him. Still arguing like children in Charles’s office about who will bag him, Charles wants them to tag team this effort and just makes sure they sign him since we all know he’s taking meetings elsewhere.

Jake, of course, decides he does not want to choose between working with Zane or Kelsey — he want them both! It is not a surprise to the audience, of course; this has literally been the theme of this relationship/storyline since Charles announced Zane was coming aboard. Oh, and Kelsey and Zane sleep together after choosing each other on the new elite dating app that Kelsey was selected for (via an application that Lauren submitted on her behalf). Oh, and Jake noticed Kelsey’s profile too, so here comes a love triangle!

The big reveal of the episode was Charles finally “confronting” Liza. I put that in quotes because he still didn’t have the gumption to directly tell Liza how he found out about her secret. Basically, in the middle of Charles and Pauline’s public end, Charles makes a not-so-vague statement about obvious things basically being right in front of his eyes. Pauline is flabbergasted and assumes that Charles is making a revelation of love to Liza (girl, you are way behind on that), but in reality, it was Charles letting Liza know that he knows her secret. When Liza runs after him and confronts him directly, they dance around the details (I kind of appreciate that since we already know) and Charles jumps straight to only wanting a professional relationship with Liza since she lied to him. I wish Charles would allow Liza time to explain, and I wish he would’ve approached her sooner.

What did you like about the episode? Lauren and Josh were unfortunately in the background, with Josh still trying to figure out how to end his cycle of heartbreak. I need more scenes with them. Will Charles ever allow Liza an opportunity to explain her story and feelings? Kelsey should give Jake a shot because I want to see more out of her character. Plus, she and Zane have done this dance before.

The question now is: where do Pauline and Liza stand? Now that she knows that Liza and Charles are more than co-workers, how will this impact their working relationship and budding acquaintanceship? Let me know your thoughts!

Thursday, June 21, 2018

Supergirl 3x23 Review: "Battles Lost and Won" (The Word of the Day: Convenient) [Contributor: Deborah MacArthur]


“Battles Lost and Won”
Original Airdate: June 18, 2018 

Previously on Supergirl: Sam has to drink from the Fountain of Lilith inside that creepy forest dimension, Reign will die if Sam gets stronger, M’yrnn is dying but wants to save his memories first, and some other stuff they probably should have cleared out of the storyline before the finale. But okay, I guess TV shows like ending all their season story threads in the big final episode — even if the result is a bloated mess of haphazard plot tie-offs, some of which are tying off plots that only started the previous week.

The good news is that it wasn’t a boring finale. It wasn’t a super exciting finale, either, but I didn’t almost fall asleep while watching it. Truly, though, the saving grace of “Battles Lost and Won” is that it ends on an overall optimistic note, perhaps indicating that the gloomy, plodding, angst-filled storylines of season three will be left behind in season four. What’s up with the third seasons of TV shows frequently being so dark, anyway? Has anyone figured that out? Is it a story structure thing or what?

THE TERRAFORMING & AFTERMATH


Let’s start off with the most immediate threat to Earth: the terraforming that Reign instigates upon properly coming to life. According to the witchy Kryptonian trio of Selena and... the other two, earthquakes and such will transform Earth into a new Krypton. I’m not entirely sure why people with instantaneous terraforming capabilities decided to choose an inhabited planet. Just to be eeeevil, I suppose. The episode begins with the terraforming already underway and our heroes trying their best to minimize loss of life and property damage while J’onn and his father go to stop the actual terraforming.

Some important developments during the terraforming fight: James-as-Guardian unmasks to some scared lady who wants to go into a building and save her son. The Legion (or, because they seem to be the only team members, Imra and Brainy) shows up again to stop a tidal wave. We get a passing mention of Superman doing what he can wherever he is, but he doesn’t join the main battle.

I gotta be real honest: M’yrnn being able to sacrifice himself in order to stop Reign from tearing apart Earth’s molten core was one of those things abruptly introduced last episode, so I can’t really explain how it works. M’yrnn just shares one big, important memory with J’onn (about the first Green Martian to get scrolls of knowledge — I think — from a giant Martian head with flaming eyes) and then melts into magma, and the earthquakes stop. Why could he do this? Can all Martians melt into a planet and stop earthquakes? How convenient for Earth, that there was an earthquake-stopping Martian on the planet, ready to die for a good cause.

After the terraforming stops, everyone meets up to congratulate each other on a planet well saved. Oh, TV show characters. Blissfully ignorant of the running time and celebrating far too soon. So how did the Legion know to come back in time for battle? Well, the conveniently broken beacon that conveniently broke last episode conveniently un-broke just long enough to send out a signal for the future heroes to conveniently receive, allowing them to conveniently show up in the nick of time. It’s kind of hilarious how clumsily they explain it all in-universe, like I imagine the script just had a shrug emoji in place of all the dialogue and the actors just winged it.

Brainy has some bad news to rain on the parade: Although the future is saved from Pestilence, an evil Brainiac AI was also saved. Brainy can’t return to the future because if he does, Evil Brainiac will use a virus to kill all artificial intelligences to kill him. So, the future needs Mon-El to return, and also needs Winn. Apparently, some defensive technology Winn created last episode (again, slipping in huge plot point in the penultimate episode — great job, writers) is highly revered and Winn is a scientific hero.

SAM & REIGN


Meanwhile, Sam is in that dark ooky-spooky forest dimension and has just found two pools. One of the pools is the Fountain of Lilith we learned about last episode, but — according to the Ghost of Patricia, who’s also hanging out in the spooky forest for some unexplained reason — the other pool will kill Sam. Sam has the choice of trusting this manifestation of her distant foster mother or trusting her own instincts. In the end, she chooses to trust Patricia, who serves the water from the Fountain to Sam while singing a lullaby.

This sequence is mostly a fulfilling end to Sam’s arc. Not only in terms of her gaining the strength from the Fountain and being able to defeat Reign, but also just Sam’s personal stuff: Sam finally trusting her foster mother and Patricia finally being a loving parent and genuinely caring for Sam without all the judgement over Sam’s choices in life. Overall, it’s a fine end; I just wish it hadn’t been crammed into an episode with half a dozen other storylines.

Hey, remember Thomas Coville from last episode? And how he got zapped with Kryptonian laser eyes for all his culty troubles? He’s conveniently not dead, so that he can conveniently send out a distress signal from J’onn’s stolen ship and alert the DEO to the witchy trio’s location. Everyone descends upon our villain’s lair. The witches get taken out by Mon-El, Alura, and J’onn while Supergir confronts Reign directly.

Sam wakes up after drinking from the fountain and she’s super! Like, Capital-S-Like-Supergirl super, not just “feelin’ super” kind of super. She’s just in time, too, because Reign has Kara pinned down and is boasting about no one on the planet being strong enough to fight her. Sam zips to Supergirl’s rescue, stabs Reign in the back, and Kara throws the season’s villain into the molten lava pit the Worldkiller priestesses birthed her from. In her death throes, Reign eye-blasts, like, everyone, and Kara’s left standing amongst the dead bodies of Mon-El, her mother, and Sam. Wow, bummer of an ending.

Just kidding! Kara grabs Mon-El’s Legion ring and, through technobabble, is able to turn back time to just before Sam arrived and stabbed Reign. Kara thinks everything went wrong because she agreed to kill Reign; I think everything went wrong because she failed to through Reign into the lava head-first. Either way, Kara decides that the best prison to use to keep Reign alive but harmless is the dark forest place, and since there’s a convenient weakening pool right next to the strengthening pool, Kara force-feeds Reign the weakening water and peaces out. Problem solved, without Supergirl having to resort to muuuurder.

THE EPILOGUE


J’onn resigns as Director of the DEO, leaving the position to Alex. Running the DEO means Alex would have less time in the field, which means less life risking and more time to spend with the kid she’ll eventually adopt.

Kara gives a tearful goodbye to her mother, who is heading back to Argo City with all the manufactured black Harun-el rock Lena made. Alura makes a pointed remark about how dangerous and mysterious the rock is, and how it’s good that none is on Earth. Yeah, Lena has some she’s experimenting with. Nice of you to set up that future fall from grace, Supergirl writers.

Kara also says goodbye to Mon-El and Winn, who are heading to the future. It’s less tearful and more proud, overall.

James channels his inner Tony Stark and outright tells a reporter: “I am Guardian.”

Somewhere in Siberia, a woman who looks like Kara walks up to an outpost wearing only a blanket.

See you guys next season!

Other Things:
  • Persephone is actually only confined to the realm of Hades for half the year, which is the entire point of the Persephone myth, Kara.
  • It’s cute that Ruby still has a Supergirl necklace.
  • I love when extras are in applauding crowd scenes because there’s always that one actor who goes over the top and nods his head enthusiastically, like absolutely no human being ever does.

Wednesday, June 20, 2018

Guest Blog: She Loves You (Yeah, Yeah, Yeah) and the Power of Boy Band Stories [Guest Poster: Ann Hood]


Boy band mania has been around for decades and one of the first big bangs in terms of boy bands was Beatlemania in the 1960s. After that first appearance on The Ed Sullivan Show, the Beatles took over America and fans around the world were clamoring for any shred of news, information, new music release, or tour announcement. They burned brightly and fans stuck with them to end. 
This sort of thing still happens today, with groups like *NSYNC taking over the world in the early 2000s, One Direction holding court over the world for five years, and the Backstreet Boys still selling out their residency in New York. 
In Ann Hood's new book She Loves You (Yeah, Yeah, Yeah), Trudy falls in love with The Beatles and Paul McCartney. She becomes the first fan club in Rhode Island. And when they come back around, her dad promises to take her. Only about 32 things go wrong and Trudy wonders if she'll ever be in the same room as the Fab Four. 
The book is a wonderful look at growing up, friendship and a love for the things that make our hearts swell. Here, Ann Hood lets us know what makes the stories of boy bands so relatable and desirable by readers even today and answers the question: If it started with the Beatles, what makes boy bands and the stories they inspire still so popular today?

For my mother, it was crooners: Frank Sinatra, Dean Martin, Bing Crosby. For me — and every girl who watched The Ed Sullivan Show on February 9, 1964 — it all began with The Beatles. Four guys in identical collarless suits and shaggy hair who shook their bangs and grinned at the camera and sang songs whose words we memorized and sang along to long after that first Sunday night. It started with The Beatles, but it didn’t end there.

There were The Herman’s Hermits, Paul Revere and the Raiders, The Beach Boys, The Lovin’ Spoonful, The Rolling Stones — to name just a few of the boy bands we swooned over and dreamed of meeting one day, somehow. Each band had their own gimmick — Revolutionary War outfits, surfer gear, tie-dyed clothes, bad boy jeans and T-shirts — and the ones we loved best reflected, at heart, who we were. Or who we hoped to be someday. The Rolling Stones, with their tough stares and sex appeal, scared me. I didn’t want to fall in love with someone like Mick Jagger, or even worse, Keith Richards. Too dangerous. But the sweet-voiced Lovin’ Spoonful singing about it being a good day for a daydream and pleading Darling, be home soon, seemed both hippie-ish and safer. Like me, a daydreaming girl. Or The Beach Boys, who promised big waves and fast cars and California.

The last boy band I loved was Grand Funk Railroad, blue collar guys from Flint, Michigan who sang songs like “We’re an American Band” and a revival of Carole King’s “Do the Locomotion.” At the Providence Civic Center in 1974, I watched the lead singer, Mark Farner, strut across the stage as he sang, his long ponytail flying behind him, and knew that somehow my love affair with boy bands was over. Oh, sure, I still love The Beatles and all the others, but it was their music I loved, not them. My dreams of marrying Paul McCartney or catching a wave with Mike Love, were relegated to their proper place, where girlish dreams belong: tucked away in my heart and mind, making way for new dreams, dreams I might actually attain — being a writer, traveling the world, living in Greenwich Village.

Why do we love boy bands so? Because they are both at a safe distance and close to our hearts. Because they show us the parts of ourselves we are trying to understand or identify. Because when we outgrow them and move on, they still sing to us, but they step off the stage and allow the next act to begin.

Bio: Ann Hood is the author of the best-selling novels The Book That Matters Most, The Obituary Writer, Somewhere Off the Coast of Maine, The Red Thread, and The Knitting Circle, as well as the memoir Comfort: A Journey Through Grief, which was a New York Times Editor's Choice and chosen as one of the top ten nonfiction books of 2008 by Entertainment Weekly. She has won two Pushcart Prizes as well as a Best American Spiritual Writing Award, two Best American Food Writing Award, and a Best American Travel Writing award. A regular contributor to the New York Times, Hood's short stories and essays have appeared in many publications, including Ploughshares, Tin House, Traveler, Bon Appetit, O, More, The Wall Street Journal, The Washington Post, The Paris Review, and others. She is the editor of the anthologies Knitting Yarns: Writers Writing About Knitting, Knitting Pearls: More Writers Writing About Knitting, and Providence Noir. Hood is also the author of books for children, including the middle-grade novel, How I Saved My Father (And Ruined Everything Else), and the ten-book Treasure Chest series for young readers. Her new memoir, Morningstar: Growing Up with Books, will be published in August. She lives in Providence, Rhode Island, and New York City, and is married to the writer Michael Ruhlman.
Ann Hood's tale of Beatlemania, She Loves You (Yeah, Yeah, Yeah), is in stores now. But beware: You won't stop singing Beatles songs for weeks!

Monday, June 18, 2018

The Bachelorette 14x03 Roundtable: "Quick, Call the Ambulance!" [Contributors: Jen, Alisa, and Chelsea]


Welcome back to another fun week of The Bachelorette roundtables! Your favorites have returned to give you their thoughts on last week's episode, so let's dive right in.

We were graced with two ambulance visits on this week’s episode, with David the Chicken taking a fall off his bunk bed and Clay breaking his wrist, and ultimately having to leave. How do you feel about the chicken fight fake-out with Jordan? How much are you going to miss Clay? 


Jen K.: I feel my world will be a little darker without Clay. He has to come back as soon as possible. I knew Male Model didn’t hurt Jordan, but I was not expecting falling out of bed. It looked like fight club in the mansion. How far off the ground is his bed? I have questions. Although, I am with him on being used to a king-sized bed. Once you go king, you never go back.

Alisa: HE. FELL. OUT. OF. BED. Despite the many, many seasons of this franchise, THAT took me by complete surprise. Like Jen said, it clearly wasn’t going to be a fight between Jordan and David. Jordan wouldn’t do anything that put his moneymaker at risk. But falling out of bed is one for the ages. Are there no rails on those beds? How have we been watching this show basically our whole lives and this is the first time someone’s fallen out of the top bunk?

As for Clay, I’m super bummed he’s leaving but really hope he makes a surprise reappearance; it’s happened before! He’s final four and Bachelor material for sure, but he needs to come back to make that a reality.

Chelsea: We all knew the David and Jordan didn’t have a fight because this show is always trying to fake us out. But the editing was a beautiful and an inspired choice. Jordan drilling a rail to the top bunk and making all the chicken jokes made the fake-out completely worth it.

Clay is a treasure and I want him to be the next Bachelor or at least show up in Paradise. He was a real adult and made a smart decision for his career and the situation he was in, but he is one of my favorite dudes and is way too good for this franchise.

We finally got to hear Tia’s side of the Colton/Tia dating story. How do you feel about the show handling the revelation? Should Becca have forgiven Colton so quickly? 


Jen K.: No, Colton is shady. I’m not seeing what the allure is — other than the fact that he’s another Abercrombie & Fitch-looking model for Becca to choose from. Except she has plenty of others with that qualification who didn’t date her friend. I have trust issues with Tia as well. I think she expected to be the next Bachelorette so all this “support” for Becca feels fake to me. I have very little evidence to support this. It’s just my vibe.

Alisa: I’m not a fan of either Tia or Colton. As far as I’m concerned, they deserve each other and can get off Becca’s show. SHE’s the Bachelorette. I know that’s harsh but I don’t care. Tia was clearly gunning for the headline spot last season and seemed in it for all the wrong reasons, just like Colton does now. Becca needs a man who’s there for her, not to boost his own fame. She should have sent him packing the moment she found out. It seems clear he got with Tia thinking she’d be the next Bachelorette, and now he’s trying the same thing with Becca. It may make semi-interesting TV, but the producers really need to cool it with this nonsense.

Chelsea: The whole thing is shady and it’s painful how much both Colton and Tia want to soak up this reality fame. We all knew Tia was gunning for Bachelorette and it felt destined from the moment we found out she was friends with Raven, from Nick’s season. I wouldn’t trust either of them and I wouldn’t be surprised if they both ended up in Paradise to continue this story. The best thing to come from this whole mess has been Bekah M. spilling all the tea on Instagram and Twitter about these two, and looking out for Becca’s interests. That’s the kind of friend you want.

With Clay’s sad departure, this episode ended before a rose ceremony. Who do you think will go home? Garrett looks to be the man that gets a one-on-one next week. Who else are you hoping gets time to shine next week? 


Jen K.: My fave is on the injured list. I’m staying loyal and waiting for Clay to come off the bench. But... Blonde Nick is cute. Haven’t seen much of him. Also the long haired surfer dude who I thought joined the cast this episode because I never saw him before. MIKE. I googled him.

Alisa: I’m with Jen. Clay’s my man and I’m not switching teams now. That said, Leo is FINE. And his facial expressions have me cracking up every episode. I’d like to see more of him. I’m afraid he’ll turn out to be a jerk, but it’s hard to tell either way without more screen time. There was also a quick shot of one guy in Harry Potter glasses who I swear I’ve never seen before and I need to figure out who that was because he looked super cute.

Chelsea: After the adorable name snafu, I really want to see more of Jason in the upcoming episodes. He seems to have a fun vibe to him and is probably there to make friends. I don’t think Mike or Cute Glasses Ryan have said a single word this season, so they’re probably headed home soon. I’m not particularly impressed with this crop of guys at all.

How is Becca doing as the Bachelorette this season? How are you feeling about this season of the show? There are those problematic men: first Garrett’s questionable Instagram activity and now Lincoln’s assault conviction. How are we feeling about Becca’s chances at finding true love amidst the trash?


Jen K.: Becca is a big bowl of love. She seems sweet, earnest, and kind. I absolutely believe she’s here for the right reasons. Becca is also very trusting and forgiving. These are excellent qualities in people but can also lead to being used. So I have my Mama Bear Protective Mode activated. I don’t want her to get her heart broken again. I think she’s doing a good job of giving every guy their shot. There’s a lot of them and she’s rotating them nicely. I love she’s initiating every kiss (get it girl), but it would also be nice to see one of these boys man up and make a move. Thus far I am enjoying the season a lot. Although, I need to adjust to the rapid speed dating. It’s kind of unbelievable to me that one of the early dates was writing a love song. I think that would’ve been easier if Becca and Chris were actually in love rather than warm acquaintances who kiss. I think the song writing date should have been saved for the final four.

Alisa: Everything Jen said! Becca’s darling but I worry she’s going to trust the wrong guy and end up heartbroken all over again. Also, she deserves a truly amazing guy and I am just not optimistic with this bunch. The only guy I was super excited about (Clay) bowed out, and a lot of these men are just shady. And yeah, now with all this mess coming out after filming, I’m even more worried. I was sorta willing to give the producers a pass on not learning about Garrett’s Instagram activity until after the fact, simply because that does seem hard to find out.

But this assault charge with Lincoln? How does that not get uncovered before filming begins? I get he wasn’t convicted until last week, but he was charged in 2016! Someone, somewhere had to know about it and just kept quiet. I actually think people really could find love on this show, but the producers don’t want them to. They want the drama that comes with terrible contestants and that’s what they get it. It makes me sad for the people (like Becca) who seem to truly believe this show can work for them. Hopefully it still can, but I’m just not holding out hope.

Chelsea: I’m enjoying watching Becca’s season a lot even if the crop of guys are sub-par. She’s doing an awesome job trying to get to know each guy and I love that she’s really in control of all her dates. Clay was a real favorite of mine but now I’m only going to think about what might have been. I am co-signing what Jen said about wanting the guys to initiate anything with Becca. They all seem very scared of her for some reason, and sometimes a gal wants a charming Jordan-type from Jojo’s season or even Bryan from Rachel’s season. And re: the Chris/Becca date from this week, that did seem like a date for the final three or even final two. Becca clearly doesn’t remember their names yet, so how is she supposed to write a love song for *insert random brunette*?

Garrett is a forgivable offense for the producers because that would take some creepy friending and deep-diving online but Lincoln is a bit much. We know Lincoln was just convicted this past month but the producers should’ve been able to find this out if they did some simple Google searches or looked at public records. It’s not that hard to find out this information. I do feel better knowing the conviction means Lincoln probably didn’t make it too much further in the show and won’t be in Paradise.

Saturday, June 16, 2018

The History of Jane Doe: An Interview with Author Michael Belanger [Contributor: Megan Mann]


First love can be equal parts incredible and heartbreaking, all in the extremes. Extreme highs and even great lows. What can complicate things is that person being gone to you forever. Then, the sorrow is all the more difficult to navigate.

This is the fate that has befallen history nerd Ray. He thought life in his small town was okay, but only the history truly excited him. That is, until Jane came blowing into town and changed his life. The mysterious new girl took a shine to Ray for his witty commentary and the two quickly formed a relationship where Ray found himself enamored by Jane.

... Which makes what happens later even harder on Ray. Told between the before and after, Ray narrates the story of first love, first loss, and all that happens in between. He realizes that maybe history isn't as cut and dry as he thought it was, and that the parts of us that we don't share as our personal history are what really make us.

I was lucky enough to get in touch with Michael Belanger and ask him just a few questions about what it's like to release his debut novel, as well as how history has many facets to it.

Congratulations on your debut! How does it feel to finally have the book hit the shelves?


Thanks! It feels exciting, scary, awesome, and surreal — which should really be a whole new emotion, although I imagine the corresponding emoji would be somewhat frightening.

To be honest, I’ve already gone to my local bookstore a few times just to see it on the shelves. I’m really not that great at social media, so I’m thinking about making that my main marketing strategy — go to every bookstore I can and casually tell people how great the book is. And if someone notices my resemblance to the picture on the jacket sleeve, I’ll just claim to be the author’s evil twin brother.

What made you decide to write this story? What was the catalyst?


The book began with Ray’s voice. I wrote a chapter from the perspective of Ray describing Burgerville and after that I couldn’t stop. Gradually, everything started to come together. As I continued to write weird stories about Burgerville, the other characters naturally became part of the landscape: Jane Doe from the other Williamsburg, fan of folk music and conspiracy theories. Simon Blackburn, obsessed with vampire fiction and milk. Their stories were an integral part of the strange world of Burgerville, they just needed someone to transcribe them — a historian, so to speak.

As a high school teacher, I’m well-versed in the issues teenagers face each and every day. Their struggles gave me the sense of urgency to write this book. Not to mention, I used to be a teenager myself. I think somewhere, deep down inside, there’s still part of me trying to come to terms with my high school life — the pain, the confusion, the unwavering devotion to nineties alternative music (that part never left). I wish I could give that kid a hug. Or, because high school Mike wasn’t good with physical contact, a nice old-fashioned high five.

You’re a history teacher by day. Is that why you made your main character a history buff?


Definitely! It was a long and winding path to becoming a writer, and I’m grateful for all of the different life experiences that have shaped how I see the world, and in turn, shaped my characters. Writing isn’t only about putting words, sentences, and paragraphs together in a way that sounds good — you also need to have something to say. Coming from a background in history and teaching high school for almost a decade has had a profound impact on my writing. I’m a big proponent of writing what you know, and even though the world of Burgerville doesn’t exist, my background in history gave me a deep well to draw from — or a big cut of steak, if you will.

What I find interesting is that Ray believes knowing history gives us all of the answers, but that there are always details that are left out — that some people are ashamed to admit. Were you conscious of the idea that as humans, our histories are much more complex than a presentation of facts?


I’m so happy that those concepts and ideas came through! We all interpret our lives according to our own worldview, and I loved the idea of applying a historian’s lens to a person. I’ve been really influenced by revisionist historians who’ve challenged traditional narratives of American history. But could this approach work on a person? How can we challenge the stories we tell ourselves? 

As Ray delves into Jane’s history, he begins to realize the limits of the historical approach. Sadly, life can’t always be explained by cause-and-effect patterns. Not every event has a clear why. Sometimes it’s on us to make our own meaning, to ignore logic and embrace the unknown — which sounds way more New Age-y than I meant. Though to be clear, I have no problem with the New Age community, so please, no angry tweets. I guess what I’m trying to say is that life can’t always be lived according to certainty. Sometimes you have to find solace in the uncertainty.

The History of Jane Doe is a coming-of-age story. It’s a concept that has gotten more attention recently with movies like Lady Bird and books like Turtles All the Way Down dominating in their markets and having crossover appeal. What do you think draws readers of every age to the idea over and over again?


First off, I love Lady Bird and Turtles All the Way Down! I think we’re all still coming-of-age in our own ways, and the journey of a teenager is filled with so many rites of passage that it strikes a chord in everyone. One that probably never stops reverberating.

For teenagers, it’s cathartic to see themselves reflected in books and movies. It creates an archetype for teenagers to follow. Take Turtles All the Way Down, for example. I wish I could’ve had that book in high school to help me make sense of my anxiety and OCD. We read books to escape reality, but they can also help us escape in a more literal sense; a good book can offer us a path out of our troubles.

One of the most common themes in reviews thus far has been your wit and comedic timing. Is heartache and loss easier to deal with through humor?


It’s great to hear that people are responding to the humor. I love books, movies and TV shows that mesh humor and drama. I think it’s more reflective of our everyday lives. Even during the darkest times of my life, I’ve been lucky enough to find some light. And one of the things therapy has taught me is to focus on that light. Let it grow brighter. Humor can help with that. Laughing during times of great sadness is a very human thing to do.

I’ve also always been drawn to writers like Kurt Vonnegut who find a way to be both funny and serious. There’s a blurb on the back of one of Vonnegut’s books from the Los Angeles Times Book Review that says, “[Vonnegut] is either the funniest serious writer around or the most serious funny writer.” Not only does that quote perfectly describe Vonnegut, it’s also a pretty great description of humans. We’re either the funniest serious species around, or the most serious funny species. And because we’re talking Vonnegut, I’ll extend that to include aliens too.

Mental health is finally starting to slightly push away its stigma. Do you think that a story involving it makes it easier for the work to resonate with audiences?


I think it’s really important for everyone to see mental health portrayed honestly in pop culture. People have to stop punishing themselves for having anxiety and depression. That only adds another degree of difficulty onto getting better. There’s something so liberating about seeing mental illness as exactly that — an illness, something you can manage and recover from.

I remember feeling so ashamed of my depression and anxiety in high school. I wouldn’t talk about it with anyone. It made me feel weak, weird, strange. But by having characters in books openly confronting their mental health conditions through therapy, medication, and talking to friends and family, I’m hoping teenagers will more readily speak about their own struggles.

A lot of our readers are aspiring writers. What’s your writing process like?


I try to write an hour before work and another hour when I get home. The whole full-time job thing tends to get in the way of my process. And when class starts, I can’t exactly tell my students to just sit quietly while I finish a scene. As a teacher, a Lord of the Flies-type scenario is always just one bad lesson away.

With that being said, it’s important for me to stay excited about writing too, so I don’t sweat it if I need to take a day off, whether because I have a lot of grading to do, my cats are demanding attention — and if you have cats, you know when I say demand, I’m not exaggerating — or I just want to watch a show on Netflix. Like life, writing should be filled with joy. Don’t make it a drag!

How do you deal with writer’s block? Or, like Neil Gaiman, do you not suffer from it?


My philosophy is to always write even if I feel like my writing really sucks. I just want to get words on the page so I can feel accomplished. Before: a blank page. After: words assembled together in a mildly coherent way. Success!

For me, writing has always been a game of volume. I need to write a lot of words so the world will believe I’m a writer. The funny thing is, when you go back and revisit your pages, you’ll often realize they’re not that bad, or maybe there’s one amazing idea or paragraph. And that’s enough to demolish the wall of writer’s block, which you’ll find never really existed in the first place. Just the idea of writer’s block. Uh oh, I’m sounding New Age-y again.

As someone who just released their debut, what advice do you have for aspiring writers when it comes to putting their work out there?


Find a community of writers whose feedback you can trust. Understanding your strengths as a writer — and working on your weaknesses — will give you the confidence you need to get your work out there. After that, it’s just a game of numbers, which as a history person, I was never really all that comfortable with. But the message is simple enough, even for someone who failed math senior year (I technically withdrew, but whatever Mom!):

submissions = ­ responses

time + experience = better responses

time + experience + x = getting published

In this equation, x = your unique voice as a writer, that indefinable something that’s impossible to describe, like trying to explain the glory that is pizza. It just is. You’re just you.

Finally, what would you like readers to know about The History of Jane Doe?


The History of Jane Doe is a deeply personal story in a lot of ways, but its themes are universal. Ray talks about alternative dimensions throughout the book, and depression can make you feel like you’re living in your own alternative dimension, a world where nothing ever seems to work out so why even bother? But it’s important to remember that the good dimension is always one little step away, just like Rich, Ray’s therapist, is always saying.

There are plenty of people who can help you take those steps: friends, family, teachers, school nurses, guidance counselors, librarians, and mental health professionals, just to name a few. If you don’t know who to turn to, you can also call the Substance Abuse and Mental Health Administration’s National Helpline (1-800-662-4357) or the National Suicide Prevention Lifeline (1-800-273-8255). Don’t be afraid to reach out.

And if someone reaches out to you, do your best to reach back, or at least point them in the direction of someone who can.

You can purchase The History of Jane Doe today.