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Monday, July 10, 2017

Twin Peaks: The Return 3x08 Recap: "Part 8: Got A Light?" (???????) [Contributor: Erin Allen]

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"Part 8: Got A Light?"
Original Airdate: June 25, 2017

Part 8 is a beautiful and nightmarish lullaby: partly an origin story of the supernatural Twin Peaks universe, and to some extent a terrifying allegory of good and evil.

Recapping seems futile, but here is a run-down of what happened (as I saw it):

Ray shoots BOB/Cooper, but before he can finish him off, a pack of those blackened hobos (which we know now are Woodsmen) come out of the woods and start pawing at BOB/Cooper’s body. They do this until his body is bloodied and a rock-like orb with BOB’s face on it emerges out of his stomach. This is truly the stuff of nightmares. This (naturally) freaks out Ray, who promptly bails. He calls Phillip as he makes his way to some place called The Farm.

Then the Nine Inch Nails play on stage at The Roadhouse. “She’s Gone Away” fits so well into this Lynchian mood. The distorted cacophony mixed with Trent Reznor’s vocals and these particular lyrics just screamed Twin Peaks to me. It all felt like part of the story, not an interlude or an oddly placed intermission. After this stellar and unexpected performance, BOB/Cooper wakes up with a jolt. Is BOB still with him? Did he dream the whole NIN thing? Who knows? We may never know, and I am 100% okay with that.

Next is where things get weird. Twin Peaks has never ventured into this kind of territory before. It has gone otherworldly and esoteric on the original run and in Fire Walk With Me, and even more so on the first seven parts of The Return, but this is utterly transcendental. It’s a beautiful dream and a horrible nightmare all mashed into one confusing yet plain and simple presentation. It’s at once abstract art and a basic storytelling narrative.

July 16, 1945. White Sands, New Mexico. A historic day in our world’s history: the first atom bomb is tested. We watch this event through the lens of Lynch. It is a creeping and dreamy journey into the horrors of mankind and God-like wonders. A staticky convergence of Woodsmen invade a convenience store (quite possibly THE convenience store) like parasites. Plumes of smoke, galactic bursts, a floating creature exhales a stream of fog in which an orb with BOB’s face in it materializes.

It’s like the experimental Qatsi trilogy by Godfrey Reggio. Slow motion and time-lapsed visuals set to a sweeping Philip Glass score that lull you into a trance at the same time awakening your mind to profound and all-encompassing ideas and philosophies. That concept is cranked up to a Lynch level and centered on the mythology of Twin Peaks.

The dark and disturbing moments are gorgeously grotesque. It makes visiting the heavenly world of The Giant (or ???????) and Senorita Dido that much more serene. The two inhabitants of this place (is it the White Lodge?) are alerted to the cataclysmic event of the explosion and the birth (?) of BOB. These ethereal creatures send their response to this evil into our world. The levitating Question Mark Man produces a gold orb with Laura Palmer’s face shining inside. Senorita Dido kisses it and releases it. The orb floats out to the Earth, specifically towards the Pacific Northwest.

This scene is set in a theater-like room. It is very reminiscent to the Club Silencio scene of Mulholland Drive in setting, as well as feeling. Rita and Betty are inexplicably overcome with emotion as they watch the moving rendition of “Llorando.” I am equally as moved watching this. The look of awe on Senorita Dido’s face and the light of Laura Palmer radiating out of this magical sphere is supremely majestic. The score is peaceful and almost divine with exalted celestial tones, exactly what you would think it sounds like when the universe is creating something good and pure.

Back in New Mexico, the time ticks forward to 1956 where an egg sits on the desert sand. A winged frog insect hatches out of the egg and crawls away. Is it a good creature or an evil one? It’s definitely a creepy one, that’s for sure.

Also in New Mexico, 1956 (at least I think), a boy walks a girl home. It’s very sweet and virtuous. The casting of these two young actors is great. Not only do they have a vintage look, but they exude the innocence of that bygone era. The girl finds a heads-up penny on the ground and rubs the image of Lincoln, in fascination. The boy hopes it brings her good luck.

But, there is more going on in the universe than that luck can handle. Two Woodsmen (one bearing a likeness to Lincoln) float in from the night sky and make their way across the desert. The Lincoln Woodsman goes searching for a light for his cigarette. SOMEBODY GIVE THE DUDE A LIGHT! He frightens off a couple stopped on the road and then crushes a woman’s skull with one bare hand! He commandeers the transmission at a radio station and repeats a demonic poem over and over, hypnotizing the listeners and lulling them into slumber. “This is the water and this is the well. Drink full and descend. The horse is the white of the eye and dark within.”

The girl from earlier is at home listening to the radio. She tries to change the station or turn it off, but the power of his incantation knocks her out. The winged frog insect crawls through her bedroom window and INTO her mouth. Out of all the disturbing images on this episode, this has to be the most horrific. In portentous black and white, Lynch has shown us the creeping in of evil in one of the most imaginative ways possible.

Lynch is an artist, and this is art. Your view of it is subjective. If you find yourself caught up in figuring out what it all means you can drive yourself nuts. But, on the other hand, that is part of the fun. I enjoy both aspects of his art. I like to just revel in the beauty and the horror, but I also like the investigative part of it, too. I know I won’t ever figure out everything, but it all means something to me regardless if I “get” how or if it fits into the story. I have no doubt that Lynch knows what he’s doing and he’s leading us exactly where he wants to and in his own time. I am more than happy to be taken on this ride.

Stray Observations:
  • Did the warden sabotage BOB/Cooper’s gun and give one to Ray?
  • “I saw something in Cooper. It may be the key to this whole thing.”
  • Nine Inch Nails!!!!!!
  • I cannot stress enough how mind-blowingly perfect the score and song selections are. “Threnody for the Victims of Hiroshima” added so much to the visuals of inside the mushroom cloud. The Platters’ (who coincidentally has a band member by the name of David Lynch) “My Prayer” played full of hope, and in sharp contrast to the brutality of The Woodsman. 
  • It looked like there were more frog insect eggs in that stream of smoke that the creature barfed out. The creature, I believe, is credited as Experiment and was also on Part 1 as Experiment Model.
  • Speaking of Part 1, that mysterious box was some sort of clandestine project taking place in a New York City loft. The 1945 Trinity Test of the atom bomb was a culmination of The Manhattan Project. I don’t know if this means anything or not.

Sunday, July 9, 2017

Summer Lovin’ -- Week 25

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Welcome back to yet another week of our Summer Lovin' Series! With the Fourth of July behind us (unbeknownst to my neighbors, who still think it's acceptable to set off fireworks at 10 p.m.), and Comic-Con in front of us, summer is officially in full-swing. That means most of us have had time to catch up on books, movies, podcasts, and binge-watch new television series. Joining me this week to talk about what they're lovin' are:

Let's get started!

Friday, July 7, 2017

My 12 Favorite Psych Guest Stars [Guest Poster: Ashvini]

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With the announcement last month that USA’s hit Psych would be getting a Psych: The Movie sometime in the upcoming year, I knew I had to write something about my love for that wacky, hilarious show that defined the way I consumed TV for most of my time in high school.

When the show ended in March of 2014, I was disheartened. I thought, “They can’t just end it like that, right? Shawn moves with Juliet? Does he continue the Psych detective agency with Gus? They didn’t even complete Gus’s storyline!” I was annoyed. Few finales are able to tie up loose ends (some ignore them altogether), and I was disappointed that Psych, a wholly brilliant and meticulously written show, wouldn’t be ending in a more satisfying way.

Now with the movie, there is that opportunity. And I hope showrunner Steve Franks will give the stories of Shawn, Gus, and company satisfying happy endings. At least ones that I can get on board with. Personally I think Gus should take up post as a radio DJ again as "A Player Named Gus" (from “Dead Air”).

As much as I adore the closer than close, best friend duo of Shawn Spencer (James Roday) and Burton Guster (Dulé Hill, shout-out to my West Wing fans), one aspect that I loved about this show was its fabulous guest stars. The caliber of their guest stars was immense; I’m sure getting someone like Cary Elwes on your show, willingly, is not an easy task. My guess is that the people of Psych (from the actors to the writers to everyone in between) are fantastic at networking and pitching. Whatever their strategies, I think a large part of it was that Psych was absurdly unique (nevermind that it was somewhat reminiscent of Monk) and did a wonderful job at entertaining audiences.

I supposed they hooked their guest stars as well, so much so that a lot of their performances blended well into the style of Steve Franks and Psych, and they were able to keep up with Shawn and Gus’s pitter-patter. I was impressed. So let's take a look at twelve of my favorite guest stars

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1. Ally Sheedy as Mr. Yang


No one plays basket case quite like Ally Sheedy. In Psych she played Mr. Yang, a psychotic murderer with a penchant for Hitchcock movies and riddles that behooved the Santa Barbara Police Department (a riff off of the Zodiac Killer). Sheedy’s character has also been obsessed with Shawn Spencer (the show’s main lead and “psychic detective”) since he was pre-pubescent, which really sets in those creepy vibes (so much yikes). Not to mention that although her character is only one-half of a murderous duo (Ying/Yang), she often works alone and is driven by her obsession with Shawn and his hyper-observational talents. In her first appearance in “An Evening with Mr. Yang,” she is only revealed as the famed killer during the last minutes of the episode — just as she’s holding Shawn’s mother hostage, strapped to a timed bomb, in a car at a drive-in movie theater.

As soon as the audience is introduced to her, the crazy in her eyes is pretty blatant, making her more of mysterious psychopath than a terrifying psychopath. You can see her vulnerability, as much as you can see her mental instability. Why did the show choose to depict her like that? Well, probably to keep her entangled in the main characters’ lives, as she went on to appear as Mr. Yang in three more episodes. With each appearance, she became like an ally to Shawn and Gus — an ally that they’d prefer not to talk to, but must talk to if they want to do their detective work.

Nevertheless, Sheedy sold Mr. Yang to me. I’m never one to take the sides of the villains, but there was something about the way Sheedy portrayed Mr. Yang that made me a little sympathetic to her character. She peeled back so many layers, starting with a one-dimensional killer and turning her into a pathetic woman stuck in the body of a child, wanting positive reinforcements from her murderous father (Ying), and attention from Shawn and Gus. Sheedy made me care and wonder for a villain who admittedly made my skin crawl. That in itself, is incredible. But only Sheedy is capable of changing your perception of a character so resolutely and within minutes (see: The Breakfast Club).

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2. Cary Elwes as Pierre Desperaux 


Who in the acting universe can pull off uber-charming and puzzling at the same time? Why, that’s Mr. Ivan Simon Cary Elwes (yes, that is indeed his full name). Elwes plays an ever-allusive international art thief named Pierre Desperaux who amazes Shawn and distresses Gus. First making an appearance in “Extradition: British Columbia,” he spends the episode flitting around British Columbia trying to steal an extremely precious painting, while managing to escape from Shawn, Gus, and the rest of the SPBD who remain on his tail.

Pierre Desperaux is alluring, dressed to the nines, capable of seducing any woman with a crystal glass of choice hard alcohol in hand, and a posh yet vague British accent; he’s the Bond of our Canadian dreams. Except that he’s really not. Besides being an obvious satire of Bond (and similar characters), he’s outlandish and serves as a type of role model of Shawn’s daydreams of being an Indiana Jones-type hero, which is a runner throughout the show. The truth is, Desperaux is nothing but a thief and a possible murderer. But instead of making him untouchable, Elwes humanizes him. He gives Desperaux a fleeting benevolence toward Shawn and Gus. It’s fun to watch.

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3. Kerry Washington as Mira Gaffney


Can Kerry Washington do comedy? Uh, yeah she can! In “There’s Something About Mira,” she played Mira Gaffney, Gus’s wife with very wealthy parents (who have a vineyard, say what). The two got married in college during a love haze fueled by tiki torches and Goldschlager. She reappears in Gus’s life because she’s found love for real with a supposed businessman named Jan and wants an official divorce. Historically, Gus has a difficult time saying no to Mira (he gets heart eyes in her presence), and agrees, getting wrapped up in her life again — wedding plans to Jan and all. Shawn is annoyed at being left out of even one detail of his best friend’s life and makes it his mission to get Gus to rid himself of Mira once and for all, because she has the tendency to wreak havoc.

Washington plays Mira as ditzy, stubborn, entitled, and temperamental; she’s the archetypal crazy ex. Yet, Washington gives her dimension, agency, and a voice which is important in the episode’s storyline, but also generally. Before Rachel Bloom came along to flip TV sexism on its axis, depictions of crazy exes in the male gaze all told the same story. The main message was always: she’s beautiful, but she ruined my life, and therefore she deserves my hate.

Though in Psych, Mira roundhouse kicked that trope. Despite being genuinely unstable (she was abusing prescription medications), Mira was never on the receiving end of hatred from Gus; Gus worshipped her, saw good in her, and we — as the audience — got to see it too. She had tenderness, compassion (however fleeting), and we got to see why she and Gus married each other in the first place. And in the end of the episode, Shawn sees that too. Mira Gaffney wasn’t revolutionary in the same way that Rebecca Bunch is, but she proves to be vital in the fight to end that tired trope.

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4. Kurt Fuller as Woodrow “Woody” Strode


Psych is chock-full of lovable weirdos. Some weirdos you could get behind and some weirdos you wanted to run far, far away from. Either way, it was entertaining to watch them interact with Shawn and Gus. That’s why I loved Kurt Fuller’s depiction of Woody Strode, SBPD’s coroner and resident quirk master. I first saw Kurt Fuller in Supernatural, where he played a smarmy, terrifying angel that shook me to the core. Seeing him in Psych opened my eyes to the talent of Fuller. Every interaction between Woody and another main character was like rolling the dice; I never knew what he was going to say or what he was going to do because he was somewhat of an oddball. They gave bits and pieces of backstory to Woody’s character, but a lot of who he was was open to interpretation. But the character was so dynamic, funny, and interesting to watch that I think the writers had a lot of fun putting in different scenes and situations just to see how flexible and real he could be.

Giving a weirdo depth is difficult, I think, because you run the risk of making them derivative of so many weirdos that already exist. Instead, give the weirdo agency, a story, something to do, because that’s how you begin to flesh them out. Fuller made Woody Strode come to life without making him a caricature; he instead got to laugh with Shawn, Gus, and company as a recurring character. And what a cool thing that was to watch.

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5. Ray Wise as Father Peter Wesley


Ray Wise is either an incredible method actor or is actually an ordained priest. I’d like to think it’s a combination of both. I admittedly haven’t seen Ray Wise in anything else besides Psych, but I’m aware that he is most known for being Leland Palmer on Twin Peaks. Wise first made an appearance in “The Devil Is in the Details... And the Upstairs Bedroom” as Father Peter Wesley, Shawn and Gus’s childhood priest. The episode centers around the suicide of a university student, who Wesley claims was possessed during the troubling last days that led to her demise. He calls upon Shawn and Gus for their supernatural help — Gus believes in Father Wesley and Shawn believes Father Wesley is full of it. But upon Gus’s insistence, they both go and meet with him.

There was something about Father Wesley that made me believe his every word. I knew that he was wrong, and that the student was in fact not possessed, but Wise played Wesley with an easy pugnacity (an oxymoron, I know). He was determined, he had faith, he had to rid the world of the demon’s the plagued the past students. I mean, I’ve never been religious before, but by God, did I believe in Father Wesley.

Snaps for Ray Wise, indeed.

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6. Tim Curry as Nigel St. Nigel


Tim Curry is a chameleon. He has the ability to be believable in any situation, and in Psych he proved that (as if Tim Curry has anything to prove) with bells on. In the show, he played Nigel St. Nigel, a celebrity judge for the reality show American Duos (think American Idol) who is in danger of being killed off by an angered contestant. In the fashion of Simon Cowell’s rancorous bravado, Nigel St. Nigel is bitter and completely unimpressed by every single contestant that appears in front of him — even Shawn and Gus, with their rendition of Tears for Fears’ “Shout.”

I wouldn’t be surprised to find out that Nigel St. Nigel was written specifically for Tim Curry, because really only Curry has the fortitude to pull such a malicious character off while still giving him some depth — something for the audience to empathize with — as I found myself worried for his safety. He’s also grateful for Shawn and Gus’s help, as they race to save him from the murderous contestant during the episode, but he remains somewhat unimpressed. And I wouldn’t have it any other way.

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7. Rachael Leigh Cook as Abigail Lytar


Of all of Shawn Spencer’s love interests, I thought Abigail was the most believable. The chemistry between them was palpable, and as much as I like Maggie Lawson, I just never shipped Shawn/Juliet as much as I did Shawn/Abigail. I’m a sucker for high school sweetheart love stories — best friends in love that for whatever outside factors, could never entirely be. It’s angsty, and heartache-inducing, which are my sweet spots. Masochism aside, these variables make for the most interesting stories I believe.

I was rooting for Abigail and Shawn, but in the end, Abigail chooses to go abroad to teach underprivileged children, leaving Shawn behind in Santa Barbara. They try to make the relationship work long distance, and succeed for a while, but Shawn can’t stand to be away from her for the months and possible years she plans to be away, and Abigail can’t give up her dream for him. His life is too dangerous for her to be a part of, too. So they break up. It was sad to watch, and more than that, it was believable: their love, their banter, their heartache, everything.

Also, it’s because of Abigail that Shawn learns that sacrifice is a part of growing up and that growth visibly changes Shawn, as he begins to become aware of what he really wants in life romantically. I just hope their relationship provided Abigail with some growth and positivity, too.

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8. Jimmi Simpson as Dr. Mary Lightly III


If you’re a fan of It’s Always Sunny in Philadelphia, you probably know that Dr. Mary Lightly III isn’t the strangest character Jimmi Simpson has played. In Psych, he plays a genius and long-time follower of Mr. Yang. Mary helps Shawn, Gus, and the SBPD crack her riddles and make sense of the Yin/Yang mystery. After being suspected for being Mr. Yang in his previous appearance in the show, he ultimately dies at the hands of Yin/Yang in “Mr. Yin Presents...” Shawn, Gus, and the SBPD are dismayed at his death, as he had become someone to depend on and care about. Of course, Shawn is the one who cracks the mystery in the end, but it's not without Mary’s help. It’s touching, really, and makes his mark on the Yin/Yang case unforgotten.

Jimmi Simpson is great at playing silly, strange people, that’s just the truth. But unlike his character in It’s Always Sunny, Mary Lightly is not a villain and does not have cruel motives. He’s wholesome, he’s clever, and he’s a pal to the main characters. Simpson manages to bring natural whimsy to the character that could’ve very well been a boring stereotype. Honestly, I just wanted to see more from this character. Mary Lightly peaked my curiosity. Who was he really? Sadly, we’ll never know.

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9. Jaleel White as Tony, and
10. Kenan Thompson as Joon


These two guest stars were everything to me. Everything. It’s not enough that I love Dulé Hill, but having him interact with Kenan Thompson and Jaleel White (two comedians who I also love), was just a dream scenario. White and Thompson play Gus’s ex-friends from college named Tony and Joon, who Gus was also in a singing group with. They reunite after the tragic death and possible murder of their friend and fourth member of their singing group, Leonard, in “High Top Fade Out.” Shawn loves them immediately and wants Gus to patch things up with them in an effort to reconnect and get justice for Leonard. By the end of the episode, they manage to do all of the those things.

The chemistry between Hill, White, Thompson is so wonderful and so believable. They have a banter and ease to their interactions that establishes a relationship between them, one that is sweet and means a lot to Gus (and Shawn). Of course, White and Thompson have impeccable comedic timing and know how to play goofy (see: Saturday Night Live and Family Matters), so watching them try to be detectives in an effort to bring justice for Leonard makes for some great physical comedy and dialogue that had me crying laughing. Having them tag along with Shawn and Gus and keep up with their shenanigans, and harmonizing (so beautifully might I add) was just the cherry on top.

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11. John Cena as Ewan O’Hara 


In “You Can’t Handle This Episode,” John Cena plays an ex-military private assassin/agent (which is a secret), who also happens to be Juliet’s brother Ewan. The SBPD calls upon him for help in a perplexing military-related case. Shawn and Gus inevitably get involved in the case and figure out the details of Ewan’s double life and that he may be involved in the case. Juliet eventually figures it out as well, and is forced to arrest her brother. Ewan manages to escape without a trace.

Having an older brother myself, I sympathized with Juliet in this episode. What would I do if I found out my brother was involved with crime? It’s really a question of morality, and Juliet and Ewan lie on either sides of the fence. They’re both good, ultimately working for the safety of other people, but the way they choose to exercise that motivation is quite different and puts them at odds in their work lives. What hurts even more is that Ewan and Juliet are depicted to be close and care deeply for one another. Cena brings a tenderness that I’ve never seen from him before (see: Trainwreck), and I loved it. The older brother-little sister dynamic is difficult to navigate as you get older and older, because it's not clear who’s in charge anymore, who’s right and who’s wrong. Your parents can’t tell you that, often they’re not there to. You have to depend on each other. And even if Juliet and Ewan are at odds by the end of this episode, the fondness between them is evident and holds strong, I’d like to think.

How Cena plays both a hardened assassin and a big-hearted brother, is beyond me. But because of his depiction, the audience gets to see him in a new light, and a lovely one at that.

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12. Anthony Anderson as Thane


Having Gus and Shawn bring about justice for Thane, a wrongfully imprisoned chef, was highly enjoyable to watch. Played by Anthony Anderson in “True Grits,” Thane is bitter, impassioned, and on a quest for justice. He seeks out the help of Shawn and Gus, who are hesitant at first upon seeing his grandeur. But they are eventually persuaded by his intensity and his dramatic re-telling of his wrongful imprisonment and of losing his love.

Hill, Roday, and Anderson click pretty well and it seemed were aware of how to play off of each other’s styles of humor, because Anderson fit perfectly in the Psych world. He was prone to being in the wrong place at the wrong time, knew how to cause a scene, and could keep up and even control a conversation with Shawn and Gus, which can be notoriously nonsensical to outsiders. I’m honestly surprised that he didn’t end up joining the Psych agency by the end of the episode, because he would’ve been a perfect addition into their quirky lifestyle. But Thane finally received his justice, thanks to Shawn and Gus, and gained financial restitution. Viva la Thane and his dramatics.

I would say that I’d like to see all of these guest stars reappear in Psych: The Movie but that’s obviously not realistic. Seeing just one of them would be enough for me. Anyway, whether they appear or not, these characters will forever ingrained in Psych’s DNA. I thank these and the rest of the wonderful guest stars for helping make Psych what it was, what it is, and what it will become this upcoming year.

I’m so excited!

Wednesday, July 5, 2017

Younger 4x02 Recap: “Gettin’ Hygge With It” (Well Look at This) [Guest Poster: Bibi]


“Getting’ Hygge With It”
Original Airdate: July 5, 2017

If last week’s episode wasn’t enough of a doozy, we are back this week with an all -new episode! Geez, I missed all things summer and also all things Younger! So, what do we have here, you ask? Well, Kelsey and Josh are officially roommates living in his Brooklyn bachelor pad. And even though it’s a little weird, it also could not make more sense! They really have not connected outside of their relationships with Liza, so this is a chance for the two of them to dive into their friendship a little more — and potentially have a summer fling. For the record, I don’t want a summer fling between the two of them, but as the episode begins, I see hints of where they could go.

Elsewhere in this episode, we see Maggie continuing to flirt her way into hearts everywhere. The latest is a young barista named Montana, who is in awe of Maggie and fangirls hard over her art.

At work, Liza walks into Charles’s office for a chat and catches him on the floor suffering from a muscle spasm. Seeing as her ex-husband struggled with these previously, she knows just how to help. It is an unusually uncomfortable situation they find themselves in... again. I personally do not mind it, because I love seeing Liza and Charles in scenes together. They have extraordinary chemistry and the way he lights up when she walks in a room is just perfect. So even in the midst of this challenging situation, they are still perfect to watch onscreen.

Naturally after Kelsey learns the truth about Liza’s identity, she is giving her the silent treatment. She is understandably hurt, but I think it’s time these two settle the score. Colin (Kelsey’s over ambitious ex) sends her flowers and asks for a dinner date after he treated her like the bottom of the barrel after his potential book success went to his head. The reviews are in though, and they are not kind. In Lauren news: the young woman asks Colin and Kelsey to a naughty dinner. It is here that Lauren calls out Kelsey for attracting and dating the same types of guys all the time.

Meanwhile, Diana chooses to host a book launch party at her home for a new author. While shopping for things to make her house feel warmer and cozier, she and Liza head to a department store. It is there that Diana proceeds to make Liza feel bad for getting dumped by Josh. As a result, Liza then buys a body pillow. Poor thing. Speaking of, on her way home, Liza runs into Josh (even though they both take different routes than usual to try and avoid each other). Talk about the pits of breaking up with someone who lives in your neighborhood! Liza tries to ask him how he is doing and Josh is not having any of this small talk. At all. Josh is visibly hurt and tells her that he just can’t do it.

Elsewhere, Kelsey seems to be vetting Colin and brings him to the book launch at Diana’s place. It looks as if Kelsey is on her way to giving him a second chance... until he blows it by pitching his second book to Charles within minutes of arriving. He did not even give Kelsey a heads up about the pass on his second book option due to the lack of sales on his first book. Kelsey is understandably upset, and Liza catches her during that moment. Kelsey, allowing her feelings for Liza to color everything, refuses to listen to the sound advice that Liza is giving. Colin is a guy who clearly is only out for himself and Liza used to be married to his type, so she knows firsthand.

When Kelsey arrives home, Josh is having a jam session/party. Kelsey really just wants to go to bed. Josh follows her into her room and, in an honest moment, Josh realizes that he is tired of talking about Liza. You can see something brewing between Josh and Kelsey right then. At the heart of the scene, there are two people bonded together by the hurt that Liza and her secrets brought. Josh and Kelsey attempt to move on from Liza by getting back to the party and dancing the night away. And who passes by the party on the street in sadness? Liza. (Can we just discuss how Liza needs to move though.)

Share your thoughts below!

Sunday, July 2, 2017

Summer Lovin’ -- Week 24

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Happy Fourth of July weekend, friends and readers! For our American friends, it means lots of fireworks and sparklers, cook-outs, and sunburns by the pool or at the beach. And for us, it means another week of our Summer Lovin' Series! We've got movies and finales, and everything in between for you this time around. So grab yourself a plate of your favorite cook-out food, pull up a chair, and join us.

Who else is lovin' stuff this week?

Let's get started!

Veep 6x10 Recap: "Groundbreaking" (At the Intersection of Memory Lane and Road to the White House) [Contributor: Erin Allen]

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“Groundbreaking”
Original Airdate: June 25, 2017

The previous episode now feels like a way station to everyone’s eventual destinations, which we see is a reunion for the core Meyer crew (except Mike — God help us — is teaching). The reason for the reunion is that Selina is running for president again. This seemed like such a bad idea during the first episode this season, and... yeah, it still feels like a bad idea. Bad for Selina, bad for the country, but not bad for us viewers. The dream team is back doing what they do best, sucking at politics and creating hilarious spectacle. Knowing this is going to make the wait until season seven agonizing.

The episode ping-pongs back and forth between present day and milestones in Selina’s political past. We begin six years ago where Selina gives her presidential concession speech. As she apologizes to her supporters for not being able to bring it over the finish line, the victory music (Starship’s “Nothing’s Gonna Stop Us Now,” which makes me think of Mannequin) begins playing and a flood of balloons falls from the ceiling — that thick, impenetrable glass ceiling that remains fully intact.

Shortly after Hughes’ win, and as she gets situated as the VP, she meets another sexist road block. Hughes takes back his promise to have Selina in an office in the West Wing. Team Meyer is being banished to the OOED across the street. Ben, who was once an adversary to Selina, tells her the harsh truth: “The President doesn’t want you to do anything other than to continue to be a woman.” This is also the first time Selina, Amy, Gary, and Ben have the unfortunate opportunity to meet Jonah, who was starting as a White House intern.

Going even further into the past, we witness the birth of Catherine as well as the birth of Selina’s idea to run for Congress. But most importantly, we the moment Gary and Selina meet. Gary was a candy-striper that brought ice chips to Selina while she was in labor. (He ground them himself. The hospital ones are too big.) He even feeds Selina the name of the doctor. And thus a weird, co-dependent relationship is born. Oh, and Catherine, too.

Eight years after that, Selina is on the campaign trail and catches Andrew cheating. She uses this opportunity to bribe the woman for a hefty donation.

In the more recent past we finally get to see exactly what that spa cover story was all about. Selina recuperated from her monumental loss to Montez at a psychiatric facility, doped up and out of it. Julia Louis-Dreyfus played certifiable Selina frighteningly well. It was hard to watch, especially that kiss with Andrew.

Back in present-day, Selina & co. deal with more library woes and the impending arrival of Selina’s grandchild. The former consists of the library being built on the site of Yale’s former slave quarters. Mike suggests they “own it — not in a slave-y way” — and put up a sensitive exhibit. Selina doesn’t agree, not wanting her library to be “Underground Railroad-ed.” Catherine is the most upset out of all, hearing about it from Marjorie. The least of everyone’s worries (but, by far, the source of the funniest jokes) is what the library building physically resembles.

The library model prop and the punchlines it provides throughout the episode is definitely a highlight, but the kudos to the art department doesn’t end there. The set design in the nursery is fantastic and ripe for comedy (“When did we build an Indian casino gift shop?”).

Once the baby is born, Selina uses it as a prop, too, making her look progressive and inclusive. “As the proud grandmother of an African-American baby, I would rather never have a presidential library than have one that is built on the backs of dead slaves. Shame on Yale and shame on Amy Brookheimer. Oh, and this is my lesbian daughter’s Native-American life partner, Marjorie.”

With all this diversifying of her image, I would think having a Muslim boyfriend would fit in perfectly, but when Selina decides officially to run for president, Ben tells her she has to break it off. Selina grudgingly breaks up with Jaffar, causing her as much heartbreak as him. It is sad to see the sacrifices she feels she has to make and the collateral damage. Jaffar was really good for Selina, and he seemed to genuinely like her. Selina can’t hold the tears in as she leaves the hotel. Louis-Dreyfus really made Selina look vulnerable and broken while trying to be confident with her decision.

The season ends with both Selina and Jonah announcing their plans to run for president, and a shocking reveal that Amy is pregnant with Dan’s baby, setting up almost overwhelming potential for next season.

Another great season of Veep is in the history books. It had changed tonally from the fourth season to the fifth with creator Armando Iannucci’s exit, but it still maintained its sharp wit and biting humor. The show is a bit more raw under David Mandel’s hand, but everyone is still bringing their A-game. This season surprised me by including the full spectrum of storytelling. There were unexpected sentimental moments as well as times that the political correctness boundaries weren’t just pushed, but obliterated altogether.

Stray Observations:
  • Richard and Jonah have a sleepover!
  • “Where are the toys? Or is the baby going to play chess against Death?”
  • This whole convo kills me: "Lu wants to meet in Hong Kong to talk Brazil." "That’s so funny because the lady that does my Brazilian is from Hong Kong." "It’s Kismit." "I know, it really is." "No, her name is Kismit. They make her use Linda."
  • Selina publicly named the baby Little Richard! Catherine and Marjorie couldn’t even name their own child!
  • Marjorie’s enthusiasm over that wipe warmer though.
  • “Will this be on the final?” “Uh, no comment. Old habits die hard, I guess.” Oh, Mike.

Saturday, July 1, 2017

Wynonna Earp 2x04 Recap: "She Ain't Right" (Go All Wynonna) [Contributor: Isabella]


"She Ain't Right"
Original Airdate: June 30, 2017

This episode begins by closing up on different areas of the Earp homestead: the house, the windmill, straw on the ground, and Gooverly. It's dreary and quiet. She's walking, demon eyes out in full force and with a knife in hand. This all sets the mood for the rest of the episode in which Wynonna will learn the truth about Waverly (Gooverly) and what she must do to bring her sister back. Waverly comes out of the brief possession — the longest we've seen her in so far — after she finds Dolls' dog tags lying on the ground. And when Wynonna calls out to her, Waverly knows something is wrong but she plays the incident off as sleepwalking.

Our mystery of the week involves a man named Polgara, his bodyguard Cujo, and a man holding a briefcase. Apparently the pair really really wants the briefcase, and that they end up getting after a fight which results in Briefcase Man losing his hand. But Lucado sees this as a way out of Purgatory and into a promotion. She originally asks Wynonna for help, but Waverly volunteers, hoping to prove herself.

Wynonna encounters Nicole in the breakroom and apologizes for the way she acted with her in the last episode. If you remember, she berated Nicole for even entertaining the thought that there could possibly be something wrong with Waverly. But now, Wynonna's not so sure she was right before. She brings up Waverly's sleepwalking incident and how she's been acting rash, especially after signing up to help Lucado. They both agree something's up, and it only gets weirder when they realize that Waverly's stolen all the silverware. Wynonna's wearing Waverly's coat, so she takes this time to see if she's hidden something else in there, and she has: Dolls' dog tags.

Wynonna gasps and runs out, putting the pieces together that he's in their barn. That is where she finds him, but they don't exactly share the warmest hello. Dolls hasn't had his dose, which Doc is trying to concoct for him, so he's not fully aware of what's going on because he's in demon mode. He begins to choke Wynonna, but stops when he realizes it's her. He tries to get her to leave because he can't control himself, but she stands her ground. As he delves back into demon mode, she's forced to knock him out with the back of Peacemaker and wheel him out directly to Doc, who's trying to cook up the medicine in Shorty's basement.

The problem is that they don't know exactly how to make it, so they enlist Jeremy's help. He's excited because Dolls is apparently the only person who knows what happened to his mom, and also because Dolls helped Jeremy do a chin-up once. Doc leaves the two of them alone for a while where Wynonna tries to make Dolls feel better by telling him she's always be there, but he has other things on his mind. He warns her about looking into Waverly's eyes, basically confirming Wynonna's suspicions about her sister.

Speaking of, Waverly's at a nightclub working undercover on getting the briefcase for Lucado. She runs into Cujo who mistakes her for the entertainment of the night. He tells her to get on stage and start singing, which she does very beautifully if I might add. Waverly also successfully seduces Polgara and learns that he's in business trying to sell the briefcase. She follows as they leave the room and eavesdrops on the conversation. But before long, the buyer's dead and lying on the ground next to her.


Much to Waverly's surprise, Wynonna appears. But before they can run out, Cujo, Polgara, and another bodyguard show up with guns drawn. They tie them both up, and ask them what's inside the briefcase and what the initials E.E. stand for. The bad guys reveal nothing, much to Waverly and Wynonna's dismay, so they go into another room to try to break the briefcase open. While they're alone, Waverly brings up the weirdness that's been going on with her. She's aware that something's happening, and knows it started when she touched the goo. Wynonna promises that as soon as they get saved by Doc, they'll figure out what's going on.

Just as Doc and Rosita are about to inject their serum into Dolls, Jeremy comes running in to stop them, yelling about how it could be a lethal dose. He tells them that because Wynonna trusts him, they must too. He gets straight to work on creating the serum with Rosita, while Doc and Dolls share a nice heart-to-heart. Doc learns that Dolls was brought back to the Earp homestead by Juan Carlo, whom Doc knows. Before they can get any further into the subject, Doc gets interrupted by missed calls from the Earp sisters. Taking this as his cue, he runs off to go find them.

Polgara and Cujo return to let the sisters know that they couldn't get the briefcase open so they're going to have to do things a little differently. Polgara unties Waverly and attaches her arm to a clamp so she can't escape. He keeps asking them questions about the initials and the combination — which they can't answer — so he unleashes what he uses to cut hands off: two spikes that protrude from his wrist. He slices the side of Waverly's wrist in frustration, but as Wynonna escapes her ties and gets into a fight with Cujo, he cuts Waverly's hand clean off.

I mean, WHAT?! It's just lying there on the floor.

They can't think about this for too long because there's a commotion happening upstairs, which means Doc's here. Polgara runs up to see what it's about, while Wynonna knocks out Cujo and helps Waverly out of the clamps. As they run out, Polgara runs after them and begins choking Wynonna, but stops when Doc kills him. She fills Doc in on Waverly's missing hand, but as she's going to retrieve the hand so that they can reattach it at the hospital, Waverly stops her. During all the commotion, Gooverly came out for a brief second, apparently regrowing her hand back perfectly. Wynonna knows that the hand thing has something to do with the Gooverly weirdness, but she can't ruminate on it for long because they need to go back and see how Dolls is doing.

When they get to Shorty's, they find Rosita locking Dolls downstairs. While they were gone, Rosita tried to flirt with Jeremy, for reasons still uncertain, but he was visibly uncomfortable. So all those times that he got excited over Doc did mean something: he's gay! And although she's beautiful and intelligent, she's just not his type. She sent him off to go get them lattes instead of whatever else she was originally trying to seduce him for. Now that she's alone with Dolls, she waves the serum around in front of him. Despite the risk that the serum might kill him, he snatches it from her and injects it. Before he fully transforms into his beast form, he tells her to run.

And so, they find Rosita. Wynonna's about to go in and help Dolls, when they get interrupted by Polgara holding Jeremy hostage. He asks for the briefcase and Peacemaker or he'll kill Jeremy. Wynonna agrees to it, but very slyly puts the items in front of the basement door. As Polgara's grabbing the briefcase, Dolls emerges and barbecues him with his fire-breathing skills. Everyone's in shock, not fully sure whether Dolls is in full beast mode, but then he gives a laugh that sounds very much like himself, and they all breathe a sigh of relief. Dolls is back, and with the craziest, best party trick. Wynonna runs into his arms to give him the hug they've been waiting for, and Doc shakes his hand, happy he's back. Polgara warns them that they're not ready for what's coming, but Wynonna's not so sure about that, and shoots him with Peacemaker.


Back at home, Wynonna and Waverly open the briefcase with the combination 6-18-40, Edwin Earp's birthday, only to find that it contains a plate of the Purgatory Fair from 1952. They don't really know what this means. But now that they've partially solved one mystery, they can discuss Gooverly. Speak of the devil and she doth appear: Gooverly takes over Waverly and tells Wynonna that she's happy she's willing to help because Gooverly's done trying to fight Waverly. Waverly's too strong for her. She needs a new host. And who's better than fun little Wynonna? Gooverly gets real close to Wynonna and kisses her, which transfers Gooverly into Wynonna.

Welcome, Goononna. We've been waiting for you.

Other Points of Interest:
  • Underappreciated beauties of this episode (and all the other episodes to be honest) are the cinematography and production design.
  • "We're not savages." Cut to the bloody hand dangling from the briefcase.
  • "I'll be here. I'll be here even if you turn into a lizard or a salamander or whatever you are. We'll buy you a terrarium, lil' sun lamp, a couple of plants."
  • Mercedes is scary now! Is she eating bacon that came from her sister?!
  • Doc stealing a bad guy's hat is gold.
  • I knew Jeremy was gay! His love for Doc was too obvious.
  • Ugh if Tucker wasn't gross enough, of course he wants a girl as his reward for helping his scary "sisters" with evil.