Ted Lasso, Rom-Coms, and Emotional Vulnerability

Why is it important that a show about men who play soccer did a rom-com homage?

Dickinson Behind-the-Scenes: An Interview With the Artisans

Meet the artists who brought the Apple TV+ series to life!

If You Like This, Watch That

Looking for a new TV series to watch? We recommend them based on your preference for musicals, ensemble shows, mysteries, and more!

Showing posts with label contributor: jon. Show all posts
Showing posts with label contributor: jon. Show all posts

Sunday, March 4, 2018

They May Not Win Oscars But They Won Our Hearts: Top 3 Film Superlatives of 2017 [Contributors: Chelsea and Jon]

Image result for oscars 2018

2017 was an absurd year for the world, but the one thing we could always fall back on was film. There were plenty of average, fun films that had problems and were kind of dumb (though you still enjoyed them). While some of these won’t make our Top Films of the Year superlative list and won’t be sweeping your award shows, we wanted to shed some light on the good and bad films of 2017 that you should still check out. Because sometimes cheesy and silly movies are the best ones.



Best Drama
Dunkirk
Logan
Wonder Woman 



Best Comedy
Brigsby Bear  
Girls Trip 
Lady Bird



Best Action Film
Baby Driver
Power Rangers
Kong: Skull Island



Y’all Slept on This Treasure!  
Battle of the Sexes
Okja
Power Rangers



Your Platform Release Killed Me 
Film Stars Don’t Die in Liverpool
The Florida Project
Phantom Thread



Surprisingly Great and I Shouldn’t Have Judged You
Darkest Hour
Free Fire
Kong: Skull Island



You Could Have Been Awesome But You Dropped The Ball 
Atomic Blonde
The Disaster Artist
Guardians of the Galaxy Vol. 2



Calm Down, You’re Not That Great 
The Lego Batman Movie
Spider-Man: Homecoming
Three Billboards Outside Ebbing, Missouri



People Who Are the Lights of Our Lives
Greta Gerwig
Jordan Peele
Power Rangers Cast (Naomi Scott, Dacre Montgomery, RJ Cyler, Becky G, Ludi Lin)



Pitch Perfect Award for Film I’m Going to Rewatch a Billion Times
Baby Driver
Lady Bird
Wonder Woman

What were some of your favorite 2017 films that won't sweep the Oscars tonight?

Sunday, October 15, 2017

Series: This Week’s TV MVPs -- Week 63

Image result for dancing gif

DID YOU MISS US?!

I can't believe it's time for another round of fall television, but here we are. (Perhaps my doubts would be handled better if Florida wasn't currently still 90 degrees during the day. Is sweater weather too much to ask for, universe?) With the return of old favorites and debuts of new shows, it's more difficult than ever to keep up with all that there is to see. And that's precisely why we're here! If you're new to the series, welcome! Each week during peak television season, we celebrate outstanding performers — the MVPs of whatever shows they're in. And this week, the writers joining me to talk about their MVPs are:

Let's begin!

Monday, August 7, 2017

Series: Summer Lovin’ -- Week 26

Image result for summer gif

We're finally back, friends! Apologies that we've been on a bit of a hiatus, but life has been a bit insane for your friendly editor-in-chief lately. Nevertheless, we've returned to talk about what we're lovin' this week. Whether it's a new single we're jamming out to, a re-watch of a television series or more, there's a lot to love. Joining me this week are:

Let's get started!

Sunday, July 9, 2017

Summer Lovin’ -- Week 25

Image result for summer gif

Welcome back to yet another week of our Summer Lovin' Series! With the Fourth of July behind us (unbeknownst to my neighbors, who still think it's acceptable to set off fireworks at 10 p.m.), and Comic-Con in front of us, summer is officially in full-swing. That means most of us have had time to catch up on books, movies, podcasts, and binge-watch new television series. Joining me this week to talk about what they're lovin' are:

Let's get started!

Sunday, July 2, 2017

Summer Lovin’ -- Week 24

Image result for sparklers gif

Happy Fourth of July weekend, friends and readers! For our American friends, it means lots of fireworks and sparklers, cook-outs, and sunburns by the pool or at the beach. And for us, it means another week of our Summer Lovin' Series! We've got movies and finales, and everything in between for you this time around. So grab yourself a plate of your favorite cook-out food, pull up a chair, and join us.

Who else is lovin' stuff this week?

Let's get started!

Sunday, June 25, 2017

Summer Lovin’ -- Week 23

Image result for summer gif

We're back again with another fun Summer Lovin' installment. I don't know about you, but Netflix has taken up a lot of my time on the weekends now. It's been really fun getting to catch up on movies and shows while my favorite series are on summer hiatus. There was a lot to love this week for our staff members, so let's dive in! Joining me this week are:

Wednesday, June 21, 2017

Wonder Woman Roundtable, Part 2: Battle of the Chrises [Contributors: Jenn, Julia, Anne, Jon, Deb, Marilyn, Megan, Erin, and Chelsea]


Earlier last weekend, the staff discussed what we loved about the Wonder Woman film. There was so much to love between the female-focused director and storyline, as well as the incredible performances. In part two of our roundtable, we'll discuss the supporting cast, as well as what we would like to see in a sequel.

Let's dive in!


Sunday, June 18, 2017

Summer Lovin’ -- Week 22

Image result for summer gif

Welcome back to another week of our Summer Lovin' Series! I don't know about you, but I'm enjoying the longer days and beach weather that comes during the summer. I'm also loving the opportunity to discover new shows, movies, and more! Joining me this week to talk about what they're lovin' are:

Let's begin!

Saturday, June 17, 2017

Wonder Woman Roundtable, Part 1: The Hero 2017 Needed [Contributors: Jenn, Julia, Anne, Jon, Deb, Marilyn, Megan, Erin, and Chelsea]


Wonder Woman smashed through the box office recently (it was the highest ever U.S. opening weekend for a film directed by a woman), and continues to charm critics. Because here at Just About Write we have a lot of feelings (and embrace the mantra of #LadiesSupportingLadies), we decided to do a giant roundtable for you about the film. In fact, the roundtable was so long and well-articulated that we'll be splitting it up into parts. Check back for part two soon, but for now, enjoy our thoughts!

What was your reaction when you heard the DCEU was going to make a Wonder Woman film?


Jenn: I'm going to be honest — I haven't really been invested in DC-related content, apart from the television shows that air on The CW. But when I heard that there would be a Wonder Woman film, I was excited. I think I might be the only person on the face of the planet who didn't see her cameo in Batman v. Superman since I never watched the film. So getting the opportunity to be introduced to Gal Gadot as Wonder Woman in her feature film was pretty great.

Julia: When a Wonder Woman film truly was a go in 2015 with Patty Jenkins signed on to direct, I was very intrigued that a major studio would finally make a female-led superhero film. Naturally, the idea was very compelling, as the DCEU had yet to release a movie. Once I saw the trainwrecks of Batman v. Superman and Suicide Squad last year, I had my qualms that a solo Wonder Woman film would work, even though Gal Gadot was the best part of BvS. However, all of my doubts were erased when the first trailer for Wonder Woman dropped. As each new trailer and clip were released, my anticipation grew and grew with the hopes that the DCEU had finally figured out what they were doing wrong and corrected their previous mistakes. Let’s just say that Wonder Woman definitely doesn’t disappoint and is the DCEU film that everyone has been waiting for.

Anne: I don’t have much of a resume when it comes to superhero movies because I think they have the potential to be so boring and trite. And such a huge reason I hold that opinion is the way women are handled in these movies. I saw The Avengers: Age of Ultron and even though Scarlett Johansson was cool(er than Hawkeye), that movie left so much to be desired for female characters. I was stunned at how willing they were to make her a love interest in a movie where she is an action character, and later irritated when toys were being made of the Avengers that didn’t include her. Where is her movie, by the way? So when I heard that there was going to be a Wonder Woman movie, I was happy — finally, you know what I mean? — but anticipated the worst.

Jon: I’d heard rumblings of a Wonder Woman film since 2007, when Joss Whedon was signed to write and direct, but nothing came to fruition. However, when it was announced back in 2015 that there would be another shot at bringing Wonder Woman to the big screen, I was hopeful but trepid. I was curious to see what Patty Jenkins would do with the source material and became more intrigued upon learning it was set in WWI — a rare background for any big budget tentpole blockbuster.

However, that intrigue was dampened considerably when Batman v. Superman AND Suicide Squad were released. If the quality of these two entries in the DCEU were THIS bad, then what is that going to spell for Wonder Woman? It can’t be that bad... could it?  Yet, when the film’s date began to get closer and closer, and early word started to leak out, my hope slowly began to return. When I walked out of the film, I was beaming. Not only was I ecstatic to witness DC’s return to form, but also getting to witness one of the best superhero films ever made.

Deb: I had such low expectations, honestly. The track record for DC’s cinematic universe producing movies that I felt captured the spirit of superheroes was so low that I just wrote them off entirely after Man of Steel. I didn’t feel an ounce of excitement at the idea of them tackling Wonder Woman because I just felt like they’d do what they did with all their other movies: bog it down with brooding angst and cynicism. That’s so very against what Wonder Woman is — but it’s also very against what Superman is, and they managed to make him a brooding angst-machine, so why would Wonder Woman be any different? I am incredibly glad that I was wrong.

Marilyn: “It’s about time!” I was really starting to think superhero stories were the domain of male characters, at least in the cinematic universes. Annoying. Mostly, I was glad for it. I was glad the story was being told because it was well past time and in the DC universe, Wonder Woman is a major character. She should have her own feature film.

Megan: I was thrilled, but I was ultimately extremely scared. I’m always worried about DC universe films because I think that Zack Snyder tries too hard to differentiate himself from the Marvel universe and DC television universe that it ends up being garbage. But then when I heard that he wouldn’t really have much to do with it and it would be a woman who took the story of Diana Prince seriously, I was over the moon. Once I heard them talk about it last year at SDCC, I was hooked.

Erin: I know next to nothing about the Marvel and DC universes. I wouldn't have been able to tell you which one Wonder Woman was in. I didn't even know she was from a comic book. I thought the Lynda Carter show was where it began. So, when I heard it was going to be a movie I thought it was cool, but chalked it up to being part of these superhero franchises that don't really interest me. It wasn't until I heard that Patty Jenkins was directing that I got excited. Any time a female director is behind something big, I get excited even if I'm not familiar with the story or source material.

Chelsea: I’m one of those people that has superhero film fatigue. I’ve only really loved the first two Captain America films and Thor as a character, but the rest just barely amuse or bore me. The DCEU is terrible and before Gal Gadot, Margot Robbie was the only thing keeping me there. Man of Steel was just a garbage fire and I have only bothered with the Wonder Woman scenes in Man of Steel. Her scenes gave me hope that she would do the character right. I had complete faith Patty Jenkins would be fine. Monster is a terrific film, and Jenkins has done some great television directing. Once I saw the San Diego Comic-Con footage last summer, I knew I was 100% on board. I was so tired of the basic white boy superhero film and all of them having the same story. I was so ready for a female story.

fq8m.gif

Wonder Woman was the highlight of Batman v. Superman for many last year. After seeing the film, what impression did her solo story leave you with?


Jenn: Like I said above, I never watched Batman v. Superman so I couldn't even tell you what her cameo was about in that film. But the solo story was incredible — it was exactly everything I could possibly want from an origin story film. It was fresh and fun, beautifully directed, and allowed us to follow Diana's journey with ease. The natural rise and fall of the action and plot was great. I didn't even mind that it was almost two and a half hours long because it didn't FEEL tedious (like, admittedly, so many films around Oscar season do). Even knowing next to nothing about Wonder Woman's origins (before the film I would have had no idea how to pronounce Themyscira), I was able to follow what was going on. Diana is incredible and I love her so much as a hero and a nuanced, layered female character. The only qualm is that there were far too many slo-mo action shots for my liking (I was burnt out on them this year because Arrow overused them too).

Julia: I honestly didn’t know much about Wonder Woman’s origin going into her solo film, so I was surprised with how her story is deeply intertwined with Greek mythology. However, I was upset with how the DCEU twisted the classic Greek mythology to fit their own needs without any regard for what Greek mythology actually means. Wonder Woman felt a lot like Captain America: The First Avenger because their origins are similar to a degree in the way they are told. I really enjoyed all of the action scenes, sans parts of the final battle between Wonder Woman and Ares, and thought that they were done very well (with the best sequence being the trenches of No Man’s Land scene).

The best part of Wonder Woman is that it is Gadot’s film and no one tries to take the lead away from her. She is a kick-butt warrior, and I wish more people would talk about how great she was instead of talking about the other characters. Wonder Woman is a great female-led superhero film and sets the bar high for the other DCEU films and all of the Marvel female characters — including the solo Captain Marvel film set for 2019 and Ant-Man and the Wasp set for 2018.

Anne: Well said. I guess for me, having little experience with superhero mythology, I thought that the story was entertaining but tonally clunky. I thought that Gal Gadot and Chris Pine were obnoxiously charming together, and I wish that the movie had held with the more lighthearted vibe it gave off for the movie’s first hour or so, especially because almost everything else in the movie was pretty paint-by-numbers. I honestly had no idea what World War that was supposed to be! In addition, the villain doesn’t ring especially true and doesn’t connect with Diana’s personal story as much as I would have liked. I did like how the story tied back to good and evil in a novel way — challenging Diana’s naivete — but the structure of the story is something I’ve seen a million times, which is why more consistent humor or a more personal story would have gone a long way.

Jon: I had only briefly dabbled in Wonder Woman’s backstory prior to viewing this (my only history being a couple of comics and Susan Eisenberg’s iconic take from the 2004 Justice League animated series), but as Julia said, I was surprised at how elements of Greek myths were woven throughout the tale. What pleasantly surprised me was that while the Greek myths were an aspect, they weren't THE aspect. Rather the focus was put more on the darkness of humanity itself: how we, as human beings, have an inner darkness within us, and how someone’s initial view of us can change over time. It’s a topic that I found rather welcoming in a superhero film, allowing you to think rather than having everything become “CGI EXPLODE FEST.”

After viewing Wonder Woman, I decided to go back and look at Diana’s scenes from BvS. I was rather surprised to discover they make WAY much more sense after seeing Wonder Woman. They actually give you a sense of how Diana reacts to humanity in the modern world, and what motivates her to join the fight again (even if the reasons are somewhat messy, but then again, so is the whole movie). Finally, this movie is Diana’s movie, and not once did it feel like the film ever strayed focus from that. Gal Gadot was born to play this role, and she embodies it to perfection.

Deb: Wonder Woman’s film captured the superhero soul of the character well in its tone and message, which is all I ever want from a superhero film — especially one involving the very archetypal characters of DC’s universe. I didn’t need another cynical take on the follies of man, or an agonized examination of how tragic it is to be a hero, or two hours of death and explosions. I wanted Wonder Woman as the Spirit of Truth, fears of corniness be darned. I wanted her to fight for the good she believed existed in mankind and to do so with the compassion and idealism I think has always existed at the core of the character. That’s what the movie gave me, and my only complaint about the message of the film is the use of romantic love as the primary motivation at the end. But even that is a very minor personal complaint. Overall, I got the impression that the people involved in Wonder Woman actually understood the character, and I think that’s the most critical thing for a superhero movie.

Marilyn: I really tried to like Batman v. Superman, I really did. But it was just so dull. Like you said, Wonder Woman was a rare (and all too brief) breath of fresh air in that clatter-trap of a film. I guess that’s why I had no preconceptions of her solo story going into Wonder Woman. I expected to see her learn how to be a hero and, basically, that’s what I got. But her origin was so much more than most male-driven superhero stories. The focus felt a lot more organic, a lot more compelling and a lot more relatable in a real-world environment. Diana felt like a real person and as such it was so much easier for me to relate to her motivations and care about the outcomes.

Megan: Oh, God. She was the only saving grace of that film other than the quick shot we got of Jason Momoa as Aquaman. Her origin story was so absolutely enthralling. Diana came from the Amazons, a group of amazing women that were warriors and didn’t feel like they were missing out on anything by living without men. Like, they live without men and it’s a great life. That’s such a fantastic thing, if you ask me. And Diana has no problem taking on anything. Her origin story is majorly important for girls of any age to see!

Erin: Err, I didn't see Batman v. Superman, but I kind of want to because I love Diana Prince now, and more of her in anything sounds good to me.(Although, what I'm hearing from all of you, maybe not.) Wonder Woman is my first experience with her story, and I thought it was pretty great. I didn't have any preconceived notions or expectations about her origins. As a newbie going in fresh, it was super entertaining and engaging.

Chelsea: Like I mentioned above, I only watched Diana’s scenes of BvS and not the whole film. I couldn’t handle that three-hour nightmare. I was filled with joy the entire duration of this film, however. It was the same feeling I got after seeing Rey in The Force Awakens. Every moment of it worked for me and it didn’t feel like 2 hours and 21 minutes. I left and immediately wanted to go back inside. Sure, it was a lot like Captain America: The First Avenger meets the fish-out-of-water of Thor, but again, I love that film and that character, so it all worked for me. Just watching those island scenes with the other Amazons and seeing how powerful they were was thrilling. Everyone else was great in the film but Diana is such a shining star. Gal Gadot was right in saying that the film is about love — how one person can love humanity so much and want to do everything in her power to make it better, no matter the sacrifice. We do not deserve Diana Prince.
Stay tuned for the second part of our roundtable review later this week!

Wednesday, March 29, 2017

It's Morphin' Time: A Review of the Power Rangers Film [Contributors: Chelsea and Jon]


This past weekend saw the release of yet another remake film in the form of the Power Rangers. Based on the 1993 television series (which itself is based on a long-running Japanese series), Power Rangers follows five outsider teens that find some magical coins that turns them into superheroes. Chelsea and Jon decided to do a roundtable review of the film. Read on for their thoughts!

What did you think when you heard the news of the remake?


Chelsea: This remake has faced an uphill battle from the beginning in its attempt to sell a more grounded rangers story, while not making it look like just another sequel/remake culture cash grab. As a fan of the super cheesy original 90s series, part of me was super jaded when I heard about this remake; but the other part of me was super pumped to see my first television obsession find new life. I unabashedly loved the show, and all my first TV crushes are from that series. It wasn’t until these last few weeks that I really started getting hyped for the film.

Jon: To start, I absolutely loved Power Rangers growing up. They were the first superheroes who ever came into my collective consciousness. The cheese of the show and how ridiculous it can get was all a part of the charm that also carried over to the original 1995 movie. That film took the mythology established in the show and expanded it on a massive scale (we're not going to talk about Turbo: A Power Rangers Movie).

The original series is known for being a kind of silly children’s show. What are your thoughts overall on the remake?


Jon: The new film is exactly what I imagined when I pictured a big-budget update of the classic series, and I mean that in the best way possible. Rather than attempt to recreate the original series' campy tone beat for beat, the film instead decides to take a decidedly more grounded approach for about 75% of the film's runtime. Here, the Rangers are given more layers and depth. There's actual reason as to why they're "five teenagers with attitude." They face everyday problems that normal teens face: social cliques, acceptance, trying to be your own individual and not someone who people simply want you to be. It's a message that rang true 24 years ago, and still rings true to the next generation today.

That being said, this film is not fully perfect. At times, some of the CGI could be a bit fake looking, particularly in the final battle. In addition, there were some questionable story choices that I took issue with, but those were few and in between. Finally, while I enjoyed Elizabeth Banks' scene-chewing performance, the nature in which she plays Rita completely offsets the tone that the movie is going for. If the film is going for a more serious tone, then Banks is trying to emulate the tone of the original show — something this movie seems to be actively trying to avoid.

Chelsea: I’m not even sure what I was expecting going into this film. Something just clicked in the last couple months that made me super excited to see it. Watching the teasers and physically seeing a diverse cast and the familiarity of those characters that I have loved for 24 years made me think this could be something fun, at the very least. I had heard that the Yellow Ranger was somewhere on the LGBTQ+ spectrum and it was confirmed in the movie — not just a marketing thing much like the new Beauty and the Beast (which I also thought did a good job, but could have been better at addressing its queer character). That ended up being a big draw for me in deciding to watch it opening weekend.

By the end of the film, I was just craving more of these characters and what their next adventure was going to be. I truly felt for these teens and how they are struggling with their various forms of loneliness. Their struggle in trusting one another and eventually coming together as a family was something I never got from other superhero films like The Avengers or even X-Men because they always feel like they’re fighting for the sake of fighting. Watching these kids grow and develop their skills and building their team really kept this film grounded in the journey of these characters. It’s the coming of age superhero film we deserved.

The film would benefit from a slightly bigger budget to help smooth out some of the rough CGI moments but I appreciate that they were having their big battle scenes in daylight, and I could follow a lot of the action scenes without getting lost. I do have to agree with the Elizabeth Banks of it all. She was so much fun and camp, but it did end up offsetting a lot of the tone. If there is a sequel, I think giving the rangers even more humor will help balance the weird camp of her character.



How was the casting? Did you connect with any of the characters or new characterizations of the Rangers?


Jon: It's very rare to get casting so incredibly spot-on, but goodness does Saban's Power Rangers nail it on the head. The core five Rangers are all phenomenal, each getting their own time to shine. While the OG Rangers from the original show are still the best group, what the movie manages to do is take that core five (Jason, Kimberly, Trini, Zack, and Billy), and make them less a certain archetype and more relatable human beings. The campfire scene is a perfect example of this, as all five Rangers get to bare their souls and reveal their true selves to each other. This is not only a great scene because of character development, but also because the actors make this scene feel more natural due to their chemistry. They act more as a family as the film progresses to the point where, at the end, you want to cheer for them because you've been through so much with them.

I am someone who was diagnosed with Asperger's Syndrome at the age of three years old. Since then, I've come far in trying to overcome so many obstacles placed along the path that is my life. I'm also for any kind of representation of autism in different forms of media, as long as it's done correctly (see: NBC’s Parenthood). Power Rangers is the best representation I've seen of autism in a long time. I relate to Billy Cranston on a deep personal level because I know some of the things that he experiences: social awkwardness, not being able to pick up whether something is meant as a joke, sarcasm, or if they're being serious, and an INSANE and minute attention to detail and figuring out a puzzle. At first, I was nervous they were going to play this off as a punchline. Yet, as the film progresses, it's taken seriously and never really mentioned as much — which is something I could appreciate. Yes, that person may be different from you in terms of how he thinks, but that doesn't mean you won't be able to connect to him. Different, not less. Billy is the heart and soul of the team, and RJ Cyler does a fantastic job at getting not only the representation right, but bringing warmth to the team overall.

The film also does an amazing job at showcasing a friendship between someone with autism and someone who does not have it. Jason and Billy's friendship is something I felt a massive connection to, as I know my own friends go through the same things. Jason is patient and genuinely caring for Billy, being loyal through and through. It's a friendship I have with my own buddies from grade school, and that bond that I have felt mirrored on screen

Also, I'm a bit happy that it's the Blue Ranger because given that blue is the color for autism, I can now wear a Blue Ranger shirt during Autism Awareness Month.

Chelsea: I cannot agree more about the casting. Only one of the Rangers was a white person and they found actors with rich and different personalities. They had intersectional inclusive characters with the Blue Ranger being black and autistic and the Yellow Ranger being a queer lady of color without having that be their core issue. I didn’t even know the Blue Ranger was autistic until I was watching the film. At first I was worried that it was just going to be a joke like on The Big Bang Theory but then Jason and Billy have their moment and Jason just treats him like his friend, and it was something you don’t get in films. Trini had great moments of having to open up about being the military brat who has moved so much and has trouble connecting with people because she’s never in one spot too long. Zack is alone dealing with his sick parent and has nobody else in the world. These kids are dealing with real teenage issues without it turning into an after-school special.

Just beyond the positive representation, this cast did a great job with balancing the grounded realism with the cheese of the original series. I truly felt like they were a team and I was rooting for them in the climactic battle, even though I had an idea of where it was headed. The little things of Jason and Billy bonding, or Kimberly and Trini hanging out and training at the cafe, or Zack being a reckless daredevil and that friend that gets you into mischief made me feel like they were friends and were nice little character moments.

Did the new, somewhat darker tone of the film work for you or did it miss the mark?


Jon: To keep the original series' cheesy, at times downright laughable tone would have been a terrible mistake for this new adaptation. The film stays grounded by presenting real teenagers with real problems. We see themes of acceptance and individuality: Jason with not wanting to follow the plan laid out before him, Billy trying to be accepted amongst by well, anybody, Kimberly being ousted from her social clique, and Trini being LGBTQ and not following the conformity her parents want her to follow. Each of these teenagers becomes more relatable as time goes on, making them more relatable to today's current generation or anyone who has experienced these growing pains these teens deal with. In addition, they're thrust into a bigger responsibility than their own issues, which makes their bond with each other more believable.

There seems to be an influence from Joseph Kahn's Power/Rangers, a fan film that looked at the franchise in a way darker light than this. The themes of death and loss are present in this new film, such as with Zack and his mom. Zack is terrified of being on his own, and knows if his mom is gone, then he has nowhere to turn to. Being with the group acts as a coping mechanism, which isn't uncommon among those who have experienced loss.

Chelsea: I think the “darker” tone worked well for this iteration because there was no way they could pull off the cheesy 90s tone in 2017. The world is way too cynical and memes are a part of culture now. It would have been ravaged. They kept a pretty well balanced tone and though Banks’ Rita was a bit much at first, I truly felt like they found her voice toward the end of the film and how to match it with the teens. They had more scenes together towards the end and keeping them more together in the sequel will help them be more consistent.

I know people were worried that Power Rangers was going to be too Dark Knight-like with giving the teens angsty backstories, and I said it a little above, but they really did feel like teens who were dealing with various forms of loneliness. You have the Mexican queer army brat dealing with her feelings for girls and growing up in an environment that makes it hard to open up about her identity and the confusion that comes with sorting those feelings. Plenty of students have had to take care of a sick or disabled parent and that makes you grow up too quick in the case of Zack. Having to be the provider and being that scared kids. Billy’s brain working differently than others and being bullied for his ticks. He’s never had friends before this but he really becomes the soul of the film and the heart of the team. They wrote all of these issues in the most respectful way and it was so refreshing to see that in a superhero film. 


Should this film get a sequel, is there anything you would like to see either created for the movie or anything pulled from the show?


Jon: The ending of the film definitely leaves desire to see the adventures of these Rangers continue after they SLAPPED Rita into space. Obviously, at the end of the film, we set up that Tommy Oliver, — the legendary Green Ranger — is ready to make an appearance should a sequel happen. There have been reports that Tommy would possibly be a female in the movie, though as of now that's only speculation. Personally, I think the idea would be a fascinating one, as it would not only even out the team, but give an interesting shakeup to the team dynamic we'd expect from Tommy when he arrives. Tommy is always meant to be a rival to Jason, so making him a member of the opposite sex would certainly change the dynamic a little bit and/or possibly provide fodder for another Ranger like Trini.

As for the villains, there's plenty from the original few seasons to pull from. When I say original seasons, I mean from Mighty Morphin to Space, which retained some of the original core five Rangers while adding new ones. There's Divatox, there's Rita's father, Master Vile, her brother, Rito Revolto, Pumpkin Rapper, and Ivan Ooze, to name a few (seriously, bring that villain BACK). However, there are reports that Lionsgate wishes to pursue a six movie arc. If that's the case, then the two biggest villains that could easily sustain that are Lord Zedd and King Mondo of the Machine Empire. Both of these villains played MAJOR roles throughout the course of the original series, so to see them realized within this new universe would be a blast to watch.

However, there's a certain way these two be presented. Let's take a look at Marvel for a moment: since the beginning, they've kept Thanos in the shadows for nearly six years, just now finally bringing him out to play. The Power Rangers franchise should pursue a similar route, hyping up Lord Zedd before having him come out to play at the end of the third movie... but then have Zedd warn of Mondo and the Machine Empire, ergo setting the stage for the next three films.

Chelsea: I want to be pleasantly surprised again. This was one of my most fun theater experiences in recent memory.

I’m down for a female Tommy Oliver/Green Ranger. I have a male and female Tom/Tommie on my cooking show this year, so bring on the gender-bending superhero!

Jon
  • Bill Hader and Bryan Cranston NAIL it as Zordon and Alpha 5, respectively. Zordon is much more complex this time around, given that he's a former Ranger himself and is driven to atone for his past mistakes. It pulls back the curtain on a figure we thought to have been all-powerful and all knowing, but instead has his own demons as well. 
  • I really want Krispy Kreme donuts after seeing this movie. 
  • If the kid who bullies Billy gets knocked out for trying to headbutt Billy, does that mean he'll be nicknamed Skull? And will he hire a bodyguard nicknamed Bulk? 
  • Hearing "Go Go Power Rangers" might have made me squeal in joy. 
  • Jason saying "It's morphin' time" DEFINITELY made me squeal with joy. 
  • The last 20 minutes pays so much homage to the original series, but with a sleek new coat. It's a blast to watch. 
  • Where's my Big Bad Beetleborgs solo and/or team up movie?

Saturday, March 4, 2017

Get Out Isn’t Just Scary — It’s Socially Relevant Too [Contributor: Jon]

get-out-allison-williams-daniel-kaluuya-600x247.jpg

While horror these days has slowly been making a comeback with hits like The Witch and Split, it's rare to see a horror film anymore that hits you effectively on a deep level. For me, there hasn't been a horror movie that's really left me shaken since Black Swan came out in 2010. That film not only scared the living daylights out of me, but also made me think on the ramifications of what I had just witnessed on screen. Since then, no other horror film has left me feeling genuinely scared and enthralled. That is, until Get Out.

Get Out is the directorial debut of Jordan Peele (yes, THAT Jordan Peele). The film focuses on Chris (Daniel Kaluuya), an African-American man who is dating Rose (Allison Williams), a white woman. Chris and Rose are about to go meet Rose's family for the weekend. Chris is uncomfortable about the trip, as Rose has not told her parents that he is black. When they arrive at Rose's house, her parents Dean and Missy (Bradley Whitford and Catherine Keener) painfully try to relate to Chris by saying things such as "if I could vote for Obama a third term, I would" or using slang such as "my man" or "this thang," making things more uncomfortable. However, as the weekend continues, Chris begins to realize something stranger and more sinister is lurking beneath the surface of the family. And that leads to some disturbing revelations about the family's history.

I fully realize that last paragraph sounds incredibly vague, but we're not here to spoil this film. Because this is, without a shadow of a doubt, one of the best movies I've seen all year thus far and one of the most genuinely unsettling and disturbing horror films I've seen. Period. Peele has crafted a terrifying film that doesn't make the enemy a ghoul or a demon or some other supernatural entity, but rather a very real and — in today's society — socially relevant monster: racism.

The film tackles the subject so carefully and everything is well-executed. It tackles certain aspects of racism and presents them in a hyperrealistic state. What Peele does so well is build that tension slowly throughout the movie. There are moments of genuine discomfort when you not only see the actions Rose's family take, but what they say. Even if their intention may, at first, seem to be harmless, you can't help but feel the awkwardness and unease that Chris feels — a feeling that only gets amplified throughout the rest of the film.

Peele never lets things feel preachy, though. Rather, the movie breaks down any comforts that one may have within themselves and their own personal bubble, and forces the audience to take a hard look at how others perceive the world . Rather than go for massive, in-your-face scares, Peele opts to go for a slower burn. He builds tension, which reaches a fever pitch in the final 20 minutes. There are jump scares throughout Get Out, but they never feel cheap. They feel genuine, and well-timed during moments of intensity. Peele takes a lot of influence from the works of psychological-horror filmmakers like David Lynch and inspiration from films such as The Stepford Wives and Guess Who's Coming to Dinner.

Peele, remembering his comedic roots, sprinkles moments of comedy throughout the film. However, they almost never detract from the film. Instead, they provide moments of levity for some of the darker parts of the picture. The only complaint I would have in the film is a certain scene involving Chris' best friend Rod (Lil Rel Howery) and the police. For a brief instant, the moment does take you out of the film's experience. But only briefly, before you are put right back in the middle of the tension.

The acting all around is absolutely phenomenal. There is not a single weak link in this cast. Daniel Kaluuya is one of the biggest standouts, as he is just mesmerizing to watch. From the moment the film begins, we're immediately drawn to him and how he reacts to the world around him. Kaluuya's scene with Catherine Keener in the beginning is one of the highlights of the film overall. Allison Williams is a blast to watch too. Williams does a good job at playing the innocent bystander in all of this, even if — in some moments — you feel just as uncomfortable with her as you do with the rest of the family.

In regards to the family, both Bradley Whitford and Caleb Landry Jones (who plays Rose's brother Jeremy), are terrifying to witness. In Whitford's case, he plays Dean as more of a woefully out-of-touch dorky dad, only trying to make things more comfortable for Chris. As the film progresses though, he still keeps up the dorky act, but it feels creepier and sinister. (Side mote: Bradley Whitford has now been in two of the best horror films this decade with this and The Cabin in the Woods). In Jones' case, he is full-on psycho from the moment we meet him. There's no subtlety in the performance or the character — only that Jeremy is bad news from the moment he enters the frame. In fact, Jones feels very reminiscent of The Joker in more scenes than not, which isn't a bad thing.

Finally, Howery is delightful in the handful of scenes that he's featured in. Coming in as the comic relief, Howery brings some much needed lightness to the film, as his interstitial moments with Chris lead to some often hilarious conversations — and an even more surprising moment between him and Chris toward the end of the film (it is best to see this film with a packed audience, as it provided a much more fun theater experience).

Get Out is easily one of the best films of the year, one of the best horror films made in this decade, and one of the more important films to come out in a while, especially given the social climate of today. With so many reports and stories that you hear on the news involving racism, the film not only works as sharp social commentary, but as also a genuinely disquieting horror film. It's an impressive debut for Jordan Peele, and one can't help but be hopeful and excited for his long and fruitful career behind the camera.

GRADE:

Sunday, January 22, 2017

Series: This Week's TV MVPs -- Week 50

Image result for confetti gif

Welcome to 2017, y'all! Can you believe that we're already in a new year? For many of us, 2016 was rough and we were eagerly anticipating a new slate with new possibilities. And, of course, escapism with some awesome television shows! Naturally. Over the past week or so, shows have been slowly returning from their winter slumbers and will continue to do so in the weeks to come. As those shows come back — with some new ones premiering this spring, too — we'll be celebrating some of the best performers on television each week. Ready? Let's talk about some TV MVPs! Joining me this week are:

Enjoy!

Saturday, December 31, 2016

2016 in Review: Jon's Top 3 Video Games [Contributor: Jon]

Image result for video game gif

While we cover many aspects related to films and TV on the site, one item that rarely gets talked about is gaming.

2016 was a phenomenal year in gaming. Many new intellectual properties were introduced to the public, garnering massive critical acclaim for innovative gameplay and unique stories. Other existing IPs released new entries in their respective franchises, which not only furthered the continuing mythos of each franchise, but allowed new ideas into the series as well.

With this list, we’re going to be doing something a little different. There were many video games out this year, and I unfortunately can only play so much (my backlog is ASTOUNDING). Therefore, I’ve selected three from this year’s crop as the games that really stood out this year.

And before anyone says anything, no, I have not played Overwatch. Therefore, Overwatch is not on this list. It’s know it’s on everyone and their grandmother’s top lists, but not this one. We cool? No one’s going to get mad here? Awesome.

These three games are the games that truly stood out for me in 2016.


3. The Last Guardian


For a decade now, this game was the one everyone would joke about never coming out. Its status of release reached near Half-Life 3 levels, and some feared it may have never seen the light of day. But finally in December, we saw the release of Team Ico’s (Shadow of the Colossus) next project.
The game is a simply beautiful one showcasing, at its core, the relationship between a boy and his pet... even if that pet happens to be a cross between a chicken, another bird, and a Chihuahua. The story never goes for slam-bang action throughout, rather opting for slow, more intimate moments. The background scenery is stunning, and the animations on the creature, Trico, are some of the best animation I’ve seen in years.

The gameplay itself is similar to how Shadow of the Colossus is played, in that it is a mix of puzzles and platforming. However, the introduction of Trico into the gameplay is when things really become intriguing. With most support characters in games, you call them over and they heed right away.
With Trico, it may take a few tries to coerce it into doing the right task, similar to how one might behave with an actual pet.

But at its heart, this game is about the relationship between a young boy and his pet, which is pulled off so well that you feel the emotional connection throughout the entire game. It is truly an emotional experience.


2. DOOM (2016)


By all purposes, there’s no way this game should have worked. In films, rebooting or remaking a film is difficult to begin with, but rebooting/remaking a classic game? Not just that, but rebooting or remaking the game that’s basically responsible for bringing first-person shooters into modern-day gaming?

There’s no way that the DOOM reboot should have succeeded.

Yet, it does. This is, hands down, the most entertaining first-person shooter I’ve played in years. What makes this game so much fun is what it boils down to: shoot stuff first, and keep on shooting until every monster is pulverized. As the eponymous DOOMGuy, it’s either kill or be killed, as you have to take down every monster you see in sight (this is especially seen when using “Glory Kills” to take them down in brutal fashion).

The game’s hard-hitting gameplay, accompanied by a heavy metal instrumental soundtrack, provides the biggest adrenaline rush in gaming this year.


1. Uncharted 4: A Thief’s End


Nathan Drake and the Uncharted franchise has been a staple of gaming for the better part of ten years now. With Uncharted 4, the final adventure starring Nathan Drake, we get to see the character in a much more vulnerable light. We see the internal conflict Drake goes through in wanting to help his long-lost brother Sam find the lost pirate city of Libertalia (their White Whale, so to speak), or to remain safe for the sake of his love, Elena.

Because of this, this is a much more personal battle for Drake, as he’s fighting not only to save his brother, but also against his own personal demons. Drake, while still trading his usual one-liners, knows that he’s got one more hunt left in him and is conflicted over wanting to fully leave the life behind, or stay with the adventure (it should be noted that Nolan North, Troy Baker, Emily Rose, and the rest of the cast give career high performances here).

It’s a beautifully well-told story from writers Neil Druckmann (who also co-directed) and Josh Scherr. Druckmann seems to have carried over the personal drama he learned from The Last of Us and mixes it seamlessly with the breathtaking action of Uncharted.

And breathtaking might be an understatement, as this is truly the most exciting game I’ve played all year. From new ideas such as stealth kills or using a rope to swing from one area to the next (which is WAY more fun than expected) to heart-pounding set pieces that the franchise is known for — all of the action in this game is the best action since the train sequence in Uncharted 2 — the game has everything one could hope for in a video game.

What were some of your favorite games of 2016? Sound off in the comments below!

Sunday, December 18, 2016

Staff Picks: Our MVP-Worthy Christmas Movies

Related image

It's hard to believe that today marks exactly one week until Christmas! I don't know about you, but Christmas usually brings back fond memories for me. I grew up in Pennsylvania, so Christmases would involve bundling up and traveling to visit family, where we would eat really good Italian food and open presents in a small living room. I love Christmas. It's my favorite holiday — the food, the music, and the lights all fill me with a sense of hope and joy. And as 2016 draws to a close, those are two things we desperately need before we enter 2017.

One of my favorite traditions is watching certain Christmas movies during the holidays. Perhaps you and your family and friends have a certain film — or films — that you watch every year together. For me and my family, it's the 1966 animated special Dr. Seuss' How the Grinch Stole Christmas. I remember coming home from candlelit Christmas Eve services with my family, only to put on our footie pajamas and curl up on the couches with that movie.

In celebration of Christmas movies and traditions, our staff is changing things up this week: rather than a TV MVP post, our final MVP-style post for the year will revolve not around television, but our favorite Christmas movies. (Thank you, Chelsea, for this idea). So sit back, relax, and enjoy our Christmas discussions!


Sunday, December 4, 2016

Series: This Week's TV MVPs -- Week 48

Image result for clapping new girl gif

As we approach the midseason finales of some of our favorite television shows, writers and actors alike are upping their game. Whether it's hilarious and quirky comedies, superhero shows, or hardcore dramas, this week allowed us the opportunity to reward just a few more actors for their incredible performances. Joining me this week for the TV MVP Series are:

Let's get started!

Tuesday, October 25, 2016

Gotham 3x05 Recap: “Anything for You” (Nygma is Bonkers) [Contributor: Jon]


“Anything for You” 
Original Airdate: October 17, 2016 

Well... THAT happened. To call this episode bananas is an understatement, as plenty of crazy went down. This was, hands down, one of the series’ absolute best. Penguin’s storyline was put front and center, which allowed for all the series’ best qualities to shine.


SEEING RED


Cobblepot hasn’t been mayor for more than a day or so (as seen by helping in soup kitchens, opening a new school, introducing a speech and statue of his own mother... the usual mayoral things) when he already faces his first major issue. The Red Hood Gang, not seen since last season, has resurfaced, destroying the statue of Penguin’s mother and warning Penguin that the city is theirs.

Penguin, naturally, doesn’t take too kindly to this and assembles a gaggle of criminals, including everyone’s favorite sociopath Victor Zsasz. Penguin orders them to hunt down and eliminate the Red Hood Gang, while he goes to celebrate his victory at Barbara and Tabitha’s club.

The Red Hood Gang is playing cards at their hideout, waiting for the boss to arrive. That boss turns out to be none other than Butch. Butch tells the boys that there’s still work left to do and gives a select few suits orders to crash Penguin’s party while the others cause chaos in the streets.

Tabitha and Barbara discover Butch and his goons, as well as what they’re up to. Butch explains he’s using the Red Hood Gang to cause chaos, only to kill them later in order to become Cobblepot’s right hand man again, as he felt overshadowed by Nygma’s sudden rise. Tabitha and Barbara agree to keep quiet regarding the plan, but warn Butch that he owes them.

Penguin then finds the Red Hood gang’s hideout and contacts Butch to rendezvous. Butch, realizing that things might need to be accelerated, kills the gang just as Penguin comes in. Penguin and the media hail Butch as a hero, putting him back in the limelight.

Butch’s plan elevates him beyond that of a normal henchman. He’s loyal to his boss; but in time, he could become a formidable threat in his own right. In a way, it’s reminiscent of what we saw a few episodes ago with Penguin and Mooney: one creates the other, whether they realize it or not. Butch and Penguin’s relationship feels eerily similar to Mooney and Penguin, and it’ll be interesting to see how it further develops throughout the season.

Before we see Butch continue his plan, let’s see on how Barnes, Gordon and the rest of the GCPD is faring.

“I HAVE MISSED ALL OF YOU”


At the GCPD, the police are investigating the Red Hood massacre. Barnes is worried about his recent run in with Alice’s blood, fearing its power. This isn’t helped by the fact that he keeps hearing reports of it being contaminated.

Before anyone can make a move on the Red Hood case, Nygma walks through the front door, in what might be one of the funniest scenes of the show. After all, Nygma was the one who lied about Kringle and murdered her. So to see him walk in the door, with the biggest grin on his face, is darkly ironic.

Barnes demands that Nygma leaves, but Nygma states that, with his new position, he will become the new liaison for the Red Hood case. Barnes initially refuses vehemently, but realizes he has to live with it, lest Penguin elect a new commissioner.

Nygma immediately heads to his old stomping grounds, where he runs into Lee. Lee, not forgiving him for killing Kringle, punches him square in the face. Nygma is initially angered, but Lee threatens that she’s about to be married to the son of Carmine Falcone, and if she so much as whispers, Nygma’s a dead man.

It seems Lee is fully aware of what she’s getting herself into with Mario, which leads one to wonder if she herself is heading down a dark path. It’s an odd choice, given how much of a shining light Lee has been within this madcap world. She’s the voice of reason — the one who remains sane throughout the insane.

Barnes talks to Lee about Alice’s blood, doing the old trick of “finding information for others when it’s really for yourself.” Lee explains that the blood was tested on three rats: two of them began showing immense strength, but the third went berserk and murdered the other two violently. This obviously worries Barnes, as now he has that potential power inside of him (it’s like a more violent Jim Powell Sr., and if any of you remember what character that show is from, give yourself brownie points).

But now, there’s a party to attend to — one that’s about to set things off!

TWISTS AND TURNS


Penguin’s party at Sirens is under full swing, allowing for many of Gotham’s elite to show their support, with two of those elite being Bruce and Alfred. Bruce spots Selina and, going off on the advice Gordon gave to him earlier in the episode, wishes to speak to her privately. Ivy is also at the party, as she briefly teases Selina about her true identity.

Bruce and Selina head to the roof, where Bruce admits that he likes Selina. Selina initially rebuffs him, stating he only likes her because he’s the only girl that he’s ever really talked to (so I guess we’re going to forget the whole “Silver St. Cloud was briefly my girlfriend even though it was a lie” thing ever happened?). Bruce persists, stating that he knows Selina feels something too. Selina tells him that no one tells her what to do, and they kiss. It’s a brief but all too bittersweet moment for the young lovebirds, as come adulthood, both of them will be on opposite sides of the ideology of good and bad.

Remember when I said earlier that stuff hit the fan in this episode? It starts here. Nygma confronts Butch during the party, stating that he knows Butch is the leader of the Red Hood after examining the crime scene and finding inconsistencies.

Rather than turning him in, Nygma offers him a deal: Butch will don the Red Hood mask and take out the Penguin, while Nygma will divide the city with Butch so that they may rule Gotham together. Nygma claims to have played Penguin all along, stating he had no intention to be number two upon freedom.

Butch initially refuses this offer, to which Nygma issues an ultimatum: don the mask or Nygma orders Zsasz to kill Tabitha, who is being held at gunpoint. Butch reluctantly agrees, and dons the mask. While Penguin is in the middle of the speech, Butch attacks. The bullets that Nygma gave Butch are, however, non-lethal, and therefore have no effect on Penguin.

Nygma begins to gleefully gloat in Butch’s ear, before publicly revealing Butch as the leader of the Red Hood Gang. Cobblepot, overcome with fury, berates Butch for betraying him after everything they’ve done. Butch then attacks Nygma, and — in order to save his friend’s life — Penguin hits Butch on the head with a bottle.

It’s a powerful scene between the three actors that shows many layers to their characters. Cory Michael Smith, Robin Lord Taylor, and Drew Powell have consistently been on their A game week after week, and with this episode, they bring their characters to a turning point. Butch’s fury toward how he used to be someone with Penguin is a testament to how far the character has come in the past three seasons.

JUST FRIENDS...?


Speaking of Smith and Taylor, they get an emotionally powerful moment toward the end of the episode. While Penguin tends to Nygma’s injuries, Nygma apologizes for not letting Penguin in on the plan, as his reaction needed to be genuine in order for the public to believe and embrace him. Penguin, touched by this gesture, leans in towards Nygma and hugs him.

It’s been widely speculated by many that Penguin and Nygma were about to kiss, leading them into something more. It would certainly be an interesting twist on the characters, especially as to where it may lead them somewhere down the line. The relationship between the two thus far has been very personal with each other, but as to where it goes from here, it’s truly anyone’s guess.

BEFORE WE GO


While Butch is being taken away in the ambulance, Tabitha tails and later captures the ambulance, freeing Butch. Barnes angrily finds out about this, but soon discovers that he no longer needs his crutches and is walking normally. This is immediately followed by his veins going haywire, just like last week.

Meanwhile, Valerie Vale is having dinner with a medical examiner trying to find more information about Alice’s blood. Gordon, taking his own advice that he gave to Bruce, goes to visit Valerie and the examiner right when the examiner starts being a bit more... pushy.

Gordon threatens him to leave and sits with Valerie, stating that he wants something more than what they have now, and they proceed to have their first official date.

The final scene of the episode concerns Tetch, who has now been driven to madness and has embraced his Mad Hatter persona. He kidnaps a girl and dresses her eerily similar to Alice, before murdering her in cold blood. Tetch then writes Gordon’s name in her blood while uttering, “Those who hurt you will feel my pain when my sweet and terrible vengeance upon them rains.”

As I stated previously, a LOT happened this week. However, in doing so, Gotham delivered one of its finest episodes to date, expertly bringing to a head multiple plotlines while also forging new paths for old favorites. One can only hope this upward trend of can continue after this episode.

NEXT EPISODE: Nygma sees a familiar face from the past and the Mad Hatter is even more deranged after the death of Alice.

Monday, October 10, 2016

Gotham 3x04 Recap: “New Day Rising (Butch v. Nygma: Dawn of Overacting) [Contributor: Jon]


“New Day Rising”
Original Airdate: October 10, 2016

The Mad Hatter began to take his first steps into darkness, Penguin and Nygma finally became the dream team I’ve been waiting for, and Nega-Bruce did... things, I think?

Let’s begin with our main story from last week, which is the continuing tale of the Mad Hatter.

IMPULSE


In the wake of Alice’s arrest last week, we see Bullock is interrogating Alice about her story. Bullock, who does not believe Alice’s story about Hugo Strange — even though he was JUST hypnotized by Mooney two episodes ago — is still adamant that she killed her landlord.

We then later cut to Tetch as he finalizes a deal to obtain an abandoned amusement park, all while hypnotizing and immediately killing the owner of the park, as he wants no witnesses to his plan. Tetch is on the verge of going fully nuts. He’s getting there, but he’s not there, YET. Perhaps he needs to have a bit of a push.

Speaking of a push, it seems the hypnotizing Tetch put on Gordon last week hasn’t fully left him. Tetch still has a hold on him in some sense, tempting Gordon to end his life. This is evidenced by Gordon nearly walking out and getting destroyed into the path of an incoming truck.

Later, Gordon goes with Barbara to find Tetch, only to find he’s recruited some local wrestlers to his cause. These trio of wrestlers are known as the “Terrible Tweeds,” aka the show’s interpretation of Tweedledee and Tweedledum from the comics (they really went for broke with the “Alice in Wonderland” references in the comics).

This leads to what might be the most Tim Burton-like sequence in the show thus far: to the tune of carnival music, the wrestlers invade the GCPD, where Alice is located.

BREAKING FREE


Gordon and Alice attempt to escape the GCPD, but the impulse Tetch left in his brain rears its head the moment Tetch appears. Tetch proceeds to kidnap Alice (who, as it turns out, never liked her brother all that much to begin with) and leaves Gordon with a gun at his temple. Gordon looks like he’s about to pull the trigger before Barnes hits him with a fire extinguisher.

Gordon wakes up restrained, where he is being checked on by Lee. This leads to yet another subplot being wrapped (for now) as Lee and Gordon discuss why Jim left. Gordon states he wanted her to be there for him after the madness died down, but she justifies leaving, saying he was never there when she needed him most. Mario was there when Jim was not.

The youngest Tweed brother is then interrogated by Bullock, who gives up the location of Tetch. Tracking him to the amusement park, Gordon and the other members of the GCPD confront Tetch and Alice, but Tetch uses that impulse in Jim yet again. This time, however, Jim is able to fight through the impulse and break it, reminding himself to let go of his past with Lee.

A gunfight ensues, and in the fight, Alice attempts to escape Tetch’s clutches. Tetch attempts to regain control of her, but, not wanting to let herself be a pawn in his game, Alice proceeds to impale herself on a wooden spike, killing her instantly. Heartbroken, Tetch runs, swearing vengeance.

Finally, as Barnes is investigating the crime scene, a drop of Alice’s blood drops into his eye, causing his veins to bulge and his eyes to turn red…

BAD MEETS EVIL


Meanwhile, Penguin’s bid to become Mayor of Gotham is now in full effect, with both Butch and help Nygma along the campaign. However, both men have different methods of running it. Butch wants to do it the dirty way, through bribes and threats, but Nygma wants to do it in a legitimate way, in order to make Penguin legitimate and well-liked in the public eye.

Nygma catches Butch paying off a campaign official and immediately checks the envelope. He lets the man leave, but Butch orders his men to follow Nygma’s movements.

It is revealed that Cobblepot is aware of Butch’s movements, but allows it to happen. A little girl then comes up and says how inspired she is by Penguin. Penguin’s heart is touched, but it’s revealed the whole thing was a ruse by Nygma to prove a point. Penguin angrily tells Nygma to leave.

Later, while waiting election results, Butch holds Nygma at gunpoint, revealing to Penguin that Nygma took back the money from the official that was bribed earlier. Cobblepot orders Nygma to be killed, but it’s then shown that Cobblepot is now the official new mayor of Gotham. Nygma then tells Penguin that he always knew he could do this, and that the people really wanted HIM, Oswald Cobblepot all along.

At his inauguration speech, Penguin announces Nygma as his new Chief of Staff, surprising Nygma and angering Butch. Something tells me that at some point, Butch is going to want his vengeance on Nygma.

FACE/OFF


Not much happened in regards to Bruce and Alfred this episode, with the exception of the temporary wrap up of Five/Nega Bruce’s arc. Bruce and Alfred discover the location of the car in the Narrows, deducing that Nega Bruce is with Selina.

Selina and Five make their way to a bar where Selina briefly separates from him in order to rob the place, but she immediately gets caught by some thugs. Just as she’s about to get her finger cut off, Five comes in and beats down the thugs with his immense strength (remember kids, eat your veggies). Unfortunately, Five gets injured in the process.

Selina begins to dress Five’s wounds when she discovers the scars Five has, deducing that he is not the real Bruce (the super strength or the random “Hey, I’m a 15-year old billionaire who’s driving a car let’s go for a ride” shtick didn’t tip you off?). Five then reveals how he wants to be his own person, and, while Selina is attending his wounds, he kisses her.

Bruce and Alfred later find Five on a rooftop. Five berates Bruce for not knowing what he wants in life, which may or may not be alluding to Selina. This is further suspicious when Five tells Bruce to thank Selina for their kiss before jumping off a rooftop parkour style. This comment seems to affect Bruce deeply, which may hint towards something more with Selina

ONE FINAL THING


While escaping Gotham and doing his best Elliot Alderson Halloween costume, he’s followed by a limo, which happens to contain Kathryn, leader of the Court of Owls. She immediately sedates and captures Five, stating that they have big plans for him.

What’s the Court got planned for Five? Will Barnes go full on nuts after getting a hit of Alice’s blood? And what happens in the ongoing fight between Nygma and Butch? What I’m enjoying consistently about Gotham this season is how quickly the storylines get wrapped while still leaving enough room to possibly continue it further. Yes, not every storyline is perfect, but everything is moving at a brisker pace, something the show desperately needed in the beginning.

NEXT EPISODE: The fight between Butch and Nygma heat up, and a certain gang make a return appearance.

Friday, October 7, 2016

Gotham 3x02 Recap “Burn the Witch” (All Aboard the Awkward Train) [Contributor: Jon]

Image result for gotham mad city: burn the witch...

“Burn the Witch”
Original Airdate: September 26, 2016

After the events of last week, you think things would get a bit calmer, perhaps settle into a kind of groove. Of course not, this is Gotham. This is the show that decides to keep on getting nuttier week after week. This week, we dealt with aging, mobs, mysterious courts, and crazy ex-girlfriends. You know, the usual.

PLAYING THE GAME


We immediately pick up right after Bruce was kidnapped by the Court of Owls (they’re never really given a name on the show, but all signs pretty much point to this group). Bruce then notices the mysterious woman that we’ve seen the last couple of episodes and recognizes her as someone within Wayne Enterprises. But who exactly she is remains to be discovered. All we know is her name is Kathryn.

One of the best things about this show is how far Bruce has come as the character. He’s no longer the scared, angry little boy from season one, and is slowly becoming the cool, confident hero we know him to be. David Mazouz plays this role with ease, and this is evidenced by what happens next: Bruce, quite calmly, tells Kathryn that if he dies, he unleashes everything he has on them and exposes the Court to the outside world. Kathryn seems unfazed by this, but agrees to let him live on one condition: Bruce halts his investigation into them, permanently. Bruce agrees, and is taken back by the assassin, Talon.

We then get a smaller scene where Bruce admits to Alfred what he had to do. Alfred, while dismayed by the actions Bruce took, understands why he did. It’s in this small moment we see Alfred and Bruce’s relationship in one scene. Alfred, in this case, is much more fatherly than we’ve ever seen him. He cares for the well-being of Bruce and vice versa.

It won’t be until much later in the episode that we will run into Bruce again. But until then, we got some brief catching up to do with young Ivy (or is it older Ivy?)

DON’T FORGET TO HUG THE TREES


One of the nicer elements of this season so far is we don’t spend too much time dragging out plotlines over the course of X amount of episodes. Bruce’s kidnapping was wrapped up quickly, and now we find out immediately what happened to Ivy. After being touched by Reverse Benjamin Button, Ivy washes up on shore — only to see that she’s aged into a young adult.

This sees the debut of Maggie Geha as the older Ivy. While the character does only appear in a handful of scenes, Geha does a fine job of balancing the sweetness of the younger version with something newer... something darker. In this, we see hints of the Ivy we know come to light.

After washing ashore, Ivy is found by a man named Nick, who takes her to his home in order to help her get back on her feet. Once she arrives at Nick’s home, she discovers that he treats the plants horribly, something she can’t stand for. Off-screen, she murders Nick in brutal fashion and, as a replacement for her rags, takes a rather sultry dress that belonged to Nick’s ex-wife.

It was interesting to see the beginnings of Ivy, though it’s unclear if this version will become evil right away or even at all. We know she hates injustice toward plants — and that’s prevalent here — but it’ll be interesting to see where the season takes her.

Speaking of the other villains and heroes, we take a look at what Jim, Cobblepot, and the rest of the merry band had to deal with this week.

TAKING BACK THE STREETS


Valerie visits Gordon, and suggests a team up in order to track down Mooney. Gordon, albeit reluctantly, agrees and takes her to the only person (even though there are HUNDREDS of other possible people to talk to), who might know where Mooney is: his ex-fiancé, Barbara.

I want to take this time to point out that I have genuinely enjoyed Barbara’s complete 180 degree arc on this show. No longer is she the doting, dedicated fiancé of Gordon, instead fully doing the complete opposite and embracing her maniac side. It’s a transformation that’s been beyond entertaining to watch, and Erin Richards has pulled it off beautifully.

As Vale and Gordon go get information from Barbara, she refuses to give it up with the exception of one thing: Gordon must give her a kiss, for old time’s sake. Gordon immediately refuses, and begins to leave. Barbara then says she had a dream about him losing his legs, and she was pushing him around a giant carriage. Good ol' Barb.

Afterward, Gordon finds Peabody’s body and realizes Mooney’s next target is Hugo Strange. According to Barnes, Hugo Strange is currently being held in a maximum security facility (because, let’s be honest, where else are you going to put a supervillain?) It is also discovered that Harvey has been kidnapped by Mooney’s forces, and that Mooney has hypnotized him (knew that “friendship” would bite him someday).

PENGUIN, PENGUIN, HE’S OUR MAN


This season shows Penguin in a light that is eerily reminiscent of the character’s portrayal in the much-underappreciated Batman Returns: as a politician. Penguin is taking much more of a political role in Gotham, and the catalyst for that begins with this episode. In the wake of superhumans running around Gotham, Penguin criticizes the GCPD for not doing their jobs in a press conference. This soon gains the support of the public, and Penguin begins to find himself popular among Gothamites.

After learning of Mooney and her merry band of freaks’ location, Mooney leads a mob with the intent of destroying the monsters. Gordon, wanting to save Bullock’s life, makes a deal with Penguin: if Penguin can distract the police so that Gordon can get inside, Gordon will let Penguin have his true prize: Fish Mooney.

(Small side note but, if we are going to lead to these characters being the characters we know, then is something going to happen to these two somewhere down the line? I love how the show can make you hypothesize on what may or may not happen).

This leads to what is perhaps the strongest moment of the episode. After cornering Mooney, Cobblepot demands to know why Mooney spared him. Mooney’s response is powerful: it’s because of their history. Cobblepot used to be her umbrella holder, her faithful servant. She claims all of this was to make him the Penguin, and she couldn’t bear to destroy that image.

It’s a powerful reminder to how far Mooney and Penguin have both come. While Penguin hates that Mooney is alive (which means competition), he knows that he can’t kill her, and neither can she. Eventually, one of them is going to face their destiny. Both Jada Pinkett Smith and Robin Lord Taylor do an excellent job at conveying that realization, and later, sadness at their history.

ALL ABOARD THE AWKWARD TRAIN


Two major things happen at the end of the episode. The first revelation is that Bruce and Alfred find an intruder within the house, only to discover it’s the other Bruce doppelgänger. This only further hints that the other Bruce might be this version of Hush, as we’ve had a couple of hints leading up to this point.

The OTHER big moment that happened is that Lee returned to Gotham at THE WORST possible time! She returns right as Gordon decides to sleep with Vale for... reasons? Because he’s lonely? It’s never explained fully, nor will it probably have anything to do with the season as a whole.

But regardless, a whole lot of awkwardness happened this week on Gotham. It will be interesting to see how the show handles that in the next episode.

Wednesday, October 5, 2016

Gotham 3x03 Recap: “Look into My Eyes” (#PenguinforMayor2k16) [Contributor: Jon]


“Look into My Eyes” 
Original Airdate: October 3, 2016

The Mad Hatter was always one of the more fascinating Batman villains to me. Rather than make him straight from the pages of Carroll’s novel, they instead created a villain that was driven insane, and was only inspired by the character. And yet, it’s that kind of nuttiness that fits into the world of Gotham. This episode introduced us to their version of the Hatter, as he’s nothing more than a simple con man who’s got a sister with... unusual abilities.

We also got some hints toward Nega-Bruce becoming the comic book villain Hush, as he definitely took the first steps. Oh, and Penguin went full Batman Returns on us viewers this week, in absolute glorious fashion.

AS MAD AS A HATTER


We are immediately introduced to Jervis Tetch, here played by The Walking Dead’s Benedict Samuel, as a hypnotist performing in Barbara’s club. The scene serves as nothing much more than an introduction to the character, but it’s certainly an effective one. Samuel — who looks strikingly similar to Adam Driver physically and in dialect — plays Tetch as an amusing con man, who might have something deeper than just that within him.

Tetch invades the house of a man he had hypnotized earlier, causing the man to violently kill his wife and then himself, while Tetch takes over the home. Tetch uses the home to find his missing sister, named — are you ready for this? — Alice. Cue the sitcom laugh track.

Alice, as it turns out, has a bit of a secret of her own: she has a virus in her mouth that can kill people (I guess brushing twice a day won’t keep the dentist away from this one). This is shown when her landlord tries to kiss her on the mouth. Tetch realizes he’ll need some assistance in locating Alice and so turns to the only man who’s dealt with unusual cases in Gotham.

A man who is just about to run into his ex-girlfriend...

AWKWARD


Speaking of which, Gordon, having just slept with Valerie (keep the awkwardness coming), goes to the GCPD to collect his bounty from the last episode when he happens to run into Lee. Lee is back in town to work at her old job, while living with her new fiancé, Mario, a doctor (and no he does not work in the Mushroom Kingdom).

After that awkward encounter, Gordon runs into Tetch, who asks for his assistance in tracking down Alice. Tetch explains that he took care of her when they were younger after they lost their parents. Alice began to experience her rare disease, and to help her, Tetch took her to the one man who may be able to help: Dr. Hugo Strange.

However, Tetch never saw Alice again after that, due to the poison in her blood and Strange’s need for “supervision.” Gordon then agrees to help with Tetch.

Gordon later finds Selina and asks her for any whereabouts regarding Alice. Selina shows him the location of where she was last, in exchange for Gordon’s word to keep an eye out for Ivy. After Gordon enters the house and gets attacked by some thugs. Gordon wins, but has to go into the hospital for stitches, where he runs into Dr. Mario.

Mario tells Gordon that he will never hurt Lee, but Gordon threatens him by saying if he ever did, Gordon would come after him.

“SOMETIMES YOUR WORDS JUST HYPNOTIZE ME”


Later on, Gordon locates Alice but is attacked by the landlord, who has gone mad. Alice then kills the landlord and burns his corpse, claiming the body is infected. Alice also states that she wants nothing to do with Tetch. This is rather interesting, and we begin to wonder if Tetch is telling the truth. In the comics, he was obsessed with kidnapping victims and forcing them to be characters from Alice in Wonderland. So this could mean that maybe this is the show’s way of showing Tetch’s obsession?

After Gordon goes to confront Tetch, Tetch begins to hypnotize Gordon, telling him to jump to his death. Just as Gordon is about to take the plunge, Alice arrives, shoots Tetch in the shoulder, and saves Gordon from falling to his death. Gordon, in classic Gordon fashion, immediately handcuffs Alice.

So where does this leave Tetch? We know he’ll have a bigger part to play in this first half, but the only question is what? Clearly something will happen with Barbara too, after Tetch hypnotizes her to kiss her, surprising Tabitha.

But let’s check on our other characters, starting with our favorite child billionaire and future superhero.

SEEING DOUBLE


If this episode didn’t fully confirm “WE HAVE HUSH ON THIS SHOW,” then I don’t know what will.

After the arrival of Nega-Bruce, the clone reveals himself to be a product of Indian Hill, simply going by the number “5.” He doesn’t remember much, only knowing that tests were performed on him. Bruce allows him to stay at the Manor, though Alfred is strongly against this.

Nega-Bruce the Fifth begins to display some unusual prowess, such as quick agility and reflexes in a fight, as well as the ability to not feel pain.

Selena later visits Bruce for help in locating Ivy, but Bruce refuses. Selina states he’s selfish and leaves. Nega-Bruce the Fifth overhears this and begins to imitate Bruce’s voice. Later, Nega cuts his hair in the style of Bruce and leaves, taking clothes and a car. He then approaches Selina, offering her to take her for food. Even though Selina notes he seems different, she still goes with him anyway. A+ deduction there, Selina. A+.

And finally, we get to hands down my favorite subplot of the episode:

MAKE GOTHAM GREAT AGAIN


One of my favorite movies growing up was 1992’s Batman Returns. Danny DeVito did a phenomenal job as the Penguin. One of the best aspects of Penguin in the film was how involved he got in Gotham politics, going so far as to run for mayor. It was an aspect that was at times darkly funny and bittersweet.

The writers of Gotham decide to revisit that plot point to almost hilarious fashion. Penguin’s rise to mayoral candidate is so humorous in its delivery, as Penguin’s methods are rather... unconventional. After announcing his candidacy, he immediately goes to see Mayor James. After a tense exchange, both parties’ guards train guns on the other, and Penguin leaves a small pin behind for James.

We then get to my favorite part of the episode: Penguin, realizing he needs help. He heads to Arkham Asylum to bribe/threaten the warden to claim a certain prisoner is declared sane and released in Penguin’s custody. Who is this mystery patient?

Why, it’s our old pal Nygma of course! After Nygma is released, this leads to one of the greatest GIF moments in history.

ONE FINAL THING


Before we leave for this episode, one final bombshell was dropped. Lee and Mario got meet to have dinner with Mario’s father, who just so happens to be notorious crime boss Carmine Falcone. Whether this is going to cause some tension between Lee and Jim down the line remains to be seen, but this certainly is an interesting wrinkle.