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Sunday, December 17, 2017

The Return of the Pineapple: A Roundtable Review of Psych: The Movie [Contributors: Jenn, Meredith, and Ashvini]


I’m so mad that I was late to the Psych party. I only started watching the show after the series finale aired, and wish I would have been around to experience all of the hijinks and fun the fandom would have provided while the show was still airing on USA. Nevertheless, when I fell into Psych, I fell in love. Fast. The witty, pop culture soaked television series about a fake psychic detective and his best friend/partner-in-crime captivated me and had me laughing every episode.

I bawled during the finale, still giggling through my tears at the final shot of the team chasing down a thief through San Francisco. So when I heard rumblings that USA was going to make a movie for the series, I was stoked. And honestly, I was also crazy jealous that the one year I didn’t attend Comic-Con was the year the cast was there promoting the film.

(No worries though, because Chelsea interviewed them for me.)

Since quite a few of us around Just About Write absolutely adore the show and thought the movie was pretty dang flawless, fun, and the antidote to most of 2017, we decided to combine our powers for a roundtable! Enjoy, and let us know your thoughts about the movie in the comments below.


The gang has finally returned and reunited after three years! What did you think of the movie overall, especially in light of all of the reboots and remakes that have been floating around in pop culture this year.


Jenn: In an age where literally everything is being rebooted or remade (looking at you, Dirty Dancing, Fuller House, The X-Files, Twin Peaks, etc. etc.), it’s often hard to recapture the magic of the original with a new cast — or a cast that hasn’t worked together in a few years. But not so with Psych: The Movie. It honestly feels like we picked up right where we left off with these crazy, lovable characters. I’ll admit that the first scene was a bit clunky and long for me (there’s only so much I can watch of Shawn running away from bad guys and/or monologuing), but that’s literally the only complaint I have about the movie and it’s a minor one. Everything else was absolute perfection, and the movie paid homage to the series with its witty callbacks and cast of characters, but also gave us something new to love.

Mer: I thought it was almost perfect. It was lighthearted and fun but emotional. It was hilarious and brought back pretty much everything that made the series so fantastic. I had two gripes: one, there was not enough of Shawn using his “psychic powers,” and two (which cannot be helped but still), it needed more Timothy Omundson/Lassie. Of course I know why he could not be a part of the film, and I don’t begrudge him or anyone that he couldn’t do it. I just wish circumstances had been different (for a number of reasons, of course) and he had been able to be a larger part of it.

Ashvini: I loved it so much! Seeing Shawn and Gus back and sweeter and sillier than ever was definitely worth the struggle I experienced trying to stream this online. Also I thought Juliet kicked butt — like always — and her relationship with Shawn seemed so much stronger and heartfelt than it was previously. Their chemistry was more electric than I remember. A few more things: Henry’s new persona made me cackle, I’m 100% on board for Gus’s facial hair, and Woody is as bizarre as I remember and it was amazing. There were a few plot points that were introduced and left somewhat unaddressed — like Iris and the mean girls — and like Mer said, I wanted to see more of Shawn’s “psychic powers”. Overall, I can’t complain. I didn’t keep any expectations because television reboots can be subpar at best, but this one was great. The passage of time looks good on Psych.

When we left them last in San Francisco, Shawn and Juliet had just gotten engaged. Three years later, they are still together but not married. What did you think about the development of their relationship throughout the movie?


Jenn: I loved their development so much. I thought I had heard that Shawn and Juliet were going to be on the rocks in the movie (or perhaps even not together anymore), so I love the fact that they were together and content — especially with Shawn’s little pet names. But what I really enjoyed was how earnestly Shawn had been looking for the engagement ring that was stolen! It was sweet that he felt like Jules needed and deserved that ring, but even better when he realized that it didn’t matter what ring she had and that his tactics for stalling weren’t mature or right.

But come on — his face when he sees the ring at the end? Adorable and priceless and perfect.

Mer: I thought where they were when they started the movie made sense for the characters, and I’m glad we were able to see the culmination of that years-long relationship. I also enjoyed that Maggie and James clearly still have a ton of chemistry, and are still very comfortable with each other. The years they’ve known each other lent to the sense that Shawn and Jules have a ton of history and a real bond between them.

Ashvini: I was never a fan of Shawn and Juliet, but this time around their relationship seemed deeper and more fascinating than I remember. Their love for each other is so palpable and this movie did a wonderful job at letting us into their little world and letting us vibe with them for a bit. I guess I can call myself Shawn/Juliet shipper now.

Gus’s love life was always a bit rocky throughout the series. What do you think of Selene and Gus’s relationship?


Jenn: Even though Selene annoyed me a bit, it was really fun to see Gus be challenged! I love that most of the series was spent on Gus being a totally down-on-his-luck guy when it comes to love, so watching him get chased after was so satisfying. Plus it allowed for some pretty hilarious moments from Dulé Hill.

Mer: It was hilarious and perfectly Gus. To have the female equivalent of Gus out-Gus Gus was a great gag. I hope this love is more permanent than past loves have been. I’ll admit she annoyed me a little bit at times, but in general I thought the relationship was fun and suited to his character.

Ashvini: Gus is a very intense person is so it was nice to see someone who could play off of his intensity and ridiculousness a bit. I giggled during their impromptu make-out in front of the telescope. But the audience didn’t really get to understand Selene completely as a person, so here’s hoping for a sequel.

Our favorite bromance is back: Shawn and Gus! How was their dynamic similar or different in the movie from that of the series?


Mer: Oh this was the best part of the movie! Just like with the show, the Shawn/Gus dynamic is everything. It’s funny but sweet and meaningful in all the best ways. The years apart have not changed the chemistry between these two and that’s really what the show is built on. They played off each other perfectly. I didn’t find it different from the series much at all — it felt deeper in a way because it’s just been so long, but they picked up right where they left off.

Ashvini: Oh. My. God. Both Shawn and Gus were on fire! I thought they were funnier, weirder, and closer than ever and I appreciate seeing actors who actually pull off being a duo really, really well. I think in a lot of television shows nowadays, we see writers try to pair people us to create various “friend-romances” — or, as I like to call them, friendships — but they fall flat more often than not. It helps if the duo is close off screen, because then the love these characters are supposed to feel for each other becomes more evident. And with Shawn and Gus, thanks to James Roday and Dulé Hill, this duo is grounded in realness and comfort.

Jenn: I agree with both of you! James Roday and Dulé Hill could do an entire movie of them just running around and I would find it enjoyable. I think the dog scene was probably my absolute favorite — the whole rapid-fire sequence of dialogue and physical comedy from James and Dulé was perfect. I also love seeing how Shawn is still his typical self, roping Gus into shenanigans, and Gus is still there to guide his friend and stick by him.

Let’s talk about the plot of the movie, and how it centered around Juliet! Did you enjoy the plot and its progression? What about the villain?


Mer: I was surprised that it centered around Juliet! That was a great and not expected choice. I will admit the plot wasn’t what I was most watching for — I thought it was fine, but really it’s the characters, the quirkiness, the fun and uniqueness of Psych that brought me to watch. I care about the plot in the sense that I care about these characters, but it could have been about much of anything and I’d have enjoyed it. I thought Zachary Levi was campy and over-the-top but delightful. And the surprise twist villain at the end suited the series well. Did it all feel a bit heavy-handedly pulled together? Yeah, a bit, but it was so fun that it gets a big old WHO CARES from me!

Ashvini: If Zachary Levi’s intention was to do an impression of Russell Brand, then it was sick. So I was glad when the real villain, or the blonde Yin/Yang wannabe, was revealed. Juliet is such a tenacious character that she is immediately interesting to watch, so I thought that centering the plot around her was a smart decision. We got to watch Psych from her perspective a bit, without losing the sense that Shawn and Gus were the leads, and it was lovely to be able to experience that. 

Jenn: I love how campy Zachary Levi’s villain was. Most of the times on the series when there were villains, they had some level of sarcasm and/or silliness to them. It was nice to see a villain who wasn’t entirely terrifying and was more fun. The surprise villain, I’ll admit, made me ponder whether or not I remembered who they were/what season they were from. But still, I enjoyed the plot for what it was — a way to move along the characters and push them to grow into who they needed to be. Plots that focus on female characters are always great, and this time around it allowed Juliet and Karen to take center stage.


What was your favorite running joke/gag from the series that made a reappearance in the movie?


Jenn: Gus getting to introduce Shawn as his partner, White Privilege, was probably the highlight of the entire movie for me. In addition to the resurgence of guest stars, my favorite lines (“Wait for iiiiiiiiit” and “You know that’s right!” and “Suck iiiiiiit” and Gus telling Shawn he hasn’t heard it both ways, etc.) made reappearances and plus we got more pineapples!

Mer: “You know that’s right!” Gus squealing. The partner nicknames when they introduce each other. Just everything! They brought everything I loved back. Really the ONLY missing pieces were Lassie (sad face), and a bit more of the “psychic” stuff.

Ashvini: The “suck it” song made a comeback in full force and I had to try and stifle my laughter while sitting in a quiet library. Also, the song Mary Lightly and Shawn sang together, with Juliet and Gus, was just too much for me to handle. It was so weird and I loved it so much. And of course, Shawn and Gus screaming and running away from the sword-wielding gentleman villain, made me smile so hard; I really missed those babies.


Talk about #TeamPsych being (mostly) reunited with Chief Vick, Henry, and Woody rejoining the gang for one big mission! (Let’s also talk about Lassie here, because we deeply love Timothy Omundson.)


Jenn: I cannot stop cackling because Henry just became a hipster in the timeframe between when Jules and Shawn last saw him and the movie. Henry was back in full force in his snappy, dad self but I love that he’s always there to give people a reality check. Woody has never been my favorite Psych character but he was utilized well in the movie and I love the fact that he and Henry got the chance to team up as the old guys of the group. I missed Chief Vick so much and I’m really happy that she and Jules have a close relationship three years later. Her banter with Shawn and Gus was on point, as always (Shawn telling Karen it’s 9 p.m. when she claims it’s the middle of the night, and wondering aloud what time she goes to bed was perfect) and I’m glad we got to see Vick’s daughter in the movie too!

I absolutely felt the absence of Timothy Omundson’s Lassie, but the scene where he gives advice to Jules made me weepy. Omundson was such a huge part of Psych and his relationship with Shawn was one of the best parts of the series. But I’m glad we got a little glimpse into the fact that even though they aren’t partners anymore, Lassie and Jules still care about and support one another deeply. It was beautiful and touching, and a fitting inclusion in the movie.

Mer: It was so wonderful to have everyone involved. But yes, Lassie was deeply missed. Really I think his absence was felt quite strongly throughout. I read an article about the movie beforehand that said Timothy was really present in the movie despite not being present, and after watching it I know exactly what they meant by that. He was present in how strongly his absence was felt. He was such a hugely important part of the series, and of course circumstances are what they are and it couldn’t be helped, but it really did feel like an integral piece was missing. I’m hoping he’s doing well and recovering and can join the cast for the next (!!!) movie.

Ashvini: Henry Spencer gave me the courage I needed to wear more hats. Chief Vick was the mamma bear everyone needs in their life. Woody killed me, like I said before. And I’m happy we got see Lassie for a few minutes, even if it was via smartphone.


Okay... that ending though! Let’s discuss what this could mean for the future.


Jenn: I spent the entire movie going, “Where is John Cena?” and it was a few minutes until the end of the movie when my friend Melissa turned to me and asked, “Is he going to be in it?” And sure enough, the final scene involved Jules’ brother. I’ll admit that I wasn’t a huge fan of the way the movie ended because it left me wondering aloud, “WHAT NOW?!” But I am really excited that it’s so open-ended that other movies could happen in the future. I would absolutely love if we had a Psych movie for every holiday — even the random, small ones.

Mer: I definitely see a fun sequel! I think the ending was almost more intriguing than the majority of the plot. That was a fun set-up and I’d love to see them come back in a year or two and do something with it.

Ashvini: I hope to God they make a sequel. This franchise is so creative and the Psych world is ripping at the seams with the amount of characters, plots, and gags they could bring back. It’s one of my favorite television shows ever, so I’m never going to not want more of Shawn, Gus, and company.

What did you all think of Psych: The Movie? Sound off in the comments below!

Saturday, December 16, 2017

Blindspot 3x07 Review: "Fix My Present Havoc" (Lying is Bad) [Contributer: Jen]


"Fix My Present Havoc"
Original Airdate: December 15, 2017

The team closes in on Hirst in Blindspot's "Fix My Present Havoc" while Kurt weighs the pros and cons of lying to Jane. Spoiler alert: LYING IS BAD!

CASE OF THE WEEK

Roman has a schedule to keep and decides to move things along by giving Team Blindspot the key to one of Jane's tattoos. Right now, Roman and Team Blindspot are united in their desire to get rid of Hirst. It serves as a good reminder that Roman's goals aren't the same as Mama Shepherd. He's not interested in watching the world burn. He wants to expose corruption and watch Team Blindspot burn. It's a slight, but important distinction. Can you be morally evil? If yes, Roman checks off that box.

Hirst killed Stuart because he connected one of Jane's tattoos to a list of everyone who's owned the Van Gogh self-portrait. Unfortunately for Stuart, he had no idea why this was significant and Hirst slices his throat before he's able to dig into the details.

Roman's clues — in the form of baby blocks for Bethany (which is super creepy by the way) — fills in some of the holes. The letters form a molecule, which then leads to a new cancer treatment and clinical trial run by Dr. Palmeri. Two employees (a nurse and an intern) have already died. So Kurt and Jane decide to go "unofficially" undercover. (Yes, I am readily aware I skipped over some of the "connect the dots" with the tattoo. I'm okay with it.)

Dr. Palmeri is being bribed by families of patients to give them the cancer drug instead of the placebo. This is a big no-no in the world of clinical trials and basically any kind of scientific experiment. Palmeri is accepting the bribes because she's broke. She invented a cure for a deadly new disease, but instead of becoming an epidemic, it was a blip on the radar.

Jane and Kurt speak to one of the patients in the trial. It's clear he's receiving the drug because he's getting better. Lo and behold, he's married to a man with one ear. Hello Van Gogh! Eric Vance is a former U.S. Marshall nicknamed Van Gogh after he lost one of his ears the first year on the job. Several years ago, he worked a security detail for Eleanor Hirst when she was a federal prosecutor. Vance left the U.S. Marshalls to work for Hirst full time as her "fixer."

Hirst knew about the bribes Dr. Palmeri was accepting, but instead of prosecuting her like a good Director of the FBI should, she used the information to blackmail Palmeri into giving Vance's husband the drug. At first, Vance thought it was out of the kindness of her heart, but then she began to ask him to do things like dig up dirt on her competition/enemies and blackmail them, beat people up, threaten their families, and cover up Stuart's murder. If Vance didn't comply then Hirst would take the drug away.

Hirst made Vance dig up dirt on everyone vying for the Assistant Director so she could hire someone she could manipulate. Reade, with his drug addiction past, was the easiest target. Jane makes a point of saying Hirst could have targeted any one of Team Blindspot, which is true. This is a team very adept at making terrible life choices and then keeping them secret *coughWellercough,* but Edgar's pride had to take a hit. Weller got the job because he earned it. Reade got the job because of his horrible coping skills. It has to hurt.

The good news is that Team Blindspot finally has someone willing to testify against Hirst and all her criminal activity. Vance is willing to go into protective custody as long as his husband continues receiving treatment and is kept safe. The team practically falls over themselves agreeing and I can't blame them. They have absolutely nothing concrete on this woman.

Meanwhile, Dr. Palmeri is busy creating her own House of Horrors. She's determined to make her billions and decides to release the rats carrying the deadly virus into a water treatment plant. This is the real head-scratcher. This is spectacularly dumb of a seemingly intelligent — albeit evil — woman. She's already being investigated for the death of one of her employees. (The nurse found out about the bribery.) Palmer's history with this virus isn't exactly a secret, and she's BROKE. All of a sudden the virus pops up in New York City and the police aren't going to suspect she had anything to do with it? The villains on Scooby-Doo were more logical than this.

But nobody listens to me, and away the rats go. Of course there's a fail safe to shut the plant down because Blindspot isn't about to kill millions of New Yorkers. Watching Patterson figure out how to shut down the ancient system via YouTube video was pretty funny though.

Of course, Eleanor Hirst is one step ahead of the team because she's Mary Stuart Masterson and that's how she do. A sniper takes out Vance in the safe house and the team loses their only witness to testify against Hirst. Not to pour salt on an open wound, but allowing their witness to stand right next to a window was not Team Blindspot's brightest move.

TEAM BLINDSPOT


Hirst is still trying to manipulate Reade throughout the episode and it's interesting who her primary target is: Zapata. She invites Reade and Zapata to brunch and asks them about the first time they met. Hirst may be evil, but she totally ships it. Reade and Zapata retell the story of how their competitiveness morphed into genuine friendship, like an old married couple. If you haven't accepted Blindspot is totally going there with these two, now would be an excellent time to reconcile that with yourself.

Hirst not-so-subtly accuses Zapata of leaving the FBI because she's still competitive with Reade and didn't like that he was promoted ahead of her. No, silly rabbit. Zapata left the FBI because she is totally in love with Reade, he's totally in love with her, and these big huge dummies refuse to admit it. They are Jeller 2.0.

Hirst doesn't trust Zapata and believes her loyalties are with the CIA, so she wants Reade to revoke her credentials and kick her off the team. Translation: Hirst knows Zapata is the person Reade cares most about and if there's anyone who can get in the way of her influence over Edgar, it's Tasha.

She's not wrong. Luckily, Reade got on board last week with the "Hirst Is the Source of All Evil" plan and tells Tasha exactly what he's been instructed to do. Unfortunately, Reade has to kick Tasha off the team to maintain his cover with Hirst as her only trusted ally. However, I have a feeling this will ultimately work in the team's favor next week.

Blindspot has been focusing a lot on Tasha's perspective on her relationship with Reade and her realization that she's in love with him (re: flipping through photos and staring lovingly at them), but we haven't heard much from Edgar. It's understandable — he was already shot down once and he has a girlfriend. A girlfriend he's giving a food processor for Christmas. I think that tells us all we need to know about Reade's investment in this relationship.

However, this is Blindspot and they want us to be really clear on the fact that Reade and Zapata are totally happening. So while undercover at the clinic, they have to hide under a table together or be discovered by security. They are snuggled together in a tight and dark space. There are longing looks. If they gave it another minute, I feel extremely confident they would have made out.

We were robbed.


KURT AND JANE



The reason why Blindspot is starting back up with Reade and Zapata is so we have something to distract us from the pain when they blow up Kurt and Jane... AGAIN. Sorry to all those who are not fans of the Reade and Zapata coupling. I offer you cookies for your distraction instead:


I still don't think we are headed to divorce with Jeller, but I am expecting some highly emotional, extremely angsty and unpleasant moments coming our way. Kurt Weller is running full throttle into this lie because he's a big dumb oak tree. Honeymoon is over, kids.

It starts out nice enough: Kurt and Jane play with Bethany while Allie looks on — a blended family celebrating Christmas together — and my ovaries exploded. Unfortunately, Kurt isn't heart-eyeing his way at Jane through the warm, fuzzy family moment like he normally would. Allie picks up on it because everyone ships Jeller. She wants the heart eyes just like us.

Kurt makes some excuse about not sleeping well, which is sort of true. He's having nightmares about Berlin and Jane staring at an empty baby crib. It's all very cryptic. It does, however, give us shirtless Kurt Weller waking up in a cold sweat. This is the content I am here for. Yeah, I know it was a nightmare and he's under duress, but I don't care. I take my shirtless Kurt however I can get it.

Vance and Julian are supposed to serve as the "Why Lying is Bad" cautionary tale for Kurt — not that I understand why he needs one. The 1,500 other times Kurt has lied to Jane and Jane has lied to Kurt should be more than enough history to suffice not repeating it, but whatever. Of course Julian finds out Vance has been doing terrible things to save his life. It doesn't matter much to Julian that Vance's intentions were good. People are dead and his husband was a part of it. Also, betrayal just feels like betrayal no matter the motivations behind it.

This is exactly what Allie tries to tell Kurt. She's my MVP of the episode. Not only for her ride or die attitude (she was 100% ready to steal U.S. Marshall files and go to jail with Team Blindspot. It was awesome), but for laying a truth bomb down on Kurt Weller.
Kurt: He kept this from  him to protect him. That's not such a bad thing. 
Allison: That's such a Kurt Weller response — you always think you have to protect everyone, but shielding someone from the truth isn't heroic, it's just dishonest. People can handle more than you give them credit for.


I am not denying that Kurt loves Jane. He loves her more than life itself. Kurt would die for Jane; he'd do anything to keep away pain. These are all incredibly wonderful characteristics and are what make Kurt a good man — it's why Jane loves him. However, our strengths can be rapidly become our greatest weaknesses if we aren't careful.

Kurt's protective love can rapidly turn into infantilizing. Jane is a grown woman who is perfectly capable of making decisions for herself. She also deserves the truth and the right to process the emotions that come with it. Kurt has built an illusion of happiness with his lies and no marriage can survive in that. Reality may be more painful, but at least it is real. And real is what Kurt and Jane spent their life searching for and found in one another.

Jane also doesn't need Kurt to shield her from the pain of life. That's impossible because that's life. Pain exists. Loss happens. It is unavoidable, which is why it is so important to face it together. What Jane needs is Kurt to walk through that pain with her. And he can't do that if he's lying to her.

Of course, whatever happened in Berlin is making Kurt terrified he's going to lose Jane. And that's understandable. We all make mistakes — terrible ones sometimes — and fear we will lose the person we love most if they find out the truth. And you know? Sometimes that happens. Sometimes truth does break a relationship apart, but I've never heard of one being saved by a lie either.

If Kurt tries to hold on to Jane with his lies then he's already lost her; she's already gone. That's not love — that's control.

This foundation of trust Kurt and Jane spent years building is a fragile one. Trust is so difficult to build, but it can be ruined with one lie, one mistake. The only way to have a chance at repairing whatever Kurt broke is to be honest with Jane. Forgiveness is part of marriage too. But before Jane can even get to forgiveness, she needs to hear the truth from the man she loves. She needs to be allowed to process her anger and grief. Jane may even walk away, but WHEN she comes back at least Kurt will know it was her decision. Vance said: "If lying to the person I love means sparing them horrible pain, I'll lie."

Unfortunately, the person Kurt chooses to listen to isn't Allie but Vance. Vance believes the lie is worth it. The problem is that Vance is lying to himself. Yes, his lies spared Julian's life, but it didn't spare him horrible pain. The pain of losing Vance is just as difficult. Maybe even more so.

That's the lie Kurt is telling himself. He's not sparing Jane anymore pain; he's just compounding it.

Stray Thoughts:

  • If Roman wasn't super evil, crossing out the from and writing love on the card for Bethany would be super sweet.
  • How did Zapata know to just transfer a whole bunch of data? *insert CIA training here as plausible excuse*
  • Are bagels brunch? That feels more breakfast to me, but you do you, Hirst.
  • Kurt being freaked out by rats is the most I've related to him.

Wednesday, December 13, 2017

Overlooking Tiffany Haddish's Girls Trip Performance is a Slight by the HFPA [Contributor: Megan Mann]


I’m going to be honest with you guys: I absolutely love awards season. I love rounding my friends up and making snacks so we can enjoy the shows together, watching the red carpet and believing that — while in my pajamas — I am fully capable of being a judge on Fashion Police. And I love playing the game with my friend Molly of who can guess more winners correct. These are traditions that I firmly believe in and look forward to every year.

But this year I’m not as excited as I usually am. After hearing the Golden Globes nominations, I’m sitting here wondering what the Hollywood Foreign Press Association is thinking. They’re placing movies, such as the absolute knockout debut of Jordan Peele, Get Out, in the wrong categories, overlooking some of the best films of the year (Goodbye Christopher Robin and Breathe come immediately to mind), nominating bizarre performances (Yes, I’m looking at Ansel Elgort in Baby Drive because honestly? No.), completely shutting out Greta Gerwig for her absolutely stunning first turn as director of the incredible Lady Bird, and generally overlooking some seriously standout performances that made cinema so lovely this year.

However, there’s one performance in particular that has me reeling. Sure, there are some obvious omissions such as Beanie Feldstein in Lady Bird and Andrew Garfield in Breathe, but there’s only one that really has me angry.

One of the best performances this year (not just comedy or drama or suspense or whatever genre), and one of the single most impressive was Tiffany Haddish in Girls Trip.

Now, for those of you who have not seen Girls Trip, you’re already missing out. It’s a story that would resonate with any girl and her group of friends. It’s about four girls who met in college and have gone through the ups and downs of life together ever since. But it’s been a while since they’ve seen each other. When Ryan, the group member who has skyrocketed to fame, is asked to speak at the Essence festival, she invites her girls along — despite the years between them and drama that was the catalyst. It’s up and down, a laugh riot and a truly emotional piece of work.

But it’s Tiffany Haddish’s performance that stands out above the rest. While most of us are familiar with Queen Latifah and Jada Pinkett-Smith, and while Regina Hall is a star in her own right, (and soon to star in the adaptation of one of 2017’s biggest novels The Hate U Give), it’s Haddish most of us are unfamiliar with. From the second she steps on the screen and delivers her first joke, you know she’s going to shine. She delivers each line with immense sincerity and kills every joke in the film.

However, comedy is more than just making someone laugh. It’s my humble opinion (and you’re free to disagree with it) that if comedy isn’t rooted in something fundamental or doesn’t have some sort of emotional tether, it’s simply not going to work. While Haddish has you absolutely rolling in your seat and making you cry with her borderline naivete and outright candor, she was also sweet and caring, loving and understanding. After defending her friend without hesitation earlier in the film and making us laugh, it’s at the end of that night that she wants to bring the girls together to pray and thank God for bringing her very best friends together again. Her blatant sexual prowess is a riot, but after a major blowout, she reminds her friends that she would do anything for them — and be there for them no matter what. You can tell that she truly means it.

So it concerns me that the Hollywood Foreign Press Aassociation would overlook such a multilayered, versatile performance. If we can nominate Melissa McCarthy for her outlandish and raunchy turn in Bridesmaids, why are we overlooking Haddish for one of the best performances, comedically, in 2017? When I watch these award shows, I want there to be equal representation. I want there to be women of all different shapes, sizes, colors, credences, and nationalities represented in the nominations. I want to know that the group of women representing in each category were chosen based not on what they’ve given to cinema over time, but what they’ve given to cinema within the confines of the awards season calendar.

Overlooking this performance is downright shameful on the part of the HFPA. If you went to the movies this year or rented Girls Trip from your local library, Redbox. or your Amazon account, you know that Haddish gave an award-winning performance as Dina — the essential glue that holds the Flosse Posse together. She is the one who overlooks past mistakes and just wants to enjoy her gal pals and their precious time together. She was one of the biggest reasons why that movie was such a smash hit.

In not nominating her, the HFPA proves that they care more for big, established names than they do pure, raw talent. Do I believe that some of those household names deserve to be nominated? Of course I do. Did some of the lesser-known actors creep in this year for their deserving place? Obviously. But overlooking talent like that of Tiffany Haddish is plain ignorant, to be honest. Of all of the performances, it should be her name that is in the Best Supporting Actress category. It’s ridiculous and unbelievable that her name was not roll called for her wildly deserving performance.

And I know I’m not even close to the only one who believes that.

Tuesday, December 12, 2017

Arrow 6x09 Recap: "Irreconcilable Differences" (The Honeymoon's Over) [Contributor: Marilyn]


"Irreconcilable Differences"
Original Airdate: December 7, 2017

We’ve reached the midseason finale of Arrow. Where does the time go? As sad as I am to see the show leave us for the next five or six weeks, I’m thrilled to get to watch what heads off this episode: Oliver and Felicity’s wedding reception. Because of course, Donna Smoak would not let this wedding go uncelebrated. And because this show loves its main couple and the fans. Don’t even tell me I’m wrong about that.

The episode kicks off with the grand reception and boy... is it ever grand, right down to the couple on top of the tiered wedding cake that look exactly like Oliver and Felicity. Oliver is happy to have Thea out of her coma and in attendance but he’s also a bit nervous because Felicity isn’t there yet. It’s kind of adorable how nervous he is. Thea points out that the two are already married, so there’s really nothing to stress out about. And that’s when Felicity arrives, on the arms of her proud parents.

And to categorize Oliver’s expression as “awestruck” seems like an understatement. I’ve never had anyone look at me that way before... and I’ve been married nearly twenty years. These two actors certainly know how to sell the chemistry, I’ll give them that. Plus, Arrow pulls out all the stops, having Felicity enter in slow motion, and to beautiful music. After Donna gives the couple a bit of a hard time for eloping and not having a proper Jewish wedding, Oliver steals his wife away and they share a sweet kiss.

The reception is perfect. There is cake cutting (and feeding), bouquet tossing (Curtis catches it, narrowly beating out Donna), and a first dance (featuring Etta James’ “At Last” which is so on point I could weep). We even get a cute scene with Oliver and Felicity talking to the Hoffmans (their old neighbors from Ivy Town), and get to see Curtis flub his speech and Rene smoothly take over. As if that wasn’t enough, we even get a bit of awkwardness between Noah, Donna, and Quentin, when the latter cuts in on the former dancing together.

Sadly, then the plot of the episode interrupts and we must get on with the rest of the episode.

Quentin gets a call from Jean Loring, Oliver’s attorney. Apparently, she’s learned that the “smoking gun” in Oliver’s case vs. the FBI is a witness willing to testify that he’s the Green Arrow. But it gets even better. It’s someone on the team. I found it rather adorable and awesome that Oliver didn’t even consider for a nano-second that it could be Felicity or Diggle. Those two were out of contention immediately. The newbies on the other hand? Well...

Oliver is upset. And rightly so, but he wears his betrayal like a cloak for almost the entire rest of the episode. Someone he has trusted — that he has brought into his life and welcomed even at his wedding reception — has sold him out. And not a minor thing either; he could be locked up for life, away from his wife and son. As a man who finally has gotten his hands on everything he’s ever wanted, the threat of having it torn away is a bitter pill to swallow. He’s immediately suspicious of all the newbies and Felicity offers to track them because... well, that’s what we do on Team Arrow. We all have trackers installed, apparently. I mean, it’s super handy when one of them is kidnapped I guess?

The team learns that Dinah is meeting with Vigilante. And Vigilante knows who Green Arrow really is. I’m a bit unclear on whether or not he knew before Dinah said Oliver’s name, but the fact is that Oliver is concerned Vigilante would rat him out to the FBI. So Dinah is promptly shunned and she takes it about as well as you’d expect.

Team Arrow has been her family and life since they found her, and now to find that there’s no foundation of trust there? It stings more than a little. The rest of the team is upset to learn that Oliver and company have been tracking them and it leads to a lot of bickering. Amidst that bickering, Rene drops a bomb: He is the one who talked to Watson and has agree to testify against Oliver.

Rene explains that the FBI agent used his daughter against him. She knew he was Wild Dog and could make it so he’d never see his daughter again if he failed to cooperate. Rene did what any father would do, which Oliver recognizes later (thankfully so, since that’s essentially what he did when he left the team to spend time with William). But before Oliver finds understanding, he feels the betrayal and he tells Rene to leave. Curtis and Dinah aren’t too happy though.

Things go from dicey to worse when Black Siren, acting under Cayden James’ orders yet again, abducts Quentin and knocks out Thea. Cayden is holding Quentin hostage in return for some device that is being held at ARGUS. The device is apparently something that will help Cayden build this super bomb he’s been threatening to use for a while now. He wants the team to break into ARGUS, steal the device, and trade it to him for Lance. If they don’t cooperate, Lance is dead. It’s kind of a no-brainer and Oliver brings Rene back because he knows they need the whole team on deck for this.

They get into ARGUS, take the device, and arrange for the trade. Simple, right? Except Cayden realizes pretty much right off the bat that they’ve sabotaged the device and he can’t use it any longer. The deal is off. Curtis and Rene disobey orders from Oliver to go hunt down Lance, which ends up being a good thing, but Oliver doesn’t see it that way after the fact. Black Siren lets Lance go, so he’s fine, but Oliver is feeling very upset that the team didn’t follow the chain of command.

Rene is out because Oliver doesn’t believe in giving a third warning, prompting Dinah to bow out as well. She goes right to Vigilante, telling him she needs someone who will stick by her and that may just be him. Curtis also leaves, claiming he feels disrespected. It leaves the Original Team Arrow, alone in the bunker. Which is a bit eerie but also not the worst thing that’s ever happened.

Of course, we have to end with something juicy and that is the reveal that Cayden is not just working with Black Siren, but with Anatoly, Vigilante, and Ricardo Diaz as well. It’s a whole flock of villains, waiting to rain down badness on Oliver and Star(ling) City.

And that’s all we have until the middle of January. I choose to believe that Oliver and Felicity jetted off to Aruba after this to spend a long, sun-soaked honeymoon together while Thea and Raisa kept William company at home.

So what did you think about Arrow’s midseason finale? Was it great or did you think it was lackluster? And how many times have you re-watched those reception scenes? Sound off below!

The Flash 4x09 Review: "Don’t Run" (Chekhov’s Knife) [Contributor: Deborah MacArthur]


"Don’t Run"
Original Airdate: December 5, 2017 

It’s midseason finale time on The Flash! You know what that means: an okay episode vaguely hinting at the season’s main plot arc, with a shocking final five minutes that lead into weeks of hiatus. This episode, “Don’t Run,” fits that formula to a T and leaves us with the run-up to a comics-inspired storyline that the show has been hinting at since the first season’s finale.

I, for one, was just impressed by the implication that the writers actually plan stuff that far ahead.

THE START


As usual, the big crossover event is largely ignored when things go back to normal. All we get as hints to the happenings of “Crisis on Earth-X” is references to Barry and Iris’s honeymoon in Bali, the newlyweds opening wedding gifts, and one line from Iris about how her wedding kinda got sidelined twice — once by alternate-Earth crossover shenanigans, and a second time by a last-second interruption by Felicity and Oliver jumping on the bandwagon for wedded bliss.

The gift unwrapping scene drops a couple foreshadowing clues: first, Barry and Iris get a fancy knife set from someone, missing one knife and with no card. Second, Iris notices that Barry isn’t speed-cleaning the wrapping debris and comments on it, and Barry replies that he doesn’t feel like he “needs” his powers anymore. He’s more at peace now and doesn’t need the speed to make all his problems disappear like he used to. It’s kind of interesting how this simple, light little scene ends up establishing two versions of the old Chekhov’s Gun dramatic principle: one that’s very direct (the knife), and another that’s more philosophical or emotional (the running).

When Barry and Iris are coming back from exchanging some of their unwanted gifts at the store, they run into DeVoe (or, more accurately, The Thinker, since he’s in his fancy villain chair). The couple is separated and Barry is swiped, leaving Iris to deal with the aftermath. It wouldn’t be such a problem, if not for the fact that Caitlin gets swiped as well, by Amunet Black. So Team Flash is down two members, both kidnapped, and Iris has to get them both back. Unfortunately, Iris asks Cisco to use his Vibe powers to find Barry and Cisco gets blasted by whatever protections DeVoe has put around his new prisoner, sending Cisco out of commission. If he’d tried finding Caitlin first, he probably would have — and Iris wouldn’t have needed to tax their resources by looking for both of them or, ultimately, making the decision on who to focus on.

CAITLIN


During the kidnapping, Amunet stuck a dampening cuff on her and confirms, once they arrive at an abandoned hospital, that she doesn’t need Killer Frost — she needs Dr. Caitlin Snow. Even though I don’t think Caitlin has ever been a surgeon, Amunet expects Caitlin to perform a delicate surgery on a metahuman she shot in the head and she tells Caitlin that if she doesn’t do it, or if her patient dies, Caitlin will be killed.

Caitlin’s storyline has a couple nice moments in it, though it initially seems like pointless distraction from Barry dealing with DeVoe. First off, it’s interesting that what drove Caitlin out of the lab is learning that everyone loves Killer Frost. Her friends have inside jokes with Killer Frost. Killer Frost has her own drink at Jitters. Killer Frost is cool and funny and helped fight alternate-Earth Nazis with everyone. The in-universe favoritism of Killer Frost over Caitlin Snow sounds like what The Flash fans online have been saying about favoring Killer Frost over Caitlin Snow, so I wonder if that was the inspiration for this character beat, taking Caitlin’s relationship with her alter-ego from fear to jealousy.

When she’s kidnapped and the metahuman she’s meant to be operating on, Dominic, shares his story with her, he and Caitlin have some charming moments of connection, which is another little thing I liked about Caitlin’s story. Dominic’s just a regular TSA agent who got caught on that bus with all the other metas created after Barry’s exit from the Speed Force, but the power he received — the ability to read the thoughts of the people around him — is a commodity, and one that Amunet already has a buyer for.

Dominic has a piece of metal wedged near the base of his skull, but he says it doesn’t hurt. I’ve watched the episode twice and I can’t figure out why he’s not in pain, or if it’s important that he’s not in pain. Still, Caitlin says that the piece of metal has to go, and that removing it might be beyond her abilities. This is where the third interesting thing in Caitlin’s plot comes along: a pep talk from the villain, of all people. Amunet shows that she does genuinely acknowledge how bright, resourceful, and resilient Caitlin is, telling her captive exactly what she needs to hear after being surrounded by Killer Frost fandom.

Caitlin takes that pep talk to heart, removes the hunk of metal from Dominic’s head, and devises a plan to escape Amunet by faking a medical emergency. Also, the surgery took about five seconds, so... not as difficult as Caitlin made it out to be, I guess. Caitlin knocks the evildoers out with anesthetic, team members arrive to help in their escape, Dominic gets invited to the office Christmas party, and Caitlin feels better about herself — and she made a new friend! But wait...!

BARRY


Barry wakes up in the Thinker’s sanctuary, surrounded by an invisible barrier that he can’t phase through. Most of Barry’s part of the episode is spent with him listening to Thinker’s nefarious plotting, quipping at everything the guy says, and trying to figure out what, exactly, he wants. Since we got earlier scenes of Mr. and Mrs. DeVoe talking about Clifford eventually not saying things with his own voice, the audience is led to believe that DeVoe’s plan is to transfer his consciousness into Barry’s body, but Barry assumes DeVoe wants his powers. Barry, the man is in a wheelchair and speedster powers — despite what three years of supervillains might have made you think — aren’t even that cool.

Inspired by something said by DeVoe’s wife, Barry learns how to make himself invisible and escape from his cell. That’s neat. DeVoe teleports them both hundreds of feet above the city, then accidentally blows up his own hover chair trying to get rid of Barry. Barry lands in the river, but is saved by the floatation device Cisco re-installed in his suit. DeVoe is lost, but of course no one believes he’s really gone forever.

At the Christmas party later, Dominic shows up and gets introduced to the rest of the team. Barry gets a call telling him the alarm’s going off in his and Iris’s apartment, so he goes to check it out. Once there, he gets a phone call — from Dominic, who is actually DeVoe. It wasn’t Barry’s body he wanted to transfer his consciousness into at all, it was Dominic’s, and DeVoe was the client Amunet had lined up to buy his metahuman ability.

But the most shocking thing is also the fulfillment of the Chekhov’s Gun trope set up at the beginning of the episode. Barry finds DeVoe’s old body on the floor of the apartment, stabbed with the missing knife of the mysterious set he and Iris received as a wedding gift. When he hears the police battering down his door and he gets the chance to run, Barry remembers what he told Iris, probably assumes that being on the run for murder would ruin that peace he’d developed and make him look super guilty, and he stays still instead.

Other Things:
  • I adore how the only thing that can pull Harry out of his general snarkiness is giving pep talks to team members. His little chat with Caitlin was genuinely cute.
  • Hey, Barry? DeVoe ain’t wrong about that whole “learning humility” thing.
  • Joe calling Barry his son is still my favorite thing.
  • •“Are you a time traveler? Because those white girl dreads came straight from the ‘90s.” Hee. Cisco.
  • “This house is...” “Bitchin’?” Tell. Me. What. It. Meeeeans.

Once Upon A Time 7x09 Recap: “One Little Tear” (Hidden Identity) [Contributor: Julia Siegel]


“One Little Tear”
Original Airdate: December 8, 2017

It’s surprising, but we finally have an episode worthy of the Once Upon A Time name. This season has been very bumpy and hasn’t even come close to being on the same level as the rest of the series. However, it seems that after eight mediocre episodes, the writers have finally woken up and delivered a classic OUAT-style episode that might just save the dwindling series. With some shocking discoveries and backstories, this was the episode that probably no one saw coming. Yes, the content is very random and definitely should have been revealed earlier in the season — but let’s just take a week to enjoy that the show might just be back.

SURPRISE!


Once Upon A Time has always been really good at one thing: setting up characters and then making shocking reveals about their true identities. The way the series played off of hidden identities, particularly in its first two seasons, made it one of the most unique shows on television. I have spent most of this season bashing the show’s inability to reboot itself in new ways, since it mainly is a worse copy of the first season. For the first time, I can truly applaud the use of one of the staples from early on in the series.

I don’t have any doubts that almost all of the show’s audience didn’t think that the new characters were anyone other than who they said they were. There have been no indications that these characters had hidden identities, whereas the original characters weren’t always so open with who they were (think that awesome Pinocchio reveal). So, it was rather shocking to find out the true reason why Rapunzel has randomly popped up in the middle of the season. You wouldn’t recognize her, but that awful Victoria Belfrey is actually a hardened, burdened, and older Rapunzel (cue the gasps).

This was a particularly great reveal because everything that has been shown with Belfrey/Lady Tremaine in the fairy tale realm and in Seattle has shown her as the rotten stepmother from Cinderella. For me, this is a classic OUAT pull-the-rug-out-from-under-you moment and a great way to mesh two stories together. Through a perfect amount of useful flashbacks, Rapunzel’s story plays out in a surprising fashion and shows what went wrong for the former Disney princess.

The flashbacks revealed that Rapunzel and her family were dirt poor when she strikes a deal with Gothel to give her family happiness. This family includes sick husband, Marcus, and Rapunzel’s two small kids: Anastasia and Drizella. In typical sketchy witch fashion, this means that Rapunzel will be locked in a tower forever while her family gets a new life. After six years of solitude, Rapunzel escapes the tower on her first attempt and magically finds her family, who appear to be living pretty close to the tower. While that part was quite dumb, the family reunion was very interesting. Now young tweens, Anastasia welcomes Rapunzel back with open arms, while Drizella is distant and doesn’t feel Rapunzel is her mother.

The best reveal comes when Marcus reveals that he has remarried and has a step-daughter who, of course, is (Cinder)Ella. All three kids appear to be the best of friends and are happy together, yet Rapunzel feels betrayed that her husband found happiness without her. Rapunzel starts her journey toward darkness when Gothel appears and gives her a poison mushroom from Wonderland to make Ella’s mother, Cecilia, and Rapunzel’s problems, go away. Interestingly, Rapunzel refuses the offer for a while, yet is driven to the breaking point when Drizella calls Cecilia her mother.

The mushroom gets rid of Cecilia, and Rapunzel has her perfect family back. She “kindly” allows Ella to continue living with them, but the resentment starts soon after. Thankfully, the flashbacks address what happened to Anastasia, which is the real reason why Rapunzel turned into the bitter Tremaine/Belfrey that we have known. The kids are playing on a frozen pond when Anastasia and Ella fall through the ice. Marcus tries to save them both, but can only save Ella. Obviously, Rapunzel is enraged and can’t believe that Marcus wouldn’t save their child. While the story doesn’t continue much past there, it’s safe to assume that Rapunzel continued down her dark path from there. Her development into an evil person is still up in the air and will hopefully be discussed as the season progresses.


RUMPLE'S REVEAL


Back in Seattle, Rumple gets himself into a sticky situation when he visits Belfrey in prison. Like the snake she is, Belfrey eventually pushes enough buttons to get Rumple to admit that he is awake and knows what’s really going on. Surprisingly, Rumple agrees to a deal that will allow Belfrey to walk free, and in exchange, she will tell Rumple who “The Guardian” is. Well, I’m still not completely sure what “The Guardian” is, but more on this in a bit. Belfrey and Rumple then go on an afternoon escapade, yet Rumple doesn’t realize what he is getting himself into.

Of course, Belfrey decides that now is the time to finally crush Lucy and wake up Anastasia. Rumple doesn’t realize how Belfrey plans to wake up her daughter until Gothel of all people tells him what he has gotten himself into. Rumple has shown minimal emotions in Seattle and has not appeared to be the changed man that he was with Belle. However, once he realizes that his great-great granddaughter is in trouble, he stops everything and will do anything to save her. He even gets Hook involved, who still hasn’t woken up, and tells him a bit of the truth. It was odd that Rumple tells Hook some of his backstory, but hasn’t woken him up yet. There’s no reason for Hook to still be in the dark, so hopefully he regains his memories soon.

WHAT'S COMING NEXT


After Rumple shows some emotion, we learn that he is too late, as Belfrey has told Lucy the truth only to crush her tiny spirit. Anastasia has been clinging to life in a nearby hospital the whole time, thanks to Gothel saving her last breath in a flashback to the fairy tale realm. A single tear from Lucy is all it takes for Belfrey to wake up Anastasia, which sends Lucy into a similar coma that Henry was in when he ate the poison apple in season one.

With Regina and Henry out of town, there’s no doubt that Henry is going to have to come back to Seattle to save Lucy with true love’s kiss, thus more than likely breaking the curse. With Anastasia coming back to the living, it’s hard to say what Belfrey will do next. Drizella clearly wants her sister’s magic, but we still don’t know how they have magic or what Anastasia’s powers may be.
There is also this “Guardian” business that needs to be settled. In the flashback where Gothel “saves” Anastasia, Gothel makes a speech about how she thought Rapunzel could have been “The Guardian” and that maybe Anastasia could be since she was wrong about Rapuzel.

While there isn’t much revealed about what “The Guardian” is, it is clear that Anastasia might fit the bill. Rumple is also supposedly searching for “The Guardian,” probably because this is the only person who could take his darkness and free him from being the Dark One. This was a very interesting episode that didn’t go anything like I thought it would. The season has taken a sharp turn, so let’s hope that it can continue to keep getting better.

Monday, December 11, 2017

Supergirl 3x09 Review: "Reign" (Merry Christmas, Your World is Doomed!) [Contributor: Deborah MacArthur]


“Reign”
Original Airdate: December 4, 2017 

Previously on Supergirl: A crossover event happened, but we’re mostly ignoring that, as we are wont to do. Previously previously on Supergirl, Mon-El returned, bearded and more boring than ever, and Kara was sad about the fact that he’s married to some lady now. Sam Arias discovered her evil Worldkiller destiny in a desert Fortress of Solitude, and became “Reign,” which is the title of this episode so I assume she’s gonna have a big part in it all. That’s it, let’s get this midseason finale over with!


NOT IN THE CHRISTMAS SPIRIT


Sam wakes up without her Reign powers and Ruby runs into her bedroom, saying that she heard her mother scream. The conversation Sam has with Ruby tells us that not only does Sam not remember finding her Fortress of Solitude and gaining evil superpowers, but she doesn’t even remember going on her little self-discovery trip into the desert at all. We don’t get any clarification of what she remembers from visiting her adoptive mother but I assume she has no memory of seeing the spaceship or even getting shot and wanting to find answers in the first place.

Meanwhile, Mon-El is telling the DEO about what life in the 31st century is like. Technology is super advanced, but it’s used for the same stuff we use it for: communication, entertainment, and killing. I also learn that Imra is just as boring and bland as her husband. Judging by these two alone, I suspect that technology in the 31st century is used for something other than communication, entertainment, and killing, and that “something” is sapping the charm from every living thing on Earth.

Mon-El and Imra are part of a future peacekeeping group called the Legion, modeled after Supergirl’s history of morality and goodness. Side note: in several versions of Superman lore, Superman doesn’t die of natural causes — he just lives forever; does the same not happen for Supergirl? Or did Future Kara die of unnatural causes, and was forgotten during the thousand years between now and Imra’s future? According to Mon-El, the future is full of “bad things” (what a wordsmith) and Imra says “the darkness” (yikes, these poets deserve each other) that the Legion fights against is spreading.

While on one of their missions, their ship got knocked into a wormhole and thrown 12,000 years into the past. Since the time travel was accidental, they couldn’t just go home, so they did what I always do when faced with a difficult task that might take a while to finish: they went to sleep. Mon-El woke up early and we know what happened after that. Now that we’re all caught up, the meeting adjourns and the DEO promises to help Mon-El and Imra get back to their time. Kara awkwardly invites them to her Christmas party, which they decline.

During said Christmas party, cute stuff happens: J’onn extolls the virtues of Hall and Oates and Empire Strikes Back, Kara and Alex have a moment of mutual self-pity, and Alex chats with Ruby about the time she dove backwards off a building during a shootout and Supergirl caught her. Less cute, more confusing stuff happens as well, such as the ongoing flirtation between Lena and James (why?) and Kara calling Sam, a woman she only recently had a full on-screen conversation with, her “best friend” along with Lena. I know I keep harping on this in my reviews, but jeez does this show not know how to write friendships well.

Festivities are cut short when J’onn informs Kara that Supergirl is needed. They have the fiery equivalent of a crop circle which, when Supergirl flies up to get a bird’s-eye view, takes the shape of what we know to be the symbol that was on the uniform of the lady who gave Sam her powers. The same symbol shows up throughout the city but, though she knows it’s something to do with Krypton’s ancient history, Kara doesn’t know what it means.

James and Lena go see Morgan Edge, since they think the symbols are another one of his scare tactics. Kara and Winn go to the alien bar to ask around about the symbols, but they run into Mon-El and Imra flirting via... chicken wings? What is wrong with these two? More awkwardness ensues. Kara is saved by a call from jail, and she goes to meet with that crazy cult leader from a few episodes back.

He’s reciting verses, but not from the Book of Rao. He mentions “Worldkiller” and the end of days, a prophecy from before the Book of Rao that speaks of a “dark god” whose symbol is the one showing up everywhere. He knows all this because he went around the world finding Kryptonian artifacts, and I guess one of the things he found was the script to this episode. Is this show seriously trying to say that the AI with all the accumulated knowledge of Kryptonian history didn’t know about the ancient, world-ending devil of their mythology, but some random Fort Rozz priestess could fill some random crazy human in on it all? I ain’t picking up what you’re putting down, Supergirl. Also, the extreme close-ups in this scene are really weird.

Lena and James still think Edge has something to do with the symbols, and while following a potential lead they get attacked by a guy with a laser gun. James saves them with his Guardian shield; they both assume the attack was an assassination attempt on Lena. This scene clumsily cuts directly to a gang drug deal going down, and all the gang members getting attacked by an unseen force.

After checking in on Lena and James, Sam hears the report of the gang attack on the news. She goes into a sort of trance and walks away, opening her shirt to reveal the Reign symbol on a uniform underneath. I know she forgets what she does as Reign, but how did Sam not notice she was wearing a shirt under her shirt?

The gang attack confirms, by the use of heat vision, that the person creating the symbols and killing people is Kryptonian. Kara doesn’t buy into the idea of this person being a world-ending dark god, however, and simply vows to beat her down like any other opponent she’s ever had. When Reign attacks Morgan Edge, Kara decides it’s time to deal with this Kryptonian threat on her opponent’s terms, rather than continuing their fruitless search. Kara heat-visions her “S” symbol into the roof of the CatCo building. Uh... okay, but what if Reign doesn’t fly over the CatCo building, Kara? Couldn’t you just do a press conference instead? It probably would’ve helped to curb the smear campaign Morgan Edge begins immediately after the attack, hinting that it was Supergirl who tried to kill him.

But Reign does answer Kara’s call. A huge fight happens, sending the two Kryptonians smashing through the city as citizens look on in wonder/terror. Although Kara puts up a valiant effort, it’s evident — through the appearance of actual wounds and signs of exhaustion on Kara, but very little on Reign — that she is losing the battle. She continues to fight for as long as she can, but after a series of blows in the street, Reign and Kara end up on the roof of another building. This time, Kara is too worn out to fight against Reign, who tosses her off the building. She falls hundreds of feet, to land in a broken heap on the concrete below, surrounded by people who are probably having a really bad Christmas Eve, considering they just witnessed the apparent murder of their city’s sworn hero.

Kara isn’t dead, though. She’s taken to the DEO and Alex fights to save her, but still. Things aren’t looking too good.

The final scene of the episode is at Sam’s house. Ruby wakes on Christmas morning and finds her mom standing strangely, facing away from her. She turns around, but the episode ends before we can see whether the person with Ruby is Sam, or Reign.

Other Things:
  • “Jimmy, I get the feeling your dislike for me is more than just purely professional.” “You get feelings?” Heh.
  • Sam says the Supergirl/Superman “S” symbol means “stronger together” but... no? I’m pretty sure the “S” symbol in Supergirl canon is a sign for her family crest and might also mean hope, but I don’t think “stronger together” was ever established.
  • Lena and James are a thing now, I guess.