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Sunday, October 16, 2022

The Resident 6x04 Review: “It Won't Be Like This for Long” (Take a Breath) [Contributor: Justine]


“It Won't Be Like This for Long”
Original Airdate: October 11, 2022

The Resident is back with some strange character choices and some hit-or-miss storytelling. It feels like this episode is a bridge between the phenomenal “One Bullet” storyline and the upcoming 100th episode. This isn’t necessarily a bad thing. Perhaps The Resident is taking a much-needed breather between two intense storylines. This may work in the long term and ensure that stories aren’t spread too thin. 

Conrad as a dad is the best Conrad, and that is a fact. Any time he spends with Gigi is time well-spent. This episode is the perfect opportunity to showcase what a great father Conrad is when he’s at his best. The best part is that he’s not just given accolades for doing the bare minimum. It’s clear he’s actually making an effort to raise his daughter and be an integral part of her life. He takes the time to actually listen to her concerns. So many parents would have heard the tell-tale fake cough and sent their child about their day; Conrad takes that extra step to listen to what has Gigi so anxious. 

I’m honestly conflicted with where Leela’s character is going. As time goes on, it seems as though she’s consistently pushed further and further into the background. It’s a shame because she is arguably the character with the most potential. It’s the little moments that are the worst, seeing how so many characters around her invalidate her. Sitting at the table with Devon, watching him wrapped up in his work, just to have him blow Leela off is a sting to her fans. Hopefully her story won’t become solely wrapped up in her getting back together with Devon. There is a lot more she has to offer.

Feldman clearly has something happening in his life to make him this miserable. His conflict with Devon makes absolutely no sense. There could have been a compelling story, centering on Devon’s challenges re-integrating into a previous role after having moved on to research. However, Feldman just seems to want to fight for the sake of fighting. These two were mostly on friendly terms but it’s as if something happened off screen that has caused this rift in their relationship. Nothing about this situation is compelling. 

Ian’s storyline is heading nowhere good any time soon. Every time he handles an infant, I honestly expect the worst. It’s clear that this man is suffering: addiction is an illness, and anyone who lives with it will go to extensive lengths to get any kind of relief. Andrew McCarthy does a phenomenal job of showing this desperation for relief. This story could either be very compelling or very dishonest if done incorrectly. Addiction is so often misunderstood in the media but hopefully The Resident doesn’t drop the ball.

Relatedly, Cade is probably the most relatable she’s been, with Kaley Ronayne giving a heartbreaking performance. While it’s good to see this character outside of the continued romantic relationship that this show is insistent on setting up, it’s still too bad that viewers only know this character in the context of her relationship with another man. Being the child of a parent with addiction is a heavy burden to bear. If Ian’s story needs to be done right, so does Cade’s. 

This was a possibly inevitable misstep in what’s been a strong start to this season for The Resident. With all of the effort going into the upcoming 100th episode, it’s too bad some of the star power couldn’t be expended here. There are still interesting stories being set up and the staff at Chastain clearly have a lot more coming their way. They deserve nothing but the best. 

Other Things:

  • The Resident is still holding back on the KitBell content. I guess they want fans to get the full effect during the wedding in the 100th episode.
  • Daddy. Raptor. Seriously, there has rarely been a man so suited to fatherhood as A.J. is. Those twins don’t know how lucky they are.
  • Maya is going to be a fantastic doctor. Hopefully we get to spend more time with her as the season continues, and we can watch her shine. 
  • ”My cousin, his eyes used to be dilated like that. It turns out he was in withdrawal at the time. You're not in withdrawal are you, Dr. Sullivan?”
  • “Hold up, you're saying dozens of neurologists who all diagnosed her with myasthenia gravis are wrong, all because you have spidey sense?”
  • “I'm sorry I'm such a disappointment to you, Ian.”

Sunday, October 9, 2022

Grey’s Anatomy 19x01 Recap: “Everything Has Changed” (Reboot?) [Contributor: Julia Siegel]



“Everything Has Changed”
Original Airdate: October 6, 2022

There may never have been a more appropriately titled episode than Grey’s Anatomy’s season 19 premiere, “Everything Has Changed.” Six months have passed since the season 18 finale, where the surgical residency program imploded and was shut down, Bailey and Richard took leaves of absence, Teddy and Owen were on the run from the police, Meredith was named interim chief of surgery, and Nick left for Minnesota after one bad day ruined his relationship with Meredith. Now, the staff of Grey Sloan Memorial Hospital continues to pick up the pieces of the wreckage and start anew with mixed results. This premiere also doubles as a soft reboot/retooling of the show that is likely to create mixed feelings for longtime fans. 

FIRST DAY JITTERS

The episode opens on the first day of the new surgical residency program. A tornado swept through Seattle the day before and has left some irreparable damage in its wake, as seen in Station 19’s season six premiere. It’s interesting that a literal tornado opens this season when a figurative tornado closed the previous one. We are immediately introduced to the five new interns who have joined the cast as series regulars, and much of the hour revolves around getting to know the rookies. Up first is Simone Griffith, who keeps getting lost and flustered on her way into and through the hospital, causing her to be late. Then, Jules Millin awkwardly runs into Link inside the hospital. It turns out they met a few nights prior at a bar and slept together. Link tells Jules he knows he hasn’t called yet, which doesn’t bother her in the slightest. Jules asks where to find scrubs and reveals she works at Grey Sloan Memorial now, which throws Link for a loop.

Jules runs off to meet Mika Yasuda, who she recognizes from the interview process. They go into the intern locker room to get ready for the day. Joining them, along with a slew of other unnamed interns, are Benson “Blue” Kwan and Lucas “Luke” Adams. Luke is nervous and asks the group to not call him Skywalker, which was his first mistake and prompts him to be ribbed with the nickname all day. Wide-eyed Simone is running through the halls looking for the locker room and is caught by Richard, who tells her to slow down. She makes it right as everyone is on their way out.

The group is brought into the OR by Mer in a carbon copy scene of the pilot where Richard does the same with Mer’s intern class. The new group is in awe of the high-tech equipment and receives a welcome speech from Mer. The highlights include how the OR technology is useless without the surgeons and that each intern was picked for their fight and is being given a second chance. Simone comes flying into the OR, interrupting the chief’s speech, for which Mer wants an explanation. Other attendings, including Amelia and Richard, are watching from the gallery. Bailey walks into the gallery in street clothes, which excites the attendings. Bailey announces that she isn’t back to work, but she wanted to see the new interns for herself. She is dismayed to see that they have no senior residents, and Richard explains that their previous residents are settled in new programs now.

Cut to Schmitt working with Jo to deliver a baby. He is now an OB resident and wearing the pink scrubs. It’s clear from his facial expressions that he isn’t thrilled with his current position. Bailey and Richard walk through the halls together and have a typical conversation. Bailey complains that Richard went around the world with Catherine and opened the residency program six months too soon. She even manages to throw shade about Catherine spending money on new surgical equipment. Bailey doesn’t understand why they made a residency class from the bottom of the barrel reject doctors. Richard fends for the youngsters by saying that there were hundreds of applicants and he and Mer carefully selected the best. He knows this class might not have had straight A’s in med school, but they do have heart, empathy, and stories to help them succeed. His highly optimistic viewpoint is courtesy of his trip, which he claims gave him a new way of thinking. Schmitt interrupts the conversation to talk to Richard. He knows he is risking his job and friendship with Jo to get his surgical residency job back, but he hates OB so much that it is worth it. Schmitt even wants to be chief resident and knows the job is open. Bailey chuckles and wishes Richard luck before walking out the door. Richard tells Schmitt he will need to talk to Chief Grey about switching residencies. 

After Mer’s OR trip, the interns are handed off to Amelia, who will be supervising them for the day. They are immediately being thrown to the trenches with their day one assignment. Amelia brings the group outside to talk about the tornado dropping a bus off a cliff. There are many brain injuries, and Amelia asks the interns what the steps to declare brain death are. Several interns raise their hands, and Amelia picks Blue, who answers correctly. Luke speaks up to ask a question, and Amelia snaps at him that they all need to raise their hands before speaking. She calls on Luke, who wants to know how many patients they have. Amelia reveals there are fourteen potential brain dead patients and nine of them are potential organ donors. Mika makes a snarky, inappropriate comments under her breath, so Amelia demands that Mika not talk for the rest of the day. 

Amelia tells the group that transplant surgeons from across the country are in the building to aid in organ retrieval surgeries before bringing them inside to a ward of patients on life support with their families at their sides. The job instantly becomes real for the once excited interns, as they realize they are in over their heads. The interns start assessing their patients for brain death, with Amelia doing the final tests and signing off on the diagnoses. Amelia gives some of the interns an even tougher first day assignment: telling the families that their loved one is brain dead.

IT'S ALL ABOUT PERSPECTIVE

Maggie is pacing in the hallway, and Winston finds her to give updates on the rounds of her patients. She is excited because she might have a transplant match for her patient Howard, who has been waiting a long time for a new heart. Jules pops into the scene and comes up to Maggie as a total fangirl. She has read Maggie’s articles and is a huge fan. Jules also has good news, as UNOS has a heart for Howard. Maggie and Winston are excited, and the latter goes to start filling out paperwork. Jules asks Maggie if she can join her in the OR, and Maggie nods approvingly. 

Back in the other ward, Mika tells the mother of her young patient, Marina, that her daughter has some brain activity and might live. Marina’s eyes are tracking movement, which is a good sign. The mother is too afraid to hope after seeing all the other families get bad news. Mika tells the mother that she has seven sisters and one is around the age of Marina, so she will hope for Marina as she would her own sister. It is a nice moment of warmth from the otherwise standoffish character and shows there is some depth there.

We then see Maggie, with Jules in tow, telling Howard and his husband the good news about the heart transplant. Howard’s husband can’t stop crying happy tears. Maggie asks Jules to take Howard’s blood pressure, which prompts the older gentlemen to comment that Jules looks like she is twelve years old. 

Elsewhere, Jo happily gets a package of black scrubs for the OB department and Link happens to be there too. He questions the black scrubs and Jo explains that pink is a peaceful color, but women’s bodies are now a war zone in this country. She decided to make a statement by changing the color of the scrubs; this will likely be an ongoing story and not the only time we will hear about the overturning of Roe v. Wade on the show. As a resident, it’s unclear how Jo had the power to change the scrubs, but the show does not go into it. Link asks Jo if she remembers the girl he brought home the other night, and Jo makes it clear that Link has been sleeping around a lot. Link tells her that Jules is now a surgical intern at Grey Sloan Memorial, causing Jo to laugh a lot at him. She says he will be fine because he didn’t know Jules would be working at the hospital. Link is worried he will get fired and doesn’t know what to do, so Jo tells him to go talk to Mer.

Winston is walking through the hall and sees the transplant specialists lining the walls ready to operate when called upon. He comes upon Nick, and the two men are genuinely happy to see each other after six months. Blue and Luke bring their brain dead patients down for organ retrieval, so Blue takes the opportunity to ask Winston if he can scrub in to see a transplant procurement. Luke piggybacks and asks if he can also join. Winston agrees to have both of them in the surgery, so they wait in line with the other doctors. It is good to see these interns immediately taking initiative and wanting to get as much experience as possible on day one.

The doctors talk about how bleak the day is with all the deaths, but Nick jumps in to say that the eight deaths can save forty lives with organ donation. Those donors can also give their skin and corneas to help countless other patients. Nick tells them that transplant surgeons spin the viewpoint that way to keep themselves from getting too depressed with their job, and Luke says that the thought process is comforting, even though Nick was really just talking to Winston. Nick asks Winston how things have been at the hospital. Winston replies that it has been awful because the junior attendings, like him, have had to act like residents, and he is no longer enjoying having Maggie as his boss. Since Winston didn’t bring it up, Nick asks how Mer is. Winston confirms what we all knew, that Mer is doing well and makes a great chief of surgery. He goes on to say that Mer is still the interim chief, but after six months, it seems pretty official that she is staying in that role to him. Maggie rounds the corner and spots Nick and quickly runs away before she is noticed. 

Mer is on the phone with UNOS in her office with Link patiently sitting in a chair waiting to talk to her. Maggie runs into the office without knocking on the closed door and asks to speak to Mer alone. Mer gets put on hold and tells her sister that Link was there first. Link blurts out that he slept with an intern, but that it occurred before she started working there and he didn’t know her position. It’s super awkward, but without missing a beat, Mer says that she is in no position to judge him and advises him to stay away from elevators for the foreseeable future. It’s a hilarious callback that works perfectly. Mer tells Link to go to HR because they have paperwork for this kind of thing and he leaves. 

Maggie tells Mer that Nick is at Grey Sloan Memorial, and Mer shows no reaction and isn’t surprised given that all the transplant surgeons are there. Maggie wants Mer to immediately go talk to Nick, but Mer is on a call still. Maggie argues that Mer has been sad for six months and it’s so obvious that her children know it. Zola noticed and asked Maggie for Nick’s phone number the week before to call Nick and explain why Mer didn’t go to Minnesota in hopes of making him understand and convince him to come visit. Maggie tells her sister to not be an idiot and go see the man she loves. Mer, in classic stubborn Mer fashion, is more focused on the fact that Maggie hadn’t told her that story. Schmitt runs into the office right as Mer gets off the phone with good news. She immediately knows why he is there and guesses that he hates OB and wants his old job back. Schmitt quips that he hates OB more than war. Mer says that he would make a good chief resident, much to Schmitt’s surprise. And to no one’s surprise, Schmitt is back as the only senior resident and is now chief resident. 

Mer and Maggie then walk through the halls where the transplant teams are waiting. Mer sees Nick and stops to say hi. He says hi back sheepishly. Mer is all business and asks Luke if he brought his patient down. She then tells Nick that UNOS has approved a triple transplant for one of her patients. She asks Nick if he would stay and do the 25-hour surgery since it would be too hard for her to jump into the OR for that long on the first day of the new residency program. Nick asks his assistant if he can bring their assigned organ back to Minnesota, which that guy agrees to allowing Nick to agree to do Mer’s transplant. The two doctors walk off together to go meet the patient and her family. Maggie tells Winston that the reunion wasn’t how she thought it would go and Winston agrees. Simone comes running over to ask Luke where a patient named Liam Collins is, so Luke says he is being prepped for organ retrieval. She wants to know why he didn’t speak to Liam’s family and that his mom is screaming at Amelia in the ICU. Luke remembers talking to somebody’s mother and the two go running off. 

FIXING YOUR OWN MISTAKES

Amelia is apologizing the best she can to Mrs. Collins and knows their mistake can’t be fixed. She apologizes that her intern gave the news to the wrong family and assures Mrs. Collins that she did the final tests herself and that Liam is in fact brain dead. The mother can’t trust Amelia and is terribly upset that she didn’t get to say goodbye to her son. Luke and some other doctors wheel Liam back to the ICU, and Luke sincerely apologizes to Mrs. Collins. Amelia asks if she would like the last test run again, and Mrs. Collins decides that she wants all the tests run again. Luke pulls Amelia to the side and tells her that Liam is the donor for Mer’s triple transplant. Amelia very sternly tells the intern to go talk to Mer and instructs Simone to go with him to ensure that he doesn’t screw up again.

Nick and Mer give the good news about the triple transplant to their patient and her family. Luke taps on the glass of the room to get their attention, so Mer and Nick leave the room. Mer makes Luke explain what happened twice and looks like she is ready to pounce on him. Nick tells Luke to hold his shame spiral until after his shift because they need to focus on the patient. Simone tells Mer that Mrs. Collins wanted Amelia to run all the tests again before they can get the organ donation. Nick wants to know if Liam was stable, and Mer clarifies that if Liam codes and his heart fails before the tests are done, Luke gets to tell the family that their one-in-a-million match was wasted by his error. Mer tells them to go help Amelia, so the interns run off.  Luke stops after a few steps to puke in a garbage can along the way.

When they get back, Amelia pulls Luke and Simone aside to tell them that Mrs. Collins has her family physician at the hospital now to sign off on the tests because she no longer trusts them. Luke explains that two patient’s moms had the same first name, and he didn’t check the last name with them. He wanted to use their first name to be more personable with such bad news, but now he knows why doctors don’t only use first names. Luke checked and the woman he told her child was brain dead is actually brain dead, so there was not a second foul.

Simone goes to find Mrs. Collins and her doctor at Liam’s bedside. The family doctor is an older gentleman who can’t walk well and moves very slowly. He knows time is of the essence, and Simone has the brilliant idea of putting him in a wheelchair and running him back to the scan room to meet up with Amelia to sign off on the tests, which is another example of great initiative. Simone runs back to the ICU and gets lost along the way. When she finds Mrs. Collins, she gives her the bad news and tells her that the family doctor has confirmed Liam is brain dead. When he sees Simone struggling with the distraught mother, Blue comes over from across the room to talk to Mrs. Collins. He tells a moving story about losing his brother in an accident as a teenager and that his brother saved a lot of lives by donating organs. He thinks about it a lot, believes that the act gave his brother’s death meaning, and clings to that still. Mrs. Collins consents to the organ donation, so Blue and Simone go to give Mer the good news. Simone thanks Blue for the help, and he reveals that the story was a lie. He never had a brother and also wants in on the triple transplant. 

GO TIME

Mer and Nick anxiously await news on whether their transplant is a go. She wants to know what his gut says, and Nick feels the patient will get the organs. Mer blurts out that she shouldn’t have told him to go back to Minnesota and she called back for him but he didn’t hear her. He said he heard her, which surprises Mer. Nick was hurt and wanted her to do more than call his name: he wanted more effort. Mer says it was a bad day, and Nick counters that it has been six months. Mer informs him that it has been a very difficult six months, and they know that they are both stubborn and proud. Simone and Blue interrupt the moment to say they got the approval for the surgery. Mer says they both can be in the surgery, and since Nick is still the lead surgeon, he agrees to let them in too. The interns go prep the patient, who tells her family that she wants her body turned into a pod after she’s gone to cut down on pollution and become a tree for her family to eventually sit under, so that way she can watch over the family forever.

In the OR, Maggie, Schmitt, and Jules operate to retrieve the heart for Howard. Maggie declares that the heart has too many hematomas and is not suitable for transplant. Maggie tells Jules to close up, and Jules panics and wants to know what will happen to Howard. Maggie tells her that they will tell him that it wasn’t his day and that he will stay on the transplant list. Maggie knows that it sucks, but they have to take the good with the bad in this job. She leaves and tells Schmitt to watch over the intern.

In another OR, Nick is getting ready to scrub in for the triple transplant and finds Luke in the scrub room. Luke wanted to check in on his screw up and thinks he is going to get fired. Nick invites him to scrub in and advises the young doctor to learn from his mistakes and to end the day better than it started. Luke excitedly scrubs in with Nick, Richard, and Winston. Before they start operating, Nick tells the team about Liam and the patient receiving the organs. Luke quietly says, “It’s a beautiful day to save lives,” then repeats himself. Richard crinkles his brow in surprise and looks up into the gallery at Mer and Amelia. 

The unexpected moment becomes even more shocking when Amelia tells Mer, “Derek was a god to him,” and Mer smiles and warmly says, “I know.” Amelia reveals that Luke was Derek’s favorite nephew, and she hates to say it, but she isn’t sure her nephew has what it takes to be a surgeon. Amelia continues to say that Luke is a mess, doesn’t follow instructions, and has to do everything his own way. She asks if Mer hired him because of Derek, but Mer had other reasons for the hire. She knows Luke is a mess and needs to do things his own way, but he also has a stroke of the Shepherd family genius. He’s a bit of a black sheep and knows that he is like Amelia. Mer knows he has the spark and needed a chance, so she gave it to him. Amelia reminds her that she needed a lot of supervision at that age, and Mer asks Amelia to mentor their nephew. This reveal was quite unexpected and brings a very interesting twist to this season. It also explains Mer and Amelia’s behavior towards Luke in this episode. Two big questions remain: when will the other interns learn of Luke’s identity, and which Shepherd sister is Luke’s mom?

NOT BAD AFTER ALL

We get a montage of the triple transplant surgery, which shows Blue and Simone watching to take notes and give regular updates to the family. The other interns and attendings come and go from the gallery to watch. The surgery winds up being a success, and the gallery applauds. Simone gets to give the family the good news.

Link waits in the hall outside the intern locker room after the surgery to talk to Jules. He asks how her first shift is going. She replies that it is endless and devastating, but she already loves the job. He wants her to sign a piece of paper from HR that says their relationship predates her employment there. Jules tells Link that he is nice and they had fun, but they don’t have a relationship. Link doesn’t want a relationship with her either. Jules sort of calls Link a stalker for waiting for her outside the locker room and tells him they should be friends. Link has no idea what just happened and walks off semi-stunned.

Mika is still watching over Marina and is shocked when Marina moves her hand and wakes up. Mika wakes up the mother to tell her Marina is awake. The mom can’t believe the good news either, and Amelia quietly arrives to see the moment from the background. The triple transplant recipient also wakes up and asks if she is a tree. All the doctors are there and tell her that she can see her family in a few days after she recovers enough. She wants to thank the donor’s family because she knows a child died to save her. Simone leaves the hospital room after becoming emotional and goes outside for some fresh air. Richard finds her and asks if she is okay. Simone reveals that her mom died giving birth to her at GSM and that she hadn’t been to the hospital since. She also says that she wasn’t late due to the tornado but because she had a panic attack. She had been picturing the hospital her whole life and found it disorienting to be there. She apologizes for being late and lying and says it won’t happen again.

Link walks out of the hospital to go home and with Jo in her black scrubs by his side. She’s laughing at him again after hearing his latest Jules story. Schmitt walks up to them, and Jo gets super serious instantly and tells him to keep walking and that they aren’t on speaking terms before the poor guy can even say a word. Jo goes right back to laughing at Link after Schmitt leaves.

Back inside, Nick goes to Mer’s office to talk. He thanks her for the surgery and says he had never done a triple transplant before. The patient is doing well and is grateful, so he is ready to leave. Mer asks him to stay because she needs a residency director, and Nick is the best teacher she knows. She explains that this intern class is a lot like Nick was at that age and says they didn’t match anywhere else or got kicked out of their previous programs. She reveals she wouldn’t have hired the interns if she didn’t know Nick and his story and believes that he inspired the hires. She tempts him by again saying she needs a residency director, it offers great pay, he wouldn’t travel as much, and she would love it if he would consider the offer. Nick smiles and they are again interrupted. This time it’s Teddy and Owen knocking on Mer’s door. 

Mer is happy to see her friends. She called them three weeks ago and is confused why they are showing up now. Owen says he couldn’t work three weeks ago, but he can now. Teddy quickly adds that Owen can only work if supervised. Teddy spitefully goes on to say that Owen is very tan from surfing all day every day while they spent all their money on an expensive attorney. Owen rebuffs that Teddy is angrily drinking wine all day but you don’t see him criticizing her. Things are clearly great for this married couple. Nick tries to escape the awkwardness by saying he is leaving and will consider Mer’s offer. Mer asks Teddy and Owen to sit down and talk and wants to know the full situation. Owen reveals that their attorney got all the charges against him dropped... for the low cost of $250,000, Teddy reminds him. His medical license is still suspended, so he has to be supervised for the next six months. Teddy is very bitter about the whole situation, and it will definitely be an interesting storyline throughout the season.

The episode ends on another scene that will be very familiar to diehard Grey’s Anatomy fans. After a long day, the five interns are laying on gurneys in a hallway in the basement having a conversation that sounds eerily similar to ones had in the early episodes of the show. Luke is on an adrenaline high from operating while everyone else is beat. Luke asks Simone if she has a nickname, which she doesn’t. Blue tells the group that people call him Blue like the ribbon because he always wins. Simone quips that he clearly doesn’t always win since this is a program for rejects and losers. None of them say they identify that way, except for Luke, who wants to prove himself wrong. Blue wants to know what Simone did to get in here with a quippy jail reference. Simone answers, “Wouldn’t you like to know,” as all their pagers go off and they go running to help more patients. 

What do you think of the rebooted, or should I say retooled, Grey’s Anatomy? It certainly feels different and a bit odd with so many new characters being the focus of the episode and the regular characters all in new roles but relegated to the background. It will be interesting to see how the show winds up balancing the new and returning characters from here on out. Even more interesting will be whether these five interns become the reincarnations of the original five Grey’s Anatomy interns. At the moment, there aren’t clear-cut copies in my mind. Luke most certainly is George, Mika might be in the Alex role, Blue is more than likely Cristina, and it’s a toss-up between Simone and Jules for Meredith and Izzy. It will be a difficult transition, but time will tell if this new storytelling will work or not.

Wednesday, October 5, 2022

The Resident 6x02 Review: “Peek and Shriek” (Preparing for the Future) [Contributor: Justine]


“Peek and Shriek”
Original Date: September 27, 2022

The Resident is desperately trying to convince us all to care about the Cade/Conrad/Billie triangle, and it’s not working. The continued focus on Conrad’s inability to choose between two amazing women is a distraction from everything that makes this show great. These are still early days in the season, so there is still ample time to correct course. If the focus of the series is meant to be on relationships, there are many more that could take center stage. 

Conrad spent so much of last season in the background, being a father as he grieved Nic’s loss. It suited him, frankly, and it allowed for more fulsome development of other characters. There’s absolutely a way to bring this character back into the spotlight, if that is the intention. It’s commendable that the show is still allowing him to grieve his wife’s loss. However, it’s unwise to make this character simply a man who has to choose between two women. He deserves better and so do Cade and Billie. 

Ian’s storyline is going nowhere good but it will be interesting to see how it evolves. On one hand, there’s authenticity in Cade seeing her loved one in the middle of acute addiction and being in denial about that fact. This is the lived reality of many people who have watched a family member live with addiction. On the other hand, Cade has already expressed a mistrust in her father, and initially seemed at least somewhat aware of how her father hid parts of himself. It makes little sense then that she now seems to mostly trust him, but just can’t put the pieces together about what is going on.

The main medical drama in this episode revolves around a brawl that breaks out in a line of people waiting to vote. This was compelling but the ultimate resolution was both devastating and also pretty aggravating. The white man who pushes a Latino man and injures him ends up getting a free pass because, surprise, all of his aggression was caused by medication he was taking to quit smoking. There was definitely more to unpack here, but everything is rushed along and there’s not a lot of accountability.

This episode also gives a heartbreaking look at Kit as Bell’s caregiver. She’s always so strong, so it’s humanizing to see this character struggle as she watches the man she loves battle against MS every day. The fact that her personal situation is impacting the advice she gives patients is a sign of how overwhelmed she is, caring for Bell in his hour of need. This is going to be a difficult topic to handle as the season continues.

Leela’s imperfections are also on display this episode. It’s well-established that her strengths lie in the operating rooms, making incredible surgical saves. She has always found it difficult to speak to patients when they are awake. It seems like rather than moving forward and identifying where she can be more compassionate with her patients, though, she’s back to her old self. Perhaps this was a venue to introduce Kitty as Leela’s mentee. It feels unfair to have Leela undo all the work she has done to get her to this point in her story. 

Padma is still not having an easy time with her pregnancy. It’s so sweet watching her try absolutely everything to distract herself from the feeling of doom. This is also a great opportunity for Leela and A.J. to show just how supportive they are, even when Padma’s requests become more outlandish. These babies can’t come soon enough. They’re stressing everyone out, and they have people who are waiting to love them fiercely. 

The Resident still has decisions to make even though it’s early in the season. The terrible governor has been elected, and this is an opportunity for the show to return to its roots. Perhaps this will be the grounding force that brings everyone at Chastain together so they can fight as one. If done right, this could be the story that brings out the best in all of the characters fans have come to love. They are all capable of much more than what we’ve seen so far this season. 

Other Things:

  • We don’t see a lot of Conrad and his military past since it’s rarely brought up. He should get a chance to reflect on it more and use it to provide better care to his patients. 
  • Nurse Hundley is a national treasure and needs to be protected at all costs. She needs her own episode immediately.
  • A.J. remains an underrated BFF, and it’s a great lookthat he’s allowed to show this part of himself. 10/10, no notes.
  • “MS is such a bastard. You think you're on a plateau, and then it just crumbles.” 
  • “Maybe it's nothing. The other day I saw him take a pill. I don't know what it was, I didn't ask. But then today he had this bruise on this forehead and he said it was nothing but he seemed jittery.” 
  • “Maybe stay off Twitter too; that can also cause aggression and mood swings.”

Thursday, September 22, 2022

The Resident 6x01 Review: “Two Hearts” (Returning With a Bang) [Contributor: Justine]


“Two Hearts”
Original Air Date: September 21, 2022

The Resident is back, and Chastain has never had more chaotic energy. After season 5, which featured so much grief and loss, this is a moment for these characters to experience new beginnings. The overall tone may have shifted from when the show started, but there are still clearly more stories to tell with these characters. Some set-ups make sense, others... not as much. But this premiere sets the tone for the rest of the season. 

Right out of the gate, this love... shape is a mess. It can’t be classified as a love triangle: if Cade and Billie were into each other, in addition to anything with Conrad, that’s a love triangle. Setting Conrad up as having to make some kind of choice between Billie and Cade doesn’t work for many reasons. As mentioned last season, Cade has had too little character development thus far to make her compelling enough, let alone putting her with a romantic partner. 

If anything, there could maybe have been a romantic storyline between Billie and Conrad. There’s definitely history here, and a relationship between them could go sideways. However, if it is done right, this could be a very sweet friends-to-lovers tale. It’s a good thing that Billie has a friend like A.J. she can turn to for guidance. Frankly, we could all use a friend like The Raptor from time to time. This is the honesty that the show needs more of. Hopefully Billie and A.J.’s friendship continues to be in the spotlight. 

Padma’s obstetric troubles make for compelling drama, but it’s not easy to watch. It feels like the show is doing wrong by this character, making her suffer through this. It’s harrowing and yet not unexpected. The drama doesn’t feel earned, however; it just feels like a way to use a pregnancy for an easy, built-in medical emergency. This storyline does give Leela the chance to prove what a phenomenal sister she is. She is going to make such an amazing aunt to those babies. 

Ian is back to his clownery, operating under the influence. The other doctors and medical students refer to him as “a miracle worker touched by the hands of God.” A little dramatic, no? A doctor living with an addiction can also make for magnetic television. Unfortunately, this is an all-too-real situation that plays out every day. Handling a story like this requires delicacy and sensitivity. This entire situation is incredibly volatile, and it would be a mistake to think this is the last we’ve seen of it. 

The set-up with the governor who pledges to cut healthcare funding reads like vintage The Resident. In fact, this storyline could very well be a return to this series’ source material, Unaccountable by Marty Makary. In addition to detailing harrowing stories of corrupt and incompetent physicians, Makary speaks extensively about the perils of underfunding healthcare systems. If done right, this could be an authentic look at the perils of privatized medicine. 

The KitBell content is minimal here, and it’s for an apparently heartbreaking reason. It seems that Bruce’s MS is going to worsen and that this will be a major feature of this season. This is a couple worth rooting for, always. Regardless of the challenges they face, hopefully the powers that be will allow them some kind of happiness. A KitBell wedding is coming and it can’t be soon enough. 

The Resident seems to be at a crossroads. The show could recapture its original feel, and tell compelling stories of doctors saving lives while seeking justice for their patients. Alternatively, the show could become bogged down in setting up a love "triangle" that no one asked for and sidelining characters who have always deserved the spotlight. The season is just getting started and there is ample time to get things right or wrong. 

Other Things:

  • Gigi remains adorable. You already knew that though.
  • Devon’s research is continuing to place him in the background. Perhaps this is so that Manish Dayal can turn his focus to directing more episodes?
  • The 100th episode can’t come soon enough. The social media teases have been epic, and it’s closer than ever.
  • Dr. Lee is the real MVP of this series. I will hear nothing else. 
  • Those new opening credits are giving major E.R. vibes. 
  • “I don't know what I would do without your support.”
  • “It's never too late to win the love of your life back.”
  • “Their hearts don't sound the same. They're identical, their hearts should be identical.”

Monday, August 22, 2022

Welcome to Wrexham is About More Than Football [Contributor: Jenn]

(Photo credit: FX)

The first five episodes of Welcome to Wrexham function like act one in an inspirational sports film.

The series is a story of a small town soccer (football, from here on out since we're in the U.K. for most of the series) team in Wrexham, Wales. The long-standing team was really struggling in the lowest division of their league. That's when actors Rob McElhenney and Ryan Reynolds decided to team up, step in, and purchase the club.

WHY WREXHAM?


The significance of Wrexham is that it's a passionate working-class town that's rallied around their team — and that's one of the things that draws Rob to Wrexham in the first place. "The team becomes an extension of the city," he says. "Even as a kid I remember that gave me something to identify with."

Rob, of course, is talking about his hometown and the Philadelphia Eagles. And he's right: the passion a community has for their sports team is impressive, especially when that team is an underdog. The memories made at those games aren't always connected to the scoreboard — they're often about the people you're sharing the experience with. At its core, that's what Welcome to Wrexham is about. It's a look into the people who make up a team like Wrexham A.F.C., and that the concept of "team" extends far beyond the players themselves.

Rob says: "Even though I've never been [to Wrexham], the town reminds me of Philadelphia. ... It's a town that's had its ups and downs and they haven't had a lot of opportunity that other people have had. I feel like I know those people. I grew up with those people. I am one of those people."

When Rob began considering becoming the owner of a football team, he realized something: "I needed something more than TV money. I needed movie star money. More than that, I needed superhero movie star money. More than that, probably as we ascended up the leagues, I would need alcohol baron money. And mobile phone services money. And... what other companies does [Ryan] have?"

Ryan, meanwhile, talks less about the community aspect of sports and more about the game itself. Growing up in a working class family, his drive to play sports came from wanting to connect with and be validated by his dad. So naturally, Rob and Ryan teamed up (having never actually met in person) and bought a football club.

As someone who has little to no interest in football, I have to admit that I was intrigued by Welcome to Wrexham but actually stayed mostly because of the storytelling. As a series, it doesn't shy away from the pain and struggles that come from enduring change upon change. Because it's a docuseries and not a fictional film, Wrexham as a team doesn't magically become better overnight. Just because two wealthy celebrities acquire a football team doesn't mean circumstances immediately improve; there's a lot of work and uncertainties ahead. "There is a version of the story where we are villains," Rob quips at the beginning of the series, noting that if he and Ryan lose money and the team doesn't win, they'll have to sell the club.

"We really don't want to let them down," Ryan says in the first episode.

TOUGHER CALLS


And there's no getting around the fact that things are hard from the get go: Ryan and Rob make tough decisions about players in the first episode, they ultimately have to cut a number of team members, and they seem to keep running into obstacle after obstacle, financial and otherwise. But they're persistent in their dedication to making the team the best it can be — and also winning games to move up the leagues. That last part is important. Rob's persistence, in particular, should be noted. He's not the kind of person who gives up easily when there's an obstacle in his way (hiring a head coach, for instance) and it shows. That's what Wrexham A.F.C. needs, though: a pair who will make the tough calls and do what's necessary to create the best team and environment, critically one that sets its players up for success.

But as much as I do enjoy Rob and Ryan as actors, I was glad that Welcome to Wrexham wasn't really a two-man show all about them. The true standouts in this docuseries are the devoted fans who care about Wrexham. In episode three, we meet Kerry Evans, the Wrexham A.F.C. disability liaison officer. She's a wheelchair user who works at the club full time. We also meet Wayne, a club supporter who says: "This town ... deserves a break. ... We need a break." 

Episode five, "Fearless," showcases Wrexham A.F.C. volunteer Annette Gardner who talks about the way her football family of fans came around her when she lost her husband suddenly. The same episode gives us a glimpse into a kid named Sam who's obsessed with the club. He and his friend meet the players after every game they attend, and Sam has even gotten things signed. Fans are interviewed and focused on at every turn, and their stories are what make Welcome to Wrexham truly take shape for me.

(Relatedly, I also love that Humphrey Ker — Mythic Quest writer and an actor — is the club's executive director and helps not only navigate the practical needs of the club, but also helped Rob and Ryan understand the intricacies of U.K. football. Also thank goodness for Humphrey explaining the football league system/pyramid for my own benefit!)

Welcome to Wrexham isn't a story of Rob McElhenney and Ryan Reynolds, though they are two of the featured players. It is really the story of a town who loves their team and people who will do everything they can to keep that spirit alive.

Overall, if you're looking for a lighter fare and enjoy both sports and docuseries, check out this one! Welcome to Wrexham premieres on FX August 24. You can also watch episodes the next day on Hulu.

Friday, July 15, 2022

The Flash 8x20 Review: "Negative, Part Two" (Finale Frustrations) [Contributor: Deborah M]


“Negative, Part Two”
Original Airdate: June 29, 2022

It’s finale time again! “Negative, Part Two” is as convoluted and haphazard a finale as one would expect from a season full of vague explanations and looming questions lacking satisfactory answers. All the bad habits this show has developed over the years make an appearance, from confusing motivations to convenient character flaws to developments that stretch the suspension of disbelief to the breaking point. It’s definitely not the positive outro we got last season, which makes me respect that finale a whole lot more.

ELIMINATE THE POSITIVE

We start where we left off last week, with the newly-resurrected Reverse Flash and... wait. I know Tom Cavanagh is a decent actor. He’s been fine during most of his run on this show. But what in the world is he doing in this opening scene? Not only do we get growl-acting and William Shatner-esque pauses, but also incomprehensible hand gestures, all of which is really distracting for what should be a tense and emotional moment. I just needed to point this out, because it’s weird.

Anyway, Thawne explains how the Negative Forces chose him to replace the Negative Speed Force and mocks killing both Barry’s mom and Iris. Of course, Barry flips out and attacks Thawne, only backing down with the arrival of Nora and Bart to tell Barry that killing Thawne would make him “just as bad as” the time-traveling mass murderer who has openly admitted that his only goal in life is to make Barry and everyone associated with Barry miserable. 

I’ve beat this drum before, but: no, Barry would not be “just as bad” as Thawne if he killed him. Thawne has proven time and time again that he cannot be contained in a jail and he cannot be changed for the better. While I don’t believe even killing him would solve the problem of this man-shaped bad penny, the fact that the characters refuse to see it as an option is frankly ridiculous. Doubly ridiculous is the idea that Barry killing him would be on equal ground with all Thawne’s past, present, and future crimes. This is a thing the characters bring up not because it’s a moral hard line — Joe has surely killed criminals in his role as a police officer, do Nora and Bart think he’s the same as a time-traveling serial killer? I doubt it! — but because the writers can’t think of another way to keep Eobard Thawne around except by having the characters refuse to kill him. This isn’t about ethics, it’s about poor writing.

Thawne disappears in a burst of black-white nega-sparkles, leaving everyone to convene for an angry meeting of Team Flash in the next scene. Before we go, though: a quick bit of kudos to Kausar Mohammed, the actress playing Meena, for clearly portraying “the love of my life just got his face torn off in front of me” while every other person in the scene focuses on Barry and Barry’s anger instead. Poor Meena’s pain gets almost no consideration despite her love for Eobard being paralleled to Barry and Iris’s love, so it’s good the actress got to give something.

Barry still wants to kill Thawne because he’s absolutely certain that Iris is dead. Yeah, Barry Allen — whose relationship with Iris has been consistent stubborn denial of anything telling them they can’t be together — has immediately given up on ever getting his wife back. Nope. She’s just dead to him now and he’s moved on to revenge. Barry, you know “acceptance” is supposed to be the last stage of grief, right? Not the first? I think Barry might be getting grief confused with having a drinking problem.

Of course Iris isn’t actually dead. She was saved by the Time Stone used by Damien Darhk during the Armageddon storyline at the beginning of this season, delivering her to an echo of an erased timeline, and — hey! Damien Darhk is here! Aw, buddy, I’m as glad to see you as I am annoyed to have to type your name. That stray ‘h’ is just never where my instincts expect it to be.

Darhk is around to be amusing and deliver some exposition on what’s been happening with this convoluted season. Although, since all he does is say that Iris’s time sickness was her being used as an incubator for the new Negative Speed Force avatar and she’s determined enough to defy death, I probably shouldn’t call it exposition. That word has connotations of excessive detail and Darhk’s explanation tells us virtually nothing about how any of this was possible or why it worked. Anyway, Iris also doesn’t feel connected to Barry anymore, which I suppose explains why Barry went full-tilt into despair and revenge — still, even in The Flash’s universe most people don’t feel a supernatural connection to their loved ones and manage to have a little hope.

Iris isn’t the only one visiting deleted timelines! Thawne appears in a static version of that deleted timeline where he and Iris were together. The Negative Forces show up, Tom Cavanagh continues to make weird acting decisions (more incomprehensible arm movements, plus it looks like someone bet him he couldn’t say all his lines without moving his lips and Cavanagh plays to win) and then the Negative Forces turn him into the Negative Speed Force avatar.

Back in the real world, Cecile tries to talk some sense into Barry but is interrupted by a staticky call for help from Bashir, the severely weakened Sage Force. No, it is not adequately explained why time sickness utterly debilitates the Forces while the Negative Forces losing one-fourth of their team only makes them angry and still capable of creating an avatar for a Negative Speed Force that doesn’t exist anymore. We just have to accept it.

Barry, Nora, and Bart try traveling to the Negative Speed Force but the devices fail. Frustrated, Meena zips off in anger to destroy the machine she and Eobard created because she thinks it’s all the machine’s fault, even though I’m pretty sure Eobard would’ve been killed no matter what because of the whole timeline thing. Barry talks her down and asks her to share her speed with him, since she taps into the Negative Speed Force. Why wasn’t she your first option?

All this Negative Speed Force travel stuff culminates in a short scene in which Barry gets there and the Negative Forces show up to blame him for causing all the problems when he cut Thawne off from his speed. Something, something, destroying the Negative Speed Force avatar means Barry “upset the balance” — oh please, the original versions of you guys didn’t even exist until last season! What are you talking about, “the balance”? You’re the ill-conceived creations of a writer’s room running on fumes! “Balance?” I’d “balance” the lot of you into an active volcano.

Thawne’s transformation into an avatar finishes and he gets plopped in the middle of town with a new black suit and a penchant for killing folks at random. Barry, Nora, Bart, and Meena confront him, but Thawne quickly zaps the other three into the past in order to face Barry alone. 

Meanwhile, Cecile has her own thing going on as she tries to strengthen Bashir with the begrudging help of those psychic metas whose powers she accidentally stole. They all do a little seance to call Bashir to them, and Bashir gives Cecile his mask to wear in order to reabsorb her powers and transfer them to him, restoring him and (for some reason) the rest of the Forces. I suspect the original plan was to get one member of Team Flash to help an associated Force, but that obviously fell through so… yeah. Just one needs to be helped and they’re all fine now.

The Forces arrive at the fight between Barry and Thawne, do a glowy thing where they all get absorbed by Barry and give him equal power to Thawne, leading to a drag-out fight that nearly levels the city. Iris “reignites” the spark between her and Barry, which gets her out of the Time Stone and revived in the real world. Jay Garrick zips her to the speedster fight, just in time to talk some sense into Barry about collateral damage, so Barry takes the pacifist option and... meditates Thawne to death? There’s some vague hand-wave explanation about Thawne’s thirst for power leading to his destruction, but yeah. Barry wins the fight by meditating. Thawne is ostensibly dead, but I have no faith he’ll stay that way.

We’ve arrived at the denouement, with Barry and Iris contemplating the inevitable return of a Negative Speed Force avatar while we get an ominous shot of a glowing blue crystal on June 29, 2049. Welp. That’s a problem for the future, I guess. Bye for now, everyone!

Other Things:

  • Caitlin’s plotline: unknown! We don’t see Frost or Caitlin, but Mark looks terrified and confused by whatever comes out of that regeneration chamber.
  • “This is a nice office.” Bashir can join Damien Darhk as the only levity in this episode.
  • “Who’s his new tailor? Satan?!” Okay, there’s also Bart.
  • “It was all ‘aster’ — no ‘dis’.” “I don’t even know what that means.” Let. Grant. Gustin. Do. More. Comedy!

Friday, July 1, 2022

The Flash 8x19 Review: "Negative, Part One" (Converging Convolution) [Contributor: Deborah M]


“Negative, Part One”
Original Airdate: June 22, 2022

The penultimate episode of The Flash’s eighth season has arrived as the first part of a two-part finale — and boy, is it convoluted! I fully expected things to get a little crazy because this season had about ten plots to tie up but not enough content in any of them to slowly roll out information in a way that was intriguing and measured, but this is... a lot. Again, I ask how this show can be eight seasons in and still so bad at pacing.

ACCENTUATE THE NEGATIVE

We start off in 2049, where Bart and Nora are playing some video games before being interrupted by a call from Iris. Then that call is interrupted by Iris disappearing in green sparkles and a younger version of Iris appearing in the room, having been deposited there by our old friend Time Sickness. Or, actually, Deon — but we’ll get to that stuff in a bit. Nora wants to run her not-yet-mom back to the past to get help from Barry, but the same sort of barrier that stopped her and Barry from leaving the Still Force earlier this season is preventing Iris from traveling.

Meanwhile, back in 2022, Barry and Eobard are helping Meena with her training when she decides to push herself too far and gets flung off the superspeed treadmill. Meena has a bit of a freak-out, runs off, and has to be talked down by Barry, who de-masks to reveal his secret identity in order to push the idea of heroes being ordinary people doing extraordinary things. Does Barry enjoy revealing his secret identity to people? Is it just fun for him? Meena is the fourth person this season, after Despero, Chief Kramer, and Mark Blaine. Having calmed down from her crisis, Barry dubs Meena “Fast Track” and they return to the labs.

Over on Lian Yu, Deon kills Thawne by rapidly aging him until he’s naught but a Spirit Halloween decorative mummy. This sends off all kinds of alarms to Team Flash, and Barry zips over to find the corpse. Before anyone’s hopes of Thawne being gone forever get too high, though, the Negative Forces show up to try and kill the other Eobard Thawne. Yeah, that’s right: Negative Forces. The godlike beings the show wasted far too much time on last season, slowly and deliberately converting them from villains to good guys? They’re back, they’re evil again, and they’re duller than ever.

Barry manages to keep the Negative Forces from killing Eobard, but just barely. In the fight, Barry’s speed gets messed up in the same way the accidental lightning bolt from Meena’s Negative Force powers affected him last week. Connecting the dots leads to the Negative Forces realization, and a trip Nora takes from 2049 further reveals that the reason why the Negative Forces are attacking is because cutting Thawne off from the Negative Speed Force disappeared Negative Speed Force Nora and the Negative Forces are now out for revenge. I love writing sentences that would be utterly incomprehensible to anyone who hasn’t seen this show. That one’s borderline incomprehensible to people who have seen this show.

Chatting with Nora also helps Barry figure out that Iris’s time sickness was just a way for Iris to infect the other Forces and weaken them, since Negative Deon knew Deon would try to help. It’s not clear why Iris, specifically, was infected or at what point the Negative Forces had access enough to infect her, especially since no one knew they existed before this episode and their existence barely makes sense. The Still Force is the opposite of the Speed Force but there’s also the Negative Still Force and the Negative Speed Force, so they’re opposites of each other and also have extra-extra opposites… Oh, jeez, why do I keep trying to understand the mess of this show’s lore?

Team Flash has to prepare for another showdown with the Forces and Meena is stressing out again and is sorry that Eobard isn’t the one with the super speed, since she never wanted it. Meena’s reservations about being a hero seem to be the closest we get to an emotional foundation of the episode. It’s minor — which is to be expected, since the first of a two-parter isn’t going to be fully formed on levels of character or plot — but it’s there. 

The problem is we don’t know Meena well enough on this, her third episode, to fully dig into what makes her tick. Her fears even shift in the episode, going from the “I want to be a hero but I’m not cut out for it because I’m just a person” panic that Barry helps her through in the beginning to “I never wanted to be a hero, I just wanted to help other people be heroes” panic that Eobard helps her through toward the end. Being a complex person with multiple fears she can’t grasp and verbalize is great for a character, but when it’s all done in the span of an episode it seems like the writers weren’t paying attention and hoped the audience wouldn’t be either.

Anyway, Barry suddenly has the idea of sharing Meena’s powers with Eobard, a thing that has never happened and probably shouldn’t have entered Barry’s mind as possible. The entire conflict of Meena getting powers instead of Eobard is based on the fact that their speedster-generator can only grant speed to one person! And now they can just hold hands and share speed, without halving said speed’s power at all, because Barry suddenly knows that’s a thing? Whatever! Fine! Moving on! Eobard has the Reverse Flash costume and he’s a speedster now.

The fight between Team Flash and the Negative Forces commences, intercut with scenes of Iris having time sickness headaches in the future. Now three speedsters work together against the Negative Forces, while Iris gets visions of events that have happened throughout the episode, including Deon talking about how “sacrifices” must be made. It was assumed that Thawne was the sacrifice, since Deon killed him, but just as Iris realizes that’s not the case, Barry ramps up a lightning bolt to throw at the Negative Forces.

Instead, Deon snaps Iris into the path of the lightning bolt, killing her. As Barry mourns Iris, her body disappears into green sparkles that swoop into Eobard, who starts buckling over in pain. In without a doubt the grossest thing this show has ever done, Eobard peels off his own face to reveal the other Thawne’s face, laughing maniacally.

Other Things:

  • Other plotlines: Cecile can steal other psychic metas’ powers now and she’s becoming the most powerful meta ever, apparently. Maybe we’ll get more info about that next episode. Also, one scene of Caitlin stepping into a machine she and Mark Blaine built to resurrect Frost.
  • The quick-cut edits where Meena’s freaking out by a dumpster weren’t the usual style of this show, but I liked it.
  • Meena, after a Barry-delivered pep talk: “Damn, that’s good.” “I have my moments.” Roughly once an episode, in fact.
  • This episode gets a Cisco mention! I miss you, Cisco.
  • What is this show’s obsession with Tom Cavanagh playing Reverse Flash/Eobard Thawne even though that makes absolutely no sense since that is NOT HIS FACE.